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229
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12
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5
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1
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24
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15
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112
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27
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15
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26
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25
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19
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17
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15
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14
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13
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13
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9
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7
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6
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6
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6
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6
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6
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5
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5
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5
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4
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4
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4
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3
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3
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Saxophone Alto
3
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2
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2
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2
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2
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1
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1
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1
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1
Ensemble de saxophones
1
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1
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1
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1
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1
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1
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1
Cor anglais, Guitare (duo)
1
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17
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12
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10
Trombone et Piano
9
Trombone
7
Trompette, Piano
7
Cor et Piano
6
2 Trompettes (duo)
4
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4
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3
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3
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3
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2
Cor
2
2 Trombones (duo)
2
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2
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74
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38
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27
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16
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14
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11
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11
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10
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9
Harpe
9
Alto, Piano
8
Alto, Violoncelle (duo)
7
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
4
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4
Alto seul
3
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2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
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2
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2
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2
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57
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38
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7
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6
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Jazz combo
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Vous avez sélectionné:
Rest In Me
Jazz combo
Partitions à imprimer
4 partitions trouvées
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Volcán
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Eduardo Arolas
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Mike Strand
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Volcán
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M...
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Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M. Strand #4895835. Published by Michael M. Strand (A0.970739). Arranged by Mike Strand, ASCAPâ??This is a lead sheet for a jazz or Latin combo or ensemble. It may serve as the basis for a variety of arrangements, improvisations, or contrafacts.The audio sample is a jazz bossa nova iReal Pro accompaniment, combined with the lead sheet melody in Finale PrintMusic. In this arrangement, you will hear acoustic guitar and violin, often heard in tango ensembles in the early 20th century. This bossa nova is inspired by Eduardo Arolasâ??s never-published tango, Volcán (Volcano). At least itâ??s never been published according to the todotango.com web site. Eduardo Arolas is a famous tango composer who is well documented on that web site. Also on that web site, you can listen to Osvaldo Requenaâ??s piano performance of Volcán from Arolasâ??s original piano sheets (written circa 1917). Years ago, I developed and wrote a tango quintet arrangement of Volcán by listening carefully to Requenaâ??s recorded piano performance on the web site. My quintet arrangement, in turn, was my source for writing this bossa nova arrangement. So, now Volcán has finally been published, but as a bossa nova! Wherever Señor Arolas may be, I hope he understands. In this bossa nova arrangement, I believe I've preserved the spirit of Arolas's original tango.Without knowing exactly what was in Eduardo Arolas's mind when he wrote the original tango, this is my personal idea of the message behind the music:Introduction: Let me tell you a story about a volcano that happened long ago.Part A (bars 5-20): It's a sad tale about human helplessness and suffering in the face of natural catastrophe.Part B (bars 21-36): The people living in a town below a volcanic peak were going about business, leisure, and play, experiencing the ordinary cares and pleasures of life.Part C (bars 41-52): One day, without warning, the volcano erupted, with smoke, falling hot rocks and ash, and hot lava flows. Some folks got away, but others were killed, buried or injured, and all that was left of the town was devastation, suffering, and, eventually, calm.Part A' (bars 53-end): A sad tale, but may we learn from it, and may the souls of the poor victims rest in peace.If you listen to and read the lyrics of Arolas's great tango, La Cachila, or listen to another superb tango of his, El Marne, you will witness further his talent and skill in composing dramatic music. My piano arrangement of La Cachila is for sale on this web site.
$2.50
Contrast
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Jazz combo
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AVANCÉ
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Jazz
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Latin/Musique du monde
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Dastan Duisenbayev
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Contrast
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DUISENGROOVE
#
SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.1486861 Composed by Dastan Duisenbayev. Jazz,Latin. 16 pages. DUISENGROOVE #1063931. Published by DUISENGROOVE (A0.148686...
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Jazz Combo - Level 5 - SKU: A0.1486861 Composed by Dastan Duisenbayev. Jazz,Latin. 16 pages. DUISENGROOVE #1063931. Published by DUISENGROOVE (A0.1486861). This is my first original composition, written in late summer 2023. Would you believe me if I told you I wrote this in a single day? Probably not! XD. I was experimenting with chords, and everything just sort of clicked. Then came the melody. I called it Contrast, because, in my honest opinion, I used both bright sounding and dark sounding chords in jazz. This package includes the score, the parts: both transposed (Eb and Bb) and concert pitch, and the audio demo of how it should sound. So if you're interested in buying and playing this piece of music, by all means, go for it!If you want to listen to the live performance, you can go by the YouTube link that I provided below. The audio isn't the best, but you'll be able to hear enough.
$25.00
Pi, Why?
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Al...
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Jazz Combo - SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
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