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The Lord Is Good
Non classifié
174
Piano & claviers
Piano, Voix
78
Piano seul
62
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30
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17
Orgue
13
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8
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5
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2
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2
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2
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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9
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5
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2
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139
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34
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32
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30
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21
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6
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4
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2
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1
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1
Voix seule
1
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1
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10
Saxophone Alto
10
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9
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8
Clarinette
8
Saxophone Tenor
6
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6
Clarinette et Piano
6
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5
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5
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5
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5
Saxophone Soprano et Piano
5
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4
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4
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4
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4
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
Flûte à Bec
2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
3 Clarinettes (trio)
1
Flûte, Basson et Piano
1
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11
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8
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6
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6
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6
Cor
5
Quatuor de Cuivres
4
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4
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4
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2
2 Tubas (duo)
2
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2
2 Trompettes (duo)
2
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2
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2
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2
2 Cors (duo)
2
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1
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Trompette, Violoncelle et Piano
1
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11
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9
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7
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7
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7
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6
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6
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4
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3
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3
Harpe
3
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2
Violoncelle, Orgue
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Harpe, Violoncelle (duo)
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2
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2
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2
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1
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1
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1
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1
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28
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14
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8
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4
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3
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3
Timbales
2
Jazz combo
2
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1
Ensemble Jazz
1
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Vous avez sélectionné:
The Lord Is Good
Jazz combo
Partitions à imprimer
2 partitions trouvées
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Were You There? (When They Crucified My Lord) Vocal Key C - Db (3 part harmony)
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Jazz combo
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FACILE
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Public Domain
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Were You There?
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Duquesnel Music Publishing
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SheetMusicPlus
Jazz Combo - Level 2 - SKU: A0.774273 Composed by Public Domain. Arranged by ASCAP, Duquesnel Music Publishing, and Peggy Duquesnel. Christian,Easter,Go...
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Jazz Combo - Level 2 - SKU: A0.774273 Composed by Public Domain. Arranged by ASCAP, Duquesnel Music Publishing, and Peggy Duquesnel. Christian,Easter,Gospel,Spiritual. Score and parts. 2 pages. Duquesnel Music Publishing #5728717. Published by Duquesnel Music Publishing (A0.774273). Works well as a vocal solo, congregation sing-a-long song or as an instrumental. This is a beautiful arrangement of a timeless traditional spiritual with 3-part vocals and rich harmonies. It modulates from the Key of C to the Key of Db. Good for schools, jazz combos, church services and spiritual gatherings. This moving arrangement will serve as a moving piece during a Maundy Thursday, Good Friday, Easter or other Lenten / Holy Week service.Were You There? is a traditional Negro Spiritual written before 1865 which is a part of the spiritual heritage that affected both gospel music and jazz music. Find more arrangements by Peggy Duquesnel at: https://www.pianoorchestrations.com/MusicCDs/SheetMusicSearch.asp
$3.99
For Way Too Long
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mike Strand, ASCAP
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Mike Strand
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For Way Too Long
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael M. Strand (A0.970760). By Mike Strand, ASCAPHere’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer. It’s a solid foundation for a variety of arrangements, contra facts, and improvisations. The audio file is a swing accompaniment from iReal Pro, combined with the melody from Finale PrintMusic. In this sample, you hear a baritone saxophone in place of the singer, and an electric guitar for the instrumental sections. The lyrics express frustration with white bigotry toward people with dark skin, and how that brand of racism surfaces in acts of police brutality. The lyrics pose both practical and ideal solutions. Here are the lyrics: For Way Too LongFor way too long, dark skin has been called blight, And just to breathe, black folks have had to fight. Civil rights laws are there; it’s only fair, we give them real bite. (Instrumental) Civil rights laws are there; it’s only fair, we give them real bite. For way too long, bad cops have broken rules, While their good partners get put down by them as fools. But now we all may see the fall of bigots using blacks as tools. (Instrumental) But now we all may see the fall of bigots using blacks as tools. For way too long, cold hearts remain unchanged. But with strong rules, constraints can be arranged. Enforcing laws need not be cause for folks to be estranged.Lord, may our hearts be changed!
$3.00
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The Lord Is Good
