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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two to one
Non classifié
3 312
Piano & claviers
Piano seul
813
Piano Facile
311
Piano, Voix
214
Piano, Voix et Guitare
159
Accompagnement Piano
132
Instruments en Do
131
Orgue
104
1 Piano, 4 mains
75
2 Pianos, 4 mains
69
Piano (partie séparée)
15
Piano Trio: piano, violon, violoncelle
14
Accordéon
8
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
Piano grosses notes
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
210
Guitare
113
2 Guitares (duo)
41
Ukulele
34
Guitare (partie séparée)
31
Ligne De Mélodie, (Paroles) et Accords
17
Dulcimer
15
Basse electrique
13
Mandoline
11
4 Guitares (Quatuor)
9
3 Guitares (trio)
6
Piano, Guitare (duo)
5
Banjo
4
Paroles et Accords
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Ukulele Baryton
2
2 Mandolines (duo)
1
2 Ukuleles
1
Ensemble de Ukulélés
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
472
Chorale 2 parties
224
Chorale 3 parties
158
Chorale Unison
100
Chorale TTBB
68
Chorale SSAA
31
Voix duo
27
Voix duo, Piano
26
Voix Soprano, Piano
21
Voix Tenor, Piano
20
Voix seule
14
Voix Baryton, Piano
11
Voix haute
10
Voix Alto, Piano
10
Voix moyenne, Piano
6
Voix Tenor
6
Voix Soprano
3
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
Voix basse
1
Voix basse, Piano
1
Chorale SSATTB
1
Chorale
1
Chorale SSAB a cappella
1
+ 20 instrumentations
Retracter
Vents
2 Saxophones (duo)
914
Flûte traversière et Piano
302
2 Flûtes traversières (duo)
286
Saxophone Alto et Piano
265
2 Clarinettes (duo)
243
Saxophone Tenor et Piano
236
Saxophone (partie séparée)
219
Quatuor de Saxophones: 4 saxophones
182
Saxophone, Clarinette (duo)
157
2 Hautbois (duo)
135
Clarinette, Violon (duo)
107
Flûte, Clarinette (duo)
91
Saxophone Soprano et Piano
89
Clarinette et Piano
86
Quintette de Saxophone: 5 saxophones
85
Hautbois, Piano (duo)
83
Saxophone Alto
81
Clarinette, Trompette (duo)
81
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Hautbois, Basson (duo)
74
Hautbois, Clarinette (duo)
70
3 Saxophones (trio)
68
Flûte, Hautbois, Clarinette, Basson
66
Ensemble de saxophones
66
Saxophone Tenor
62
2 Flûte à bec (duo)
61
Quatuor de Clarinettes: 4 clarinettes
57
Clarinette et Alto
55
Flûte, Violon
52
Flûte, Saxophone (duo)
50
Flûte traversière
48
Clarinette
47
Hautbois, Flûte
47
Flûte, Trompette (duo)
40
Flûte, Violon, Piano
37
Ensemble de Clarinettes
36
Flûte, Alto (duo)
35
Saxophone Baryton, Piano
33
Ensemble de Flûtes
32
Quatuor de Flûtes : 4 flûtes
32
2 Flûtes traversières, Piano
30
Hautbois (partie séparée)
27
3 Clarinettes (trio)
24
Saxophone
23
Flute (partie séparée)
22
Cor anglais, Piano
20
Trio de Flûtes: 3 flûtes
20
Clarinette (partie séparée)
17
Flûte et Guitare
16
Clarinette, Violoncelle (duo)
13
Quintette de Flûte : 5 flûtes
12
Clarinette Basse, Piano
12
Quintette de Clarinettes: 5 clarinettes
11
Quatuor de Flûtes à bec
10
Clarinette, Basson (duo)
10
Saxophone Soprano
9
Hautbois, Violoncelle
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Soprano
8
Flûte, Violoncelle
7
Flûte à Bec
7
Flûte, Hautbois (duo)
7
Clarinette, Trombone (duo)
6
Ensemble De Flûte à bec
6
Cor Anglais
5
Flûte à bec Soprano, Piano
5
Clarinette, Guitare (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
3 Flûtes à bec (trio)
4
2 Saxophones, Piano
4
Ensemble à vent
4
Flûte, Clarinette et Basson
4
Saxophone et Harpe
4
Flûte à bec Tenor
4
Hautbois, trombone (duo)
3
Saxophone et Guitare
3
Flûte, Trombone (duo)
3
5 Flûtes à bec
3
Hautbois, violon (duo)
3
Flûte, Clarinette, Piano (trio)
3
Saxophone et Orgue
2
Flûte, Hautbois, Basson
2
Clarinette Basse
2
Flute, harpe et violon
2
2 Cors Anglais Et Pianoforte
2
Harmonica
2
Piccolo, Piano
2
Flûte, Basson et Piano
2
Flûte à bec Alto
2
Hautbois et alto (duo)
2
2 Hautbois et Cor anglais
1
3 Hautbois
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
4 Hautbois
1
Piccolo
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
Saxophone et Piano
1
+ 102 instrumentations
Retracter
Cuivres
2 Trombones (duo)
538
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
486
Trombone et Piano
298
Trombone (partie séparée)
189
Quatuor de Cuivres : 2 trompettes, trombone, tuba
167
2 Trompettes (duo)
152
Trompette, Saxophone (duo)
109
Trompette, Trombone (duo)
106
Trombone
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
66
Trompette (partie séparée)
64
Trompette
48
Trompette, Piano
48
Quatuor de Cuivres
48
Ensemble de Trombones
45
Quatuor de cuivres: 4 trombones
36
Euphonium, Piano (duo)
26
Cor et Piano
26
Ensemble de Trompettes
25
2 Cors (duo)
23
Trombone, Tuba (duo)
21
Cor anglais, Piano
20
Cor (partie séparée)
15
2 Euphoniums (duo)
14
Cor
13
Tuba (partie séparée)
12
3 Trombones (trio)
12
Tuba et Piano
11
Quatuor de cuivres: 2 trompettes, 2 trombones
11
Trompette, Cor (duo)
9
2 Tubas (duo)
9
Trompette, Basson (duo)
8
Tuba
8
Ensemble de Cors
7
Trio de Cuivres
7
Trompette, Violoncelle (duo)
6
Euphonium
5
Cor Anglais
5
Cor, Violoncelle (duo)
5
Cor et Basson (duo)
4
Quatuor de cuivres: 4 cors
4
4 Tubas
3
3 Trompettes (trio)
3
Trombone, Orgue
3
Trombone basse
