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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hey You Beautiful
Non classifié
315
Piano & claviers
Piano seul
115
Piano, Voix
74
Accompagnement Piano
57
Piano, Voix et Guitare
44
Piano Facile
36
Orgue
10
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
+ 6 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
4
Guitare
4
Guitare notes et tablatures
3
Basse electrique
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Ukulele
1
Guitare (partie séparée)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
41
Voix Alto, Piano
32
Voix Tenor
29
Voix Soprano
26
Voix Baryton, Piano
19
Voix Tenor, Piano
17
Chorale 3 parties
16
Chorale TTBB
8
Voix Soprano, Piano
7
Chorale SSAA
7
Chorale 2 parties
5
Voix duo, Piano
3
Voix seule
2
Voix duo
2
Chorale SSATTB
1
Voix haute
1
Voix basse
1
Chorale Unison
1
+ 13 instrumentations
Retracter
Vents
Clarinette, Violon (duo)
69
2 Flûtes traversières (duo)
65
2 Saxophones (duo)
63
Flûte, Clarinette (duo)
54
Flûte, Violon
50
Hautbois, Piano (duo)
40
Clarinette et Piano
37
Flûte traversière et Piano
35
Saxophone, Clarinette (duo)
31
2 Clarinettes (duo)
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Quintette de Saxophone: 5 saxophones
24
Quatuor de Saxophones: 4 saxophones
23
2 Flûte à bec (duo)
22
Hautbois (partie séparée)
21
Clarinette
20
Saxophone Alto et Piano
19
Flûte traversière
18
Clarinette, Trompette (duo)
18
Clarinette et Alto
13
Hautbois, Basson (duo)
12
2 Hautbois (duo)
12
Flûte, Saxophone (duo)
10
Flûte, Alto (duo)
10
Hautbois, Clarinette (duo)
10
Ensemble de Clarinettes
9
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Flûtes
8
Saxophone Alto
7
Ensemble de saxophones
7
Cor anglais, Piano
7
Hautbois, Flûte
7
Flûte, Violon, Piano
6
Flûte, Basson et Piano
6
Flûte, Trompette (duo)
6
Saxophone Tenor et Piano
6
Saxophone (partie séparée)
5
Quintette de Flûte : 5 flûtes
5
Saxophone Soprano et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
3 Saxophones (trio)
4
Flûte, Clarinette et Basson
4
Saxophone Baryton, Piano
3
Quatuor de Flûtes à bec
3
Hautbois
2
Hautbois, Violoncelle
2
Flûte à bec Soprano, Piano
2
Clarinette, Basson (duo)
2
Flute (partie séparée)
2
Flûte à bec Alto, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Ensemble de Hautbois
1
Quintette de Clarinettes: 5 clarinettes
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Hautbois, violon (duo)
1
Flûte à Bec
1
Flûte, Violoncelle
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Flûte, Hautbois (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Trombone et Piano
28
Trompette, Piano
22
Trompette, Saxophone (duo)
21
Cor et Piano
19
Tuba et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres
11
Trompette
11
Cor
10
Trompette, Trombone (duo)
10
2 Trompettes (duo)
9
Trombone
8
Ensemble de Trompettes
8
Tuba
8
Cor anglais, Piano
7
Ensemble de Trombones
7
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
+ 22 instrumentations
Retracter
Cordes
2 Violons (duo)
55
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
45
Alto, Piano
34
Violon, Violoncelle (duo)
33
Violoncelle, Piano
22
Violon
21
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
12
Violoncelle
11
Violon, Alto (duo)
11
Alto seul
10
Harpe
8
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Violons
3
Contrebasse, Piano (duo)
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
2
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Contrebasse (partie séparée)
1
Contre Basse
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
14
Orchestre à Cordes
13
Orchestre d'harmonie
10
Ensemble Jazz
10
Orchestre de chambre
3
Cloches
3
Ensemble de cuivres
3
Jazz combo
3
Batterie (partie séparée)
1
+ 4 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
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CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Hey You Beautiful
Quintette de Flûte : 5 flûtes
Partitions à imprimer
5 partitions trouvées
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1
Recordare (from "Requiem") (F) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1108362 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instruc...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.1108362 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711002. Published by Regis Bookshar (A0.1108362). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
5 Famous Songs by Bach for Flute Quintet
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Quintette de Flûte : 5 flûtes
#
DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
wh.
#
5 Famous Songs by Bach for Flu
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748221. Published by Woods Only, Arrangements (A0.957285). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897152: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899053: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900094: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901155: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190345Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; wh.
$39.99
5 Famous Songs by Bach for Flute Choir Quintet
#
Quintette de Flûte : 5 flûtes
#
DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Flu
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748223. Published by Woods Only, Arrangements (A0.957286). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897272: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899613: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900114: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901175: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190347Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power f.
$39.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
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