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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Symphony No.3
Non classifié
347
Piano & claviers
Piano seul
207
Piano Facile
69
Orgue
28
Piano Quintette: piano, 2 violons, alto, violoncelle
8
1 Piano, 4 mains
5
Piano, Voix et Guitare
4
Accompagnement Piano
4
Piano grosses notes
3
Orgue, Trompette (duo)
2
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instruments en Do
1
Piano (partie séparée)
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
10
Guitare
7
Ukulele
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
15
Chorale SATB
9
Chorale TTBB
2
Chorale 2 parties
1
Voix Alto, Piano
1
Vents
Clarinette
31
Quatuor de Saxophones: 4 saxophones
30
Flûte traversière et Piano
29
2 Flûtes traversières (duo)
28
Clarinette et Piano
21
Saxophone Alto et Piano
20
Ensemble de saxophones
20
2 Saxophones (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois (partie séparée)
17
Clarinette (partie séparée)
16
Quatuor de Clarinettes: 4 clarinettes
16
Hautbois, Piano (duo)
16
Flûte traversière
15
Quatuor de Flûtes : 4 flûtes
15
2 Clarinettes (duo)
14
Ensemble de Clarinettes
14
Quintette de Saxophone: 5 saxophones
14
Saxophone (partie séparée)
13
3 Saxophones (trio)
13
Flûte, Hautbois, Clarinette, Basson
13
3 Clarinettes (trio)
12
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
7
Flûte et Guitare
7
Quintette de Flûte : 5 flûtes
6
2 Hautbois (duo)
6
Flute (partie séparée)
5
Saxophone Alto
4
Cor anglais, Piano
4
Quatuor de Flûtes à bec
4
Ensemble de Flûtes
4
3 Flûtes à bec (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette (duo)
4
Flûte, Trompette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone
3
Clarinette Basse, Piano
2
Clarinette, Violon (duo)
2
Hautbois, Flûte
2
Hautbois, Basson (duo)
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle
2
Hautbois
2
Saxophone Tenor
2
Hautbois, violon (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
Saxophone, Violon (duo)
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
5 Flûtes à bec
1
2 Flûte à bec (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
4 Hautbois
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Flûte, Violon et Violoncelle
1
+ 61 instrumentations
Retracter
Cuivres
Cor
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette
24
Trompette (partie séparée)
18
Quatuor de cuivres: 4 trombones
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone et Piano
14
Trompette, Piano
12
Trombone
11
Cor et Piano
10
2 Trompettes (duo)
10
Cor (partie séparée)
9
Trombone (partie séparée)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Cors (duo)
6
Tuba et Orgue
6
Ensemble de Trombones
6
Ensemble de Trompettes
5
Cor anglais, Piano
4
Cornet A Pistons
4
2 Trombones (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 trompettes
3
3 Cors (trio)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
3
3 Trompettes (trio)
3
2 Euphoniums (duo)
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Tuba
2
3 Tubas (trio)
2
Tuba et Piano
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Saxophone (duo)
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Tuba (partie séparée)
1
+ 36 instrumentations
Retracter
Cordes
Violon (partie séparée)
56
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violoncelle, Piano
23
Violon et Piano
22
Alto, Piano
18
2 Violons (duo)
16
Violon
14
Alto seul
14
Violon, Violoncelle (duo)
13
Contrebasse (partie séparée)
12
Violoncelle
12
Violoncelle (partie séparée)
10
Contre Basse
8
Violon, Alto (duo)
7
4 Violoncelles
7
Contrebasse, Piano (duo)
7
Alto (partie séparée)
7
2 Violoncelles (duo)
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
2 Altos (duo)
3
Quatuor à cordes: 4 violons
3
Harpe
3
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Ensemble de Violons
2
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre
200
Orchestre d'harmonie
139
Orchestre à Cordes
101
Orchestre de chambre
38
Ensemble de cuivres
14
Cloches
7
Timbales (partie séparée)
4
Timbales
3
Percussion (partie séparée)
2
2 Xylophones
2
Percussion
1
Ensemble Jazz
1
+ 7 instrumentations
Retracter
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Symphony No.3
Quintette de Flûte : 5 flûtes
Partitions à imprimer
6 partitions trouvées
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Symphony No. 40 by Mozart for Flute Quintet
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Flute Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267687 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods O...
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Flute Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267687 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #860231. Published by Woods Only, Arrangements (A0.1267687). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Flute Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
"Largo" from Symphony No. 9 - Flute Quintet
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Andrew Middleton
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"Largo" from Symphon
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Andrew Middleton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages....
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages. Andrew Middleton #3928097. Published by Andrew Middleton (A0.735227). The theme from Largo, second movement of Dvorak's Ninth Symphony, arranged for Flute Quintet (3 flutes, 1 alto flute and 1 bass flute). Whilst American audiences are more familiar with this music being used at funerals, UK audiences will instantly recognise this as the music from the Hovis bread advert.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
5 Famous Songs by Bach for Flute Quintet
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Quintette de Flûte : 5 flûtes
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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wh.
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5 Famous Songs by Bach for Flu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748221. Published by Woods Only, Arrangements (A0.957285). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897152: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899053: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900094: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901155: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190345Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; wh.
$39.99
5 Famous Songs by Bach for Flute Choir Quintet
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Quintette de Flûte : 5 flûtes
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DÉBUTANT
#
Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Flu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748223. Published by Woods Only, Arrangements (A0.957286). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897272: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899613: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900114: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901175: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190347Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power f.
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