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it is tuneful
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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GUITARE LAP ST…
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Dolly Suite (for Wind Sextet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Philip Le Bas
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Dolly Suite
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Philip Le Bas
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1) The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2) Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3) Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4) Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5) In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6) The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
$6.99
A Repton Fugue
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Philip Le Bas
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A Repton Fugue
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip L...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip Le Bas. Chamber,Classical. 21 pages. Philip Le Bas #1042196. Published by Philip Le Bas (A0.1463474). A short, attractive fugue for wind quintet (flute, oboe, clarinet, horn and bassoon) by Philip Le Bas, inspired by and based on Hubert Parry's much-loved hymn Dear Lord and Father, whose melody is entitled Repton. The fugue's structure results from a fascinating online Fugue Writing course run by CityLit, London, which the composer attended in the first half of 2024. The course presents and explains the eighteenth-century ideas of a fully developed fugue, which culminated in J.S. Bach's extraordinary achievement, the Well Tempered Clavier, and which has been used in various forms by composers ever since. The fugal rules are here treated rather as guidelines in order to create a fugue more immediately appealing to 21st century listeners, but the piece attempts to maintain the general structure found in classic fugues. The initial subject is quirky and tuneful (in fact a bit of an ear-worm), but it immediately goes on to include counter-subjects, tonal answers, codettas, episodes, middle entries, inverted subjects, strettos, a pedal and a final entry, plus a relatively long coda in which Parry's original melody is celebrated exuberantly. These different sections and techniques are all labeled in the score to add an educational dimension to the composition. Those who know the composer's Repton Variations for wind sextet will recognise the opening and ending, at least in outline, but they will soon find the rest to be more technically developed, if rather less serious, from the very beginning! The piece lasts just under three minutes.
$5.99
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it is tuneful