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ACCORDEON
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FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Time Out Of Mind
Non classifié
256
Piano & claviers
Piano seul
98
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41
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35
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34
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19
Orgue
9
Instruments en Do
8
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6
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Piano grosses notes
1
1 Piano, 6 mains
1
Clavecin
1
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Guitare
14
Guitare notes et tablatures
9
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3
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3
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2
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2
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1
Banjo
1
4 Guitares (Quatuor)
1
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51
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19
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10
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9
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9
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7
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2
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1
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1
Voix Tenor
1
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1
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1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 9 instrumentations
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87
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46
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42
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41
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39
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28
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28
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21
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19
Clarinette
17
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
2 Hautbois (duo)
16
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16
Flûte, Violon
15
Flûte, Alto (duo)
15
Clarinette et Alto
15
Hautbois, Clarinette (duo)
15
Flûte, Clarinette (duo)
15
Clarinette et Piano
15
Saxophone Alto et Piano
14
Flûte, Trompette (duo)
13
Hautbois (partie séparée)
13
Quatuor de Saxophones: 4 saxophones
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Soprano et Piano
12
Saxophone Baryton, Piano
12
Saxophone Tenor et Piano
11
Clarinette Basse, Piano
11
Clarinette, Trombone (duo)
9
Flûte traversière
7
Flûte à bec Soprano
7
Saxophone (partie séparée)
6
Flûte, Hautbois, Clarinette, Basson
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Alto
4
Saxophone Tenor
4
Cor Anglais
4
Flute (partie séparée)
2
Cor anglais, Piano
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Alto
1
3 Saxophones (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Flûtes
1
Ensemble de Clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte irlandaise
1
Flûte à Bec
1
+ 48 instrumentations
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Cuivres
Trompette, Saxophone (duo)
32
2 Trombones (duo)
27
2 Trompettes (duo)
26
Trompette, Piano
18
Trompette, Trombone (duo)
15
Tuba et Piano
12
Trombone et Piano
11
Cor et Piano
11
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10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
6
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
4
Cor Anglais
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor
2
Euphonium
2
Cor anglais, Piano
2
Cor anglais et Harpe (duo)
1
Trombone basse
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
+ 19 instrumentations
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Cordes
Violon et Piano
32
2 Violons (duo)
22
Quatuor à cordes: 2 violons, alto, violoncelle
20
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18
2 Violoncelles (duo)
18
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15
Alto, Piano
14
2 Altos (duo)
13
Violon
12
Violoncelle, Piano
11
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8
Violoncelle
8
Alto seul
4
Contre Basse
3
Harpe
2
Harpe, Flûte (duo)
2
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2
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2
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2
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2
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1
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1
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1
Trio à Cordes: 2 violons, violoncelle
1
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54
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14
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10
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9
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8
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8
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3
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2
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2
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2
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Cor anglais et Harpe (duo)
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Pachelbel: Canon in D for English Horn & Harp
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Cor anglais et Harpe (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Engl
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jmsgu3
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SheetMusicPlus
Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - SKU: A0.1098849 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Cl...
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Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - SKU: A0.1098849 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702692. Published by jmsgu3 (A0.1098849). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for English Horn & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
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