Partitions Numériques de up pour Flute, harpe et violon

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The Swan #Flute, harpe et violon #INTERMÉDIAIRE/AVANCÉ #Classique #Camille Saint-Saens #Linda DeBrita #The Swan #Afghan Press Music for the Harp #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 4 - SKU: A0.797324 Composed by Camille Saint-Saens. Arranged by Linda DeBrita. 20th Century,Concert,World. Scor...(+)

Small Ensemble Flute,Harp,Violin - Level 4 - SKU: A0.797324 Composed by Camille Saint-Saens. Arranged by Linda DeBrita. 20th Century,Concert,World. Score and parts. 5 pages. Afghan Press Music for the Harp #4803675. Published by Afghan Press Music for the Harp (A0.797324). This is the famous Saint Saens cello/piano solo, arranged for flute and simplified harp. Written in the key of G major, the simplified accompaniment uses triplets as the basis instead of the original version of 3 groups of 4 16th notes. The harmonies remain the same. Sight-readable on pedal harp, pedal changes are included. For harp and flute, or violin. Perfect for the advanced harpist who doesnâ€™t have the time to work up the original version!

The Lively Bard #Flute, harpe et violon #INTERMÉDIAIRE #Celtique/Irlandais #Folklorique/Traditionel #Darhon Rees-Rohrbacher #The Lively Bard #Afghan Press Music for the Harp #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797295 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score and parts. 66 pages. Afghan Press Mus...(+)

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797295 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score and parts. 66 pages. Afghan Press Music for the Harp #4800694. Published by Afghan Press Music for the Harp (A0.797295). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was a prolific collector and arranger of melodies and is best remembered for his three-volume work called Musical and Poetical Relicks of the Welsh Bards (1784-1802). The order of the music facilitates playing 2-4 tunes in succession as a Welsh medley. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. Some melodies were transposed from their original keys to better suit the range of the flute. Tunes may be taken up the octave where desired, such as on repeated sections. The harp range needed to play all of the accompaniments in this collection exactly as written is only 26 strings (C-G). There are no lever changes within pieces in this entire collection, only lever pre-sets. Table of Contents: Cnott y Coed (The Wood-Bunch), Tros y Garreg (Over the Rock), Crisial Ground (The Crystal Ground), Blodau yâ€™ Gorllewin (Flowers of the West), Ffarwel Dic Bibydd (Dick the Piperâ€™s Farewell), Agoriad Cywair (The Opening of the Key),Trichant o Bunnau (Three Hundred Pounds), Y GÅµr aâ€™i Farch (The Man and His Horse), Mopsi DÃ´n: yr HÃªn Fford (Mopsyâ€™s Tune: The Old Way), Yr HÃªn Rogero Bengoch (Old Roger Red Poll), Mwynen Machno (The Enjoyment of Machno), Tlysig (The Beauty), Cymro o Bâ€™le? (A Welshman from Where?), Troiad y Droell (Turning of the Spinning Wheel), Y TÅ· Trwyâ€™r Ffenest (The House through the Window), Cudyn Gwyn (White Lock of Hair), Blodeu Gwynedd (Flowers of Gwynedd), Helaâ€™r Ysgyfarnog (Hunting the Hare), Blodeuâ€™r GrÃ¹g (Blooms of the Heather), Y Derwydd (The Druid) .