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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE A BEC
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HARMONICA
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LUTH
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Non classifié
417
Piano & claviers
Piano seul
561
Piano, Voix
69
Piano Facile
62
Piano, Voix et Guitare
41
Orgue
37
Piano Trio: piano, violon, violoncelle
14
Instruments en Do
13
1 Piano, 4 mains
12
2 Pianos, 4 mains
8
Accompagnement Piano
3
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 8 instrumentations
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Guitares
Guitare
30
Guitare notes et tablatures
14
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
3
2 Guitares (duo)
2
Ukulele
2
Basse electrique
2
3 Guitares (trio)
1
Ensemble de guitares
1
Guitare, Quatuor à cordes
1
Dulcimer
1
+ 6 instrumentations
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Voix
Chorale SATB
269
Chorale 3 parties
65
Voix Soprano, Piano
37
Chorale 2 parties
33
Voix Tenor, Piano
31
Voix Alto, Piano
26
Chorale Unison
24
Chorale SSAA
15
Chorale TTBB
14
Voix duo, Piano
8
Voix haute
6
Chorale SSAATTBB
6
Voix Baryton, Piano
5
Voix moyenne, Piano
5
Voix seule
4
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix basse, Piano
2
Voix, Guitare
1
Voix d'Enfants
1
Voix Tenor
1
Voix basse
1
Chorale
1
+ 19 instrumentations
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Vents
Ocarina
279
Flûte à bec Soprano
223
Flûte à bec Alto
188
Flûte traversière et Piano
32
Flûte à bec Alto, Piano
30
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
19
2 Saxophones (duo)
16
Flûte traversière
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette et Piano
13
Clarinette
12
2 Flûtes traversières (duo)
11
Hautbois (partie séparée)
11
Saxophone (partie séparée)
10
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto
9
Clarinette (partie séparée)
9
Saxophone Tenor et Piano
9
Saxophone Tenor
7
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
6
2 Clarinettes (duo)
5
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Ensemble de Clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
Trio de Flûtes: 3 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton
2
Cor anglais, Piano
2
3 Clarinettes (trio)
2
Hautbois
2
Clarinette, Violon (duo)
2
Flûte à Bec
2
Saxophone Soprano
2
Flute (partie séparée)
2
Flûte, Violon, Piano
2
Ensemble de saxophones
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Flûte irlandaise
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Piccolo, Piano
1
2 Clarinettes, Basson
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières, Piano
1
+ 50 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trompette
13
Trombone et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Piano
6
Tuba et Piano
6
Cor et Piano
6
Trombone (partie séparée)
5
2 Trompettes (duo)
5
2 Cors (duo)
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Trompette (partie séparée)
4
Trombone
4
Quatuor de cuivres: 4 trombones
3
Cor
3
Tuba
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Ensemble de Trombones
2
Cor anglais, Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Euphonium
1
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
4 Tubas
1
Ensemble de Trompettes
1
+ 26 instrumentations
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Cordes
Violon et Piano
77
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
42
Violoncelle, Piano
31
Violoncelle
18
2 Violons (duo)
13
Alto, Piano
9
Alto seul
8
Violon (partie séparée)
7
Harpe
7
Violon, Guitare (duo)
5
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
4
Contrebasse (partie séparée)
4
2 Altos (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Violoncelle (partie séparée)
1
2 Harpes (duo)
1
Harpe, Flûte (duo)
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
344
Orchestre
76
Orchestre à Cordes
34
Cloches
17
Orchestre de chambre
10
Ensemble de cuivres
9
Ensemble Jazz
8
Percussion (partie séparée)
6
Jazz combo
5
Percussion
4
Fanfare
4
Vibraphone
4
Ensemble de Percussions
2
Timbales (partie séparée)
2
Xylophone, Piano
2
Xylophone
1
Marimba
1
+ 12 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Jazz combo
Partitions à imprimer
5 partitions trouvées
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Race Riot
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Jazz combo
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AVANCÉ
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Jazz
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Geoffrey Peterson
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Race Riot
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Geoffrey Peterson
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey ...
