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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Get Down
Non classifié
311
Piano & claviers
Piano seul
274
Piano, Voix
18
Orgue
14
2 Pianos, 4 mains
12
1 Piano, 4 mains
7
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Instruments en Do
3
Accordéon
3
Orgue, Trompette (duo)
2
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
13
Mandoline
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Banjo
1
Basse electrique
1
Ukulele
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
68
Chorale TTBB
12
Chorale SSAA
10
Chorale
4
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix basse, Piano
2
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale 3 parties
1
Voix Tenor
1
Chorale SSATTB
1
Voix haute
1
Chorale Unison
1
Voix duo, Piano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Saxophone
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Quatuor de Saxophones: 4 saxophones
17
Clarinette
17
Flûte traversière et Piano
14
Quatuor de Clarinettes: 4 clarinettes
13
Flûte traversière
13
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto et Piano
6
Ensemble de Clarinettes
6
3 Clarinettes (trio)
5
Hautbois, Piano (duo)
5
Clarinette et Piano
4
Ensemble de Flûtes
4
2 Clarinettes (duo)
3
Saxophone Alto
3
Flûte et Guitare
3
2 Saxophones (duo)
3
Saxophone (partie séparée)
2
Ensemble de saxophones
2
Flute (partie séparée)
2
Hautbois (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor et Piano
2
Cor Anglais
2
Quintette de Saxophone: 5 saxophones
2
Quintette de Flûte : 5 flûtes
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Saxophone Soprano et Piano
1
3 Saxophones (trio)
1
Piccolo
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Tenor
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
Clarinette, Basson (duo)
1
Flûte, Violon et Violoncelle
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières (duo)
1
Hautbois
1
Flûte, Violon
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Orgue
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone et Piano
18
Trompette
16
Trombone
9
Tuba et Piano
9
Ensemble de Trombones
9
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 trombones
8
2 Trombones (duo)
7
Trompette, Piano
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
Cor
5
Tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
4 Tubas
2
Cor Anglais
2
Trombone basse
2
Cor et Piano
2
Trombone (partie séparée)
2
2 Cors (duo)
2
3 Cors (trio)
1
Quatuor de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette (partie séparée)
1
Cor et Orgue
1
Euphonium
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon
21
Violon et Piano
16
Violoncelle, Piano
12
Violon, Violoncelle (duo)
9
Alto, Piano
6
Violoncelle
6
Harpe
6
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
5
2 Violons (duo)
4
Contre Basse
3
Violon, Alto (duo)
3
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
4 Harpes
1
4 Contrebasses
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre
72
Orchestre d'harmonie
59
Ensemble de cuivres
31
Ensemble Jazz
27
Orchestre de chambre
19
Orchestre à Cordes
15
Batterie
10
Cloches
8
Jazz combo
8
Ensemble de Percussions
8
Fanfare
2
Voix Mezzo-Soprano, Orchestre
1
Vibraphone
1
Orchestre, Violon
1
Marimba
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Crtitères actifs :
Get Down
expert
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
22 partitions trouvées
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1
Zusammen/Getrennt/Zusammen - Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Vladimir Vlaev
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Vladimir Vlaev
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Parts.
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Zusammen/Getrennt/Zusammen - W
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Vladimir Vlaev
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - SKU: A0.1145715 By Vladimir Vlaev. By Vladimir Vlaev. Arranged b...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - SKU: A0.1145715 By Vladimir Vlaev. By Vladimir Vlaev. Arranged by Vladimir Vlaev. 20th Century,Chamber,Contemporary. 30 pages. Vladimir Vlaev #745940. Published by Vladimir Vlaev (A0.1145715). Concert piece for woodwind quintetScore & Parts.
$10.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Tchaikovsky: The Seasons Op.37a No.8 August (The Harvest) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ray Thompson Music
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Ray Thompson
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Tchaikovsky: The Seasons Op.37
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.554121 By Ray Thompson Music. By Peter Ilyich Tchaikovsky. Arranged b...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.554121 By Ray Thompson Music. By Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. Romantic Period. 19 pages. RayThompsonMusic #163795. Published by RayThompsonMusic (A0.554121). Arranged standard wind quintet The Seasons, Op. 37 Russian: Времена года; (published with the French title Les Saisons), is a set of twelve short character pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky. Each piece is the characteristic of a different month of the year in the Northern Hemisphere. This piece suits the wind quintet. Clarinet in A part/ Clt in Bb also provided The harvest has grown, people in families cutting the tall rye down to the root! Put together the haystacks, music screeching all night from the hauling carts. (A. Koltsov).
$9.95
"Dance Scenes" for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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"Dance Scenes" for w
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.886693 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.886693 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 49 pages. Panagiotis Theodossiou #3575033. Published by Panagiotis Theodossiou (A0.886693). Dance Scenes, for wind quintet, Hear the Voice inside You … (2003). Written in a strict and abstract dodecaphonic style, follows the form of a theme and 12 variations- miniatures (in the style of Webern) with an epilogue. There is an emphasis between the intervallic and motivic interrelations of the initial tone row and the planning of the work. In its 2008 version has 4 mouvements:I.Riddle (to Yannis Christou)II.Gnome (to Gyorgy Ligeti)III.Fire Dance (to Arnold Scoenberg)IV.Choreograpical Variations (to Anton Webern and Igor Stravinsky) It has a chorographical character and is dedicated to the composers above, following their compositional style.
