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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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PERCUSSION
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Traditional American Melody
Non classifié
260
Piano & claviers
Piano seul
179
Accompagnement Piano
69
Piano Facile
41
Piano, Voix
30
1 Piano, 4 mains
13
Orgue
12
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
7
Instruments en Do
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
136
Guitare notes et tablatures
8
Ukulele
7
Dulcimer
4
Guitare
1
Mandoline
1
Banjo
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
60
Chorale 3 parties
27
Chorale 2 parties
24
Chorale TTBB
15
Voix duo, Piano
10
Chorale Unison
7
Voix duo
5
Chorale SSAA
1
Pack Instrumental pour Chorale
1
Voix haute
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
39
2 Saxophones (duo)
36
2 Clarinettes (duo)
26
Saxophone Alto et Piano
25
2 Flûtes traversières (duo)
21
Saxophone, Clarinette (duo)
21
Clarinette et Piano
21
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
17
Flûte, Clarinette (duo)
17
Clarinette, Violon (duo)
15
Flute (partie séparée)
11
Clarinette, Trompette (duo)
11
Quatuor de Saxophones: 4 saxophones
9
Hautbois, Clarinette (duo)
8
2 Flûte à bec (duo)
8
Clarinette et Alto
8
Saxophone (partie séparée)
8
Clarinette (partie séparée)
8
Flûte, Violon
8
Hautbois, Flûte
8
2 Hautbois (duo)
8
Hautbois, Basson (duo)
7
Clarinette
7
Flûte traversière
7
Flûte, Saxophone (duo)
7
Flûte, Alto (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Saxophone: 5 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois (partie séparée)
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette, Basson (duo)
5
Flûte, Trompette (duo)
4
Ensemble de Clarinettes
4
Saxophone Tenor et Piano
4
Trio de Flûtes: 3 flûtes
4
Saxophone et Piano
3
3 Clarinettes (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violoncelle
2
Ocarina
2
Saxophone Tenor
2
Saxophone Alto
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Ensemble de Flûtes
2
3 Saxophones (trio)
2
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle (duo)
1
Hautbois et alto (duo)
1
Flûte et Guitare
1
Hautbois, violon (duo)
1
Harmonica
1
Flûte, Basson et Piano
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Flûte, Hautbois (duo)
1
+ 58 instrumentations
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Cuivres
Trompette, Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
2 Trombones (duo)
15
Trompette, Saxophone (duo)
14
Cor et Piano
13
Trompette, Trombone (duo)
11
Trombone et Piano
11
Trompette
10
2 Trompettes (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres
6
Trompette (partie séparée)
5
Trombone
4
Tuba et Piano
4
Cor
3
Trombone, Cor (duo)
3
2 Cors (duo)
2
Ensemble de Trompettes
2
Trombone (partie séparée)
2
Ensemble de Trombones
2
Trompette, Cor (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
1
Tuba (partie séparée)
1
Cor et Harpe
1
Tuba
1
Trompette, Harpe
1
+ 23 instrumentations
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Cordes
Violon et Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violoncelle, Piano
18
2 Harpes (duo)
17
2 Violons (duo)
16
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
13
Alto, Piano
13
Harpe
12
Violon
12
Harpe, Flûte (duo)
12
Violon, Alto (duo)
9
2 Altos (duo)
9
Violon (partie séparée)
7
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
Contre Basse
4
Alto seul
4
Alto (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Ensemble de Violons
2
Harpe, Violon (duo)
2
Violoncelle (partie séparée)
2
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Alto et Basson
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
28
Orchestre à Cordes
16
Cloches
14
Orchestre
13
Ensemble de cuivres
5
Orchestre de chambre
4
Percussion (partie séparée)
2
Piano et Orchestre
1
2 Xylophones
1
Xylophone
1
Ensemble Jazz
1
Jazz combo
1
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Vous avez sélectionné:
Traditional American Melody
Quintette de Flûte : 5 flûtes
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
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Traditional American Melody
