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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not While I
Non classifié
400
Piano & claviers
Piano seul
333
Piano Facile
58
Piano, Voix
48
Piano, Voix et Guitare
36
Orgue
22
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
8
2 Pianos, 4 mains
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Guitare
47
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Dulcimer
3
Mandoline
1
3 Guitares (trio)
1
Ukulele Baryton
1
Guitare, Orchestre
1
2 Guitares (duo)
1
2 Ukuleles
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
19
Chorale 2 parties
13
Chorale SSAA
8
Chorale Unison
7
Chorale TTBB
7
Voix seule
5
Chorale
3
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix haute
1
Voix Alto, Piano
1
Chorale SSAB a cappella
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière
25
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette
22
Flûte traversière et Piano
17
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Quintette de Saxophone: 5 saxophones
12
Ensemble de saxophones
10
Saxophone Soprano et Piano
9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
7
Hautbois (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
5
Flute (partie séparée)
4
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
2 Saxophones (duo)
3
3 Saxophones (trio)
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Cor Anglais
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Piccolo
2
Flûte et Guitare
2
Clarinette Basse, Piano
2
Ensemble à vent
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Saxophone
1
+ 39 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone
18
Cor
11
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trombone et Piano
4
Trompette (partie séparée)
3
Cor et Piano
3
Tuba
3
Cor Anglais
2
Trombone (partie séparée)
1
Trombone, Tuba (duo)
1
Tuba et Piano
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
Ensemble de Cors
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
2 Cors (duo)
1
2 Tubas (duo)
1
Trombone basse
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
31
Violon
20
Harpe
16
Violoncelle, Piano
15
Violoncelle
14
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
8
Violon, Violoncelle (duo)
6
Ensemble de Violons
4
Harpe, Voix
3
Violon, Alto (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Ensemble d'Altos
2
2 Altos (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
29
Orchestre d'harmonie
28
Orchestre
24
Ensemble de Percussions
19
Marimba
18
Ensemble Jazz
16
Ensemble de cuivres
16
Orchestre de chambre
12
Jazz combo
10
Cloches
10
Batterie
3
Fanfare
2
Xylophone
1
Percussion
1
2 Marimbas
1
Piano et Orchestre
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
Not While I
Jazz combo
Partitions à imprimer
10 partitions trouvées
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1
Hold On Just A Little While Longer
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Jazz combo
#
AVANCÉ
#
Don Hodell Chilcote
#
Don Hodell Chilcote
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Hold On Just A Little While Lo
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.779147 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Gospel,Jazz,Sacred,Spiritual. Score and pa...
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Jazz Combo - Level 5 - SKU: A0.779147 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Gospel,Jazz,Sacred,Spiritual. Score and parts. 3 pages. Don Hodell Chilcote #6448563. Published by Don Hodell Chilcote (A0.779147). Hold On Just A Little While Longer is for piano solo or ensemble. This is a great tune and the piece has a distinct and unique introduction, and 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude.
$2.99
A Kiss To Build A Dream On
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Jazz combo
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INTERMÉDIAIRE
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Bert Kalmar, Harry Ruby, and O
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Brad Esbensen
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A Kiss To Build A Dream On
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Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.774471 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Brad Esbensen. Contemporary,Jazz,Standards...
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Jazz Combo - Level 3 - SKU: A0.774471 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 34 pages. Brad Esbensen Music Services #6229895. Published by Brad Esbensen Music Services (A0.774471). Arranged for jazz combo consisting of six front line (playable by a minimum of four - trumpet, alto sax, clarinet, trombone) and rhythm section, A Kiss To Build A Dream On is a vocal feature in the key of C major. The first chorus features the vocals with trombone noodles (transcribed and notated) while the second chorus features solo space for the trumpet (a rough transcription of Louis' solo is provided) with trombone (notated) and clarinet (not notated) backing. Piano and bass parts are mostly notated throughout to help make this chart more accessible to less experienced players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$45.00
Someday You'll Be Sorry
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Jazz combo
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INTERMÉDIAIRE
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Louis Armstrong
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Brad Esbensen
#
Someday You'll Be Sorry
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Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.774457 Composed by Louis Armstrong. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 43 pages. Brad Esbensen Music...
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Jazz Combo - Level 3 - SKU: A0.774457 Composed by Louis Armstrong. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 43 pages. Brad Esbensen Music Services #6214333. Published by Brad Esbensen Music Services (A0.774457). Arranged for jazz combo consisting of six front line (playable by a minimum of four - trumpet, alto sax, tenor sax, trombone) and rhythm section, Someday You'll be Sorry is a vocal feature in the key of D major. The first chorus features the trumpet (a rough transcription of Louis' solo is provided) with clarinet noodles (also transcribed and notated) while the second chorus features the vocals and solo space for the trombone (again, transcribed and notated). Piano and bass parts are mostly notated throughout to help make this chart more accessible to less experienced players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
$45.00
Immigrant Blues
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
#
Blues
#
Jazz
#
Mike Strand, ASCAP
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Immigrant Blues
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970761 Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Mic...