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Jazz Combo - Level 5 - SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey Peterson (A0.942959). The May 17, 1963, issue of Life Magazine featured a photo essay of appalling images taken by the American photographer Charles Moore. The opening paragraph bluntly stated that The pictures on these 11 pages are frightening. They are frightening because of the brutal methods being used by white policemen in Birmingham, Alabama, against Negro demonstrators . . . And they are especially frightening because the gulf between black and white is here visibly deepened. Known as the Birmingham campaign, Moore’s photographs of this senseless brutality sent shockwaves throughout the country and the world of the deeply embedded social and institutional racism and segregation of the South. On May 2, 1963, under direct orders from Birmingham’s then Commissioner of Public Safety, Eugene Bull Connor, all African Americans participating in a nonviolent demonstration organized by the Southern Christian Leadership Conference were to be subdued with high-pressure water blasts from fire hoses and violently attacked and taunted by police dogs. After seeing Moore’s photos in Life, Andy Warhol created a series of Race Riot paintings using a terrifying image of Moore’s of a man being attacked by a German shepherd in his trademark acrylic and silkscreen process. Interestingly, the title Race Riot is a contradiction because it was in fact a peaceful protest interrupted by the violence of the police. There is a menacing quality to the music that I hope conveys both Moore’s original photo and Warhol’s appropriation.
$19.99
Catoctin Snowfall
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Jazz combo
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Jazz
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Roger Aldridge
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Catoctin Snowfall
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979674 Composed by Roger Aldridge. Jazz. Score and parts. 2 pages. Roger Aldridge #3010815. Published by Roger Aldridge (A0.979674)...
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Jazz Combo - SKU: A0.979674 Composed by Roger Aldridge. Jazz. Score and parts. 2 pages. Roger Aldridge #3010815. Published by Roger Aldridge (A0.979674). Catoctin Snowfall was inspired by a day of snow at Catoctin Mountain in Maryland. It begins peacefully and increases tempo to invoke images of snow blown by mountain winds. The second section, sounding unresolved, serves as a springboard for the soloist. After the solos, the piece returns to a peaceful mood with images of snow-covered woods. As with most of my music, Catoctin Snowfall can be performed in different ways. In addition to expressing a snow storm, it can have a joyful spirit of children (or one's inner child) enjoying the snow. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1993
$3.00
Uxmal At Midnight
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Jazz combo
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Roger Aldridge
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Uxmal At Midnight
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979638 Composed by Roger Aldridge. 20th Century,Jazz,World. Score and parts. 2 pages. Roger Aldridge #432537. Published by Roger Al...
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Jazz Combo - SKU: A0.979638 Composed by Roger Aldridge. 20th Century,Jazz,World. Score and parts. 2 pages. Roger Aldridge #432537. Published by Roger Aldridge (A0.979638). Uxmal At Midnight is a slow tango. The tune is fairly simple however it has a beauty that invokes images and feelings of this magical place. This is one of my minimalist pieces. There are times when I use extended forms and times when I need only a few measures to convey a particular mood. The essential features of this piece are its simplicity, harmonic color, and use of space. The one exception to its simplicity is the shifting time. Like other pieces of mine that use shifting time, this music has a fluid movement -- with time expanding and contracting in ways that feel natural to me. For contrast, I decided to have the solo section entirely in 4/4. My minimalist pieces, and others that have a great amount of freedom, are heavily dependent upon the performers to bring the music to life. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2000.
$3.00
Toads
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Jazz combo
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Blues
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Jazz
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Roger Aldridge
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Toads
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.97...
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Jazz Combo - SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.979631). Words that come to mind about this piece are strange, edgy, and fun. In just over a minute the music moves seamlessly through four different styles. I think of it as invoking images of mutant creatures wreaking havoc on a small town in a 1950's monster movie. Toads is meant to be OUT. The first section has a minor blues feeling even though it does not have have a minor blues harmonic structure. The solo fills (on E+7 and Db7) are fairly short on the demo recording. They can be played longer and have more of an avant-garde spirit. The second section has an angular melody line, with an emphasis on major 7th intervals, and shifting time. It can start softly and build in volume to the third section. The third section is also angular; however, there is a melodic shift from major 7th intervals to fourths & tri-tones and the rhythm section is in a more straight-ahead style. Finally, the fourth section (last 4 measures) has a funk feeling. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 2010.
$3.00
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