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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSON
BATTERIE
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Harmonic Blues
Non classifié
26
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31
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4
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3
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2
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1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Harmonic Blues
Jazz combo
Partitions à imprimer
6 partitions trouvées
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Pi, Why?
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Al...
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Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
Toads
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Jazz combo
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Blues
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Jazz
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Roger Aldridge
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Toads
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.97...
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Jazz Combo - SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.979631). Words that come to mind about this piece are strange, edgy, and fun. In just over a minute the music moves seamlessly through four different styles. I think of it as invoking images of mutant creatures wreaking havoc on a small town in a 1950's monster movie. Toads is meant to be OUT. The first section has a minor blues feeling even though it does not have have a minor blues harmonic structure. The solo fills (on E+7 and Db7) are fairly short on the demo recording. They can be played longer and have more of an avant-garde spirit. The second section has an angular melody line, with an emphasis on major 7th intervals, and shifting time. It can start softly and build in volume to the third section. The third section is also angular; however, there is a melodic shift from major 7th intervals to fourths & tri-tones and the rhythm section is in a more straight-ahead style. Finally, the fourth section (last 4 measures) has a funk feeling. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 2010.
$3.00
New Tango No. 2: Mystery
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Jazz combo
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Tango
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Roger Aldridge
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New Tango No. 2: Mystery
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979634 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #428109. Published by Roger Aldridge (A0.97...
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Jazz Combo - SKU: A0.979634 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #428109. Published by Roger Aldridge (A0.979634). This piece is part of a series of tango-jazz compositions. Each one explores a particular quality of the tango. Number 2 expresses a mysterious mood and has a touch of blues. New Tango No. 2 is an unusual tango in several ways. Given that many of my tangos have shifting time, this one is entirely in 4/4. The A part is 12 bars. A distinctive feature of this section is the use of blues scales over triads. The B part is 8 bars. As a contrast, this section has a harmonic shift to minor 9th chords. The tune's 20-bar AB form is used for solos. To underscore a mysterious mood, the coda has a false ending (2nd bar of the coda) before starting up again (repeating bars 9-11 of the A section) and leading into the real ending. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 2010.
$3.00
Stolen Moments
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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Oliver Nelson
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Robert V
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Stolen Moments
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Robert V. Parisi
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.773599 Composed by Oliver Nelson. Arranged by Robert V. Parisi. Jazz. Score and parts. 22 pages. Robert V. Parisi #381175...
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Jazz Combo - Level 3 - SKU: A0.773599 Composed by Oliver Nelson. Arranged by Robert V. Parisi. Jazz. Score and parts. 22 pages. Robert V. Parisi #381175. Published by Robert V. Parisi (A0.773599). Stolen Moments is a jazz standard, composed, and recorded by Oliver Nelson in 1961. After a four bar intro, the sixteen measure melody rides above a tight, dissonant, harmonic texture in the key of c minor. The solo section, which follows, offers the band members the opportunity to improvise on a standard twelve-bar minor blues progression. This arrangement is scored for two trumpets, two tenor saxes, a trombone, (which doubles the second tenor part), and the rhythm section, (guitar, piano, bass, and drums).
$50.00
St. Matthew Blue (Swing Version)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00
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Harmonic Blues