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Jazz Combo - Level 4 - SKU: A0.970761 Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Michael M. Strand (A0.970761). Mike Strand, ASCAPThis is a lead sheet with lyrics, chords and guitar fret boards, for a jazz group, small, or large, with singer or solo instruments. It serves as a good basis for a variety of arrangements, contra facts, and improvisations.The audio sample is a jazz quintet: A slow swing jazz accompaniment from iReal Pro, combined with my duet tunes from Finale PrintMusic. In this sample, a flute takes the accompaniment (treble clef), with a baritone sax in the bass clef. The main tune (bass clef) is accompanied, making this an unusual duet lead sheet. For example, a flute may accompany a baritone singer. An option is to interchange the voice roles (e.g., main tune octave higher, accompaniment octave lower), or use one of the tunes of the duet by itself. I wrote this piece in honor of immigrants, in recognition of the courage it takes to move to a new country and learn a new language. New immigrants often go through difficulties and setbacks, including persecution from citizens of their adopted country. This, despite the recent immigrant ancestry of most of the persecutors, notably in the USA. In the subtitle of Immigrant Blues, I recognize my own immigrant ancestors, and also Anders Lundegård, who, like my paternal grandparents, moved to the USA from Sweden. Anders helped me with this piece, with his reviews and comments. **Here are the lyrics for Immigrant Blues: 1. Moving to the U. S., far away. Life here is so bad, I will not stay. Talked to Mom and Dad, they said OK. I want to make a place for them some day. 2. First time in the States was no picnic. Half the time no work, and I got sick. Some folks try to help, while others scoff. I have friends, but others put me off. 3. Looking bright and able, that’s my plan. Taking ESOL classes when I can. Learning English is no easy chore, And I want my folks here, that’s for sure. And I want my folks here, that’s for sure. Oh, yeah!
$3.00
Pi, Why?
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
#
SheetMusicPlus
Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Al...
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Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
What A Wonderful World
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Jazz combo
#
INTERMÉDIAIRE
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Louis Armstrong With Kenny G
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Brad Esbensen
#
What A Wonderful World
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Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.774310 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Brad Esbensen. Contemporary,Jaz...
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Jazz Combo - Level 3 - SKU: A0.774310 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 40 pages. Brad Esbensen Music Services #3096687. Published by Brad Esbensen Music Services (A0.774310). Arranged for jazz combo consisting of six front line (playable by a minimum of three - trumpet, tenor sax, trombone) and rhythm section, What A Wonderful World is a vocal feature in the key of F major. The first chorus features the vocalist while the second chorus has solo space for the trumpet, tenor sax and piano players. An optional D.S. allows for a shorter version of the song to be performed, should this be desired. Notated piano and bass parts make this chart more accessible to younger players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
$45.00
Poser
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Jazz combo
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AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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Poser
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.778770 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Hip-Hop,Pop,R & B. Score and parts. 3 pa...
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Jazz Combo - Level 5 - SKU: A0.778770 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Hip-Hop,Pop,R & B. Score and parts. 3 pages. Don Hodell Chilcote #2907653. Published by Don Hodell Chilcote (A0.778770). Poser is for piano, vocals, and ensemble. This is an original tune with a great funky vibe. The piece is a commentary upon society and has no bearing on any individual. Typical disclaimer here. It has a unique introduction, and development. 2 page chart and arrangement will get you through it and it is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I produced it in the studio one afternoon, and wrote it with dictation on an iphone while biking no handed, which was fun to rant. Anyways, I got that out of my head.
$3.99
Fanfare
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Jazz combo
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Roger Aldridge
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Fanfare
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979663 Composed by Roger Aldridge. Jazz,World. Score and parts. 2 pages. Roger Aldridge #495121. Published by Roger Aldridge (A0.97...
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Jazz Combo - SKU: A0.979663 Composed by Roger Aldridge. Jazz,World. Score and parts. 2 pages. Roger Aldridge #495121. Published by Roger Aldridge (A0.979663). Fanfare was inspired by Brazilian brass bands. As I envision this music, it has an exuberant spirit with samba rhythms churning under contemporary harmonic voicings. It is intended to be a short piece; however, the vamp at the end can be extended with a solo or collective improvisation. Another option is to have a percussion intro before the opening chords. While Fanfare draws upon Brazilian music, it is in my own style. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2015.
$3.00
A Samba Named Nancy
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Jazz combo
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Roger Aldridge
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A Samba Named Nancy
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979640 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432777. Published by Roger Aldridge (A0.97...
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Jazz Combo - SKU: A0.979640 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432777. Published by Roger Aldridge (A0.979640). This is a romantic samba. I wrote this tune to express my wife's qualities of warmth and surprise...and how she is a wonderful dancer. I think of the tune as being fairly straight-forward; however, it has some surprises. The AB form is unusual in how the A part is 15 measures and the B part is 22. While the music is mostly in 4/4, there are two places where a measure or two of 3/4 is used to shake things up. Harmonically, there is a mix of standard II-V chord changes, parallel harmony, and symmetrical harmony. The melody has a floating quality. The sustained notes give the rhythm section space for fills. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.
$3.00
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Not While I