3
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trombone basse et Piano
2
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
Bass Clef Instruments
1
3 Tubas (trio)
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
2 Cors, Piano
1
Trombone, Violon (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
441
Violon, Violoncelle (duo)
330
Violon
272
2 Violons (duo)
235
Trio à Cordes: violon, alto, violoncelle
226
Violon et Piano
183
Harpe
169
2 Violoncelles (duo)
166
2 Altos (duo)
149
Violon, Alto (duo)
108
Violoncelle, Piano
92
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Alto, Piano
77
Trio à Cordes: 2 violons, violoncelle
72
Violoncelle
64
Alto seul
33
Alto, Violoncelle (duo)
26
Contrebasse (partie séparée)
23
Harpe, Flûte (duo)
19
Alto (partie séparée)
14
Violon (partie séparée)
13
Violon, Guitare (duo)
12
2 Harpes (duo)
11
Contrebasse, Piano (duo)
11
4 Violoncelles
10
Contre Basse
9
Ensemble de Violons
8
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: 3 violoncelles
7
Harpe, Voix
6
Ensemble d'Altos
6
Quatuor à cordes: 4 violons
6
Violon, Basson (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
5
Harpe, Violon (duo)
4
2 Contrebasses (duo)
4
3 Harpes
3
Trio à cordes: 3 violins
3
Harpe, Violoncelle (duo)
3
2 Violons, Piano
3
Alto et Harpe
3
Trio à cordes: 3 altos
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
2
Violon, Basse continue
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Harpe, Trombone (duo)
2
Autoharp
1
Violoncelle (partie séparée)
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
723
Orchestre à Cordes
211
Ensemble de cuivres
179
Ensemble Jazz
163
Orchestre
158
Cloches
104
Orchestre de chambre
61
Jazz combo
46
Ensemble de Percussions
41
Batterie (partie séparée)
15
Batterie
11
Fanfare
9
Percussion (partie séparée)
8
Marimba
8
Xylophone, Piano
4
2 Xylophones
4
Xylophone
3
Percussion
2
Vibraphone
2
2 Marimbas
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Ensemble d'École
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
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--INSTRUMENTS--
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Vous avez sélectionné:
Two to one
Quintette de Flûte : 5 flûtes
Partitions à imprimer
12 partitions trouvées
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1
Recordare (from "Requiem") (F) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1108362 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instruc...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.1108362 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711002. Published by Regis Bookshar (A0.1108362). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Christmas Carols (Coventry and Wexford) Flute quintet and piano
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Noël
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by lully lullay
Lulla
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Unknown
#
Connie Boss
#
Christmas Carols
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Connie Boss
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1303282 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.1303282 Composed by Unknown. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 16 pages. Connie Boss #892864. Published by Connie Boss (A0.1303282). This is a mix of two lovely songs - one from England and one from Ireland. The Coventry Carol and Wexford Carol. This is for 5 flutes - parts are all included and piano. TFor any questions or requests, email cdboss@cvalley.netLyrics:Christmas Carols(The Coventry Carol and Wexford Carol)Arranged by Connie Boss (Solo)Lullay thou little tiny child, By by lully lullayLullay thou little tiny child, By by lully lullay Verse 1:Good people all this Christmas timeConsider all and bear in mind,What our good God for us has doneIn sending His beloved SonWith Mary holy, we should pray to God with loveTo God with love this Christmas Day. Verse 2:The night before that happy tide,The noble virgin while with her guide,Were long time seeking up and down,To find a lodging in the town.But mark how all things had come to passFrom ev’ry door repelled at lastAs long foretold their refuge allWas but a humble, oxen’s stall Verse 3:Near Bethlehem did shepherds keepTheir flocks of lamb and feeding sheepTo whom God’s angels did appearWhich put the shepherds in great fear.Prepare and go the Angel’s saidTo Bethlehem, be not afraidFor there you’ll find this happy mornA princely babe, sweet Jesus born. Ending:By by lully lullay.
$5.99
Silent Night (Bb) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
#
Noël
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the 1840's, the song was well
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Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813965 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813965 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635849. Published by Regis Bookshar (A0.813965). Flute Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Russian Dance
