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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Wei
Non classifié
82
Piano & claviers
Piano seul
88
1 Piano, 4 mains
35
Piano, Voix et Guitare
20
Piano, Voix
16
Piano Trio: piano, violon, violoncelle
15
Orgue
5
Accompagnement Piano
1
Piano Facile
1
Orgue, Voix
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 6 instrumentations
Retracter
Guitares
Guitare
5
Guitare notes et tablatures
2
2 Guitares (duo)
2
Ukulele
1
4 Guitares (Quatuor)
1
Voix
Voix seule
31
Chorale SATB
16
Voix Soprano, Piano
4
Chorale TTBB
4
Voix haute
2
Chorale SSAA
1
Voix Baryton, Piano
1
Chorale 3 parties
1
Voix basse, Piano
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
56
Flûte, Clarinette, Piano (trio)
45
Flûte, Hautbois, Clarinette, Basson
40
Flûte traversière et Piano
17
Quintette de Saxophone: 5 saxophones
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette et Piano
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Piano (duo)
3
Saxophone Alto et Piano
2
Saxophone Tenor et Piano
2
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière
1
Quatuor de Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Piccolo, Piano
1
+ 16 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
2
Cor
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Trombone
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trompettes
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violoncelle, Piano
12
Violon et Piano
4
Alto, Piano
4
Violon
3
2 Violoncelles (duo)
3
Violon (partie séparée)
2
Violoncelle
2
Harpe
2
Violon, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle (partie séparée)
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basse continue
1
Alto seul
1
Ensemble d'Altos
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
7
Orchestre de chambre
4
Ensemble de cuivres
4
Orchestre
3
Quatuor à Vent : 4 instruments à vents
3
Orchestre, Violon
2
Orchestre à Cordes
2
Orchestre d'harmonie
2
Batterie
1
+ 4 instrumentations
Retracter
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CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
Ian Wei
avancé
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
7 partitions trouvées
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Weill, Kurt - Mack The Knife (from the 'Threepenny Opera') - wind quintet by Lisa Portus
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kurt Weill
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Lisa Portus
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Weill, Kurt - Mack The Knife
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced Intermediate - Digital Download By Kurt Weill. Arranged by Lisa Portus. Score, Set o...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced Intermediate - Digital Download By Kurt Weill. Arranged by Lisa Portus. Score, Set of Parts. 19 pages. Published by Portus Press
Mack the Knife (DieMoritat von Mackie Messer) is a ballad from the 1928 Threepenny Opera (Die Dreigroschenoper) - a "play with music" by BertoltBrecht and music by Kurt Weill. The opera begins with the ballad of "Mack theKnife", which introduces the audience to the many terrible crimescommitted by the central character, Macheath (Mack), a notorious criminal inVictorian London.
The song has long been a popular standard and has beenrecorded by many artists, including (among many, many others) Bobby Darin,Louis Armstrong, Frank Sinatra and Ella Fitzgerald,
Weill?s music is arranged here for wind quintet (flute, oboe, clarinet in B flat, horn in F and bassoon) by LisaPortus of www.portuspress.com. In addition to the ballad itself Lisa?s arrangementalso features optional sections of Weill?s wind band suite.
The PDF includes the full score and five separate parts.
Duration: 2'30"-3'15" (depending on cuts).
$17.99
Eine Kleine Weihnachtsmusik
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Darrell Goforth
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Leise Rieselt der Schnee
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Eine Kleine Weihnachtsmusik
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.747418 Composed by Darrell Goforth. Children,Christian,Christmas,Contemporary. Score...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.747418 Composed by Darrell Goforth. Children,Christian,Christmas,Contemporary. Score and parts. 19 pages. Darrell Harrison Goforth #3879111. Published by Darrell Harrison Goforth (A0.747418). Four German Christmas songs for children (Kling, Glocken, Kling; Leise Rieselt der Schnee; Susser die Glocken nie Klingen; Stille Nacht) are set in a single piece.
$23.99
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Three selections based on "Christ lag in Todesbanden" (Woodwind Quintet - 1 Flute, 1 Oboe, ...)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Boo...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #851170. Published by Regis Bookshar (A0.1257934). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Woodwind Quintet (1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn, 1 Bassoon) - Advanced /Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Littel Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Galgenlieder / Gallow Songs
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Roger Müller
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Galgenlieder / Gallow Songs
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althorn-music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.828824 Composed by Roger Müller. Contemporary. 52 pages. Alth...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.828824 Composed by Roger Müller. Contemporary. 52 pages. Althorn-music #6319675. Published by althorn-music (A0.828824). Some poems of Christian Morgenstern for Woodwind-Quintet and Narrator (optional):- Das Mondschaf- Das Knie- Die zwei Wurzeln- Der Seufzer- Der Lattenzaun.
$4.99
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
Divertimento
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Herzogin Anna Amalia von Braun
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Lisa R
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Divertimento
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Lisa R Taylor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1161124 Composed by Herzogin Anna Amalia von Braunschweig-Wolfen...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1161124 Composed by Herzogin Anna Amalia von Braunschweig-Wolfenbuttel. Arranged by Lisa R. Taylor. Chamber,Classical,Contest,Festival. 25 pages. Lisa R Taylor #761445. Published by Lisa R Taylor (A0.1161124). This beautiful piece of classical chamber music was written in 1780 by the German Duchess Anna Amalia, who was a notable female composer and patron of the arts in her time, and a contemporary of Haydn and Mozart. It was originally for Clarinet, Viola, Cello and Piano and is arranged here for a standard woodwind quintet. It is a rich two-movement work, with a lyrical Adagio and lively Allegro with ornamented solo lines. It is a great addition to any woodwind quintet library and recital program since it features a woman composer from the Classical Period.
$15.99
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