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813902 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Pe...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813902 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 9 pages. Regis Bookshar #6612915. Published by Regis Bookshar (A0.813902). Flute Quintet - Advanced/Intermediate - . This marvelous arrangement of the Russian Dance (Trepak), from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the traditional Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance for a Flute Quintet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will contin.
$10.00
5 Famous Songs by Bach for Flute Quintet
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Quintette de Flûte : 5 flûtes
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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wh.
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5 Famous Songs by Bach for Flu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957285 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748221. Published by Woods Only, Arrangements (A0.957285). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897152: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899053: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900094: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901155: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190345Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; wh.
$39.99
5 Famous Songs by Bach for Flute Choir Quintet
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Quintette de Flûte : 5 flûtes
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Flu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacre...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748223. Published by Woods Only, Arrangements (A0.957286). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897272: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899613: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900114: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901175: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190347Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power f.
$39.99
Burgundian Air/March of the Three Kings (F min) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813068 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructiona...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813068 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 21 pages. Regis Bookshar #6097349. Published by Regis Bookshar (A0.813068). Flute Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Flutes by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. George Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensemble as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Annie's Song
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Quintette de Flûte : 5 flûtes
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FACILE
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John Denver
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Raymond Fenech
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Annie's Song
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 2 - SKU: A0.760311 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Country,Easter...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 2 - SKU: A0.760311 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Country,Easter,Rock,Wedding. 18 pages. Raymond Fenech #3561515. Published by Raymond Fenech (A0.760311). 2018 New ArrangeMe Song Contest EntryAnnie's Song is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album, Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Annie's Song also went to number one on the Easy Listening chart. Billboard ranked it as the No. 25 song for 1974. The Duration is approx. 3.04 minutes and the level is Early Intermediate/ Intermediate.
$12.99
Canon (Pachelbel) (Bb) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813420 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,Wor...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813420 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 26 pages. Regis Bookshar #6259473. Published by Regis Bookshar (A0.813420). Canon (Pachelbel) (Bb) (Flute Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Flute Quintet. Three Flutes play the melody in canon while the ostinato accompaniment is played by the other two Flutes. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (26 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Symphony No. 40 by Mozart for Flute Quintet
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Flute Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267687 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods O...
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Flute Quintet,Woodwind Ensemble - Level 3 - SKU: A0.1267687 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #860231. Published by Woods Only, Arrangements (A0.1267687). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Flute Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
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