$25.00
City Mayhem
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Julie Argyle-Cross
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City Mayhem
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Julie Argyle-Cross
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1022356 Composed by Julie Argyle-Cross. Contemporary. 7 pages. Julie Argyle-Cross #6437077. Publi...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1022356 Composed by Julie Argyle-Cross. Contemporary. 7 pages. Julie Argyle-Cross #6437077. Published by Julie Argyle-Cross (A0.1022356). A fast and furious recorder consort arrangement! Rush hour traffic causes city mayhem. Impatient drivers toot horns & motorists argue as an ambulance tries to get through!Duration 1.28.
$2.39
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Marche Funebre
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Frederic Chopin
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John Grady
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Marche Funebre
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John Grady
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1124311 Composed by Frederic Chopin. Arranged by John Grady. 19t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1124311 Composed by Frederic Chopin. Arranged by John Grady. 19th Century,Chamber,Classical,Holiday,Romantic Period. 15 pages. John Grady #725051. Published by John Grady (A0.1124311). A serious, and mock-serious, take on Chopin's familiar Funeral March for solo piano. This arrangement requires a woodwind quintet with good chamber-music and interpretative skills, but also un-afraid to be tongue-in-cheek as well. Suitable for Halloween time primarily, the music plays with the traditional march to the grave. Your audience will love the good part-writing, the chills and dark humor of this arrangement. Oh, the ancient Dies Irae appears a few times, too. A minimum of mood indications allows for your intuitive dramatic ideas. Have fun and don't get too serious! Performance time: approx. 4.5 minutes.
$50.00
Frolic of Forest Quartet for Woodwinds
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Darian Thompkins
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Frolic of Forest Quartet for W
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Darian Thompkins
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1406769 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Ea...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1406769 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Easter,Festival,New Age. 15 pages. Darian Thompkins #989523. Published by Darian Thompkins (A0.1406769). Frolic of Forest Quartet for Woodwinds is a piece for musicians who wish to be challenged. The piece is written in compound time with a transition to common time and showcases a change from D major to F major. A tour of the woods you will go with delights of colorful trees and various bouquets of flowers. Chords pulled and clustered to create a bliss and peaceful sound for the listener. Feelings of flying or running through an emerald forest. A trip deep into the woods to see its wonders. The flute has a beautiful solo that represents the beauty and freedom of the wind as it moves through the trees. The bassoon represents the forest trees and creatures as they move, animals that gallop across the floor of the forest. Like fairies they are enchanted and whimsical as they thrive. An ecosystem of life vibrant as far as the eye can see. Frolic of Forest Quartet for Woodwinds is for Advanced Woodwind players for flute, oboe, clarinet, and bassoon. Prepare yourself for a beautiful journey your ears will never forget, and you will always remember.
$3.99
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Tightrope
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Benj Pasek and Justin Paul
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Jeremy Corcoran
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Tightrope
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LPC Publishers
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.714708 Composed by Benj Pasek and Justin Paul. Arranged by Jerem...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.714708 Composed by Benj Pasek and Justin Paul. Arranged by Jeremy Corcoran. Contemporary. 40 pages. LPC Publishers #3520341. Published by LPC Publishers (A0.714708). From The Blockbuster, The Greatest Showman, is an arrangement of the touching and beautiful song Tightrope, sung by Michelle Williams, in the movie. Everyone gets a moment to shine in this arrangement. A sure crowd pleaser. Includes a Clarinet 2 part that subs. for the Oboe, an Alto Sax part that subs. for the French Horn, and a Bass Clarinet part that subs. for the Bassoon. Play it as a Woodwind Quintet or a Woodwind Ensemble or any combination you want. 2018 New ArrangeMe Song Contest Entry
$16.00
Two Daydreams for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Sir Arthur Seymour Sullivan
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Ted R
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Two Daydreams for Woodwind Qui
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00
Trio in A minor op.188 for oboe, horn and [piano] (arr. woodwind quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Carl Reinecke
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Armin Terzer
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Trio in A minor op.188 for obo
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Armin Terzer
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942173 Composed by Carl Reinecke. Arranged by Armin Terzer. Romantic Period. 83 pages. Armin Terz...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942173 Composed by Carl Reinecke. Arranged by Armin Terzer. Romantic Period. 83 pages. Armin Terzer #5305567. Published by Armin Terzer (A0.942173). One of the most beautiful, fully romantic works for mixed chamber ensemble (oboe, horn and piano), Carl Reinecke’s Trio in A minor op. 188 is here arranged for woodwind quintet. The oboe and horn parts are the same as the original (with an attempt at unifying articulation and dynamics), while the rest of the quintet covers the piano part. This works surprisingly well, with the result sounding as if it had always been conceived for this combination (well… almost – the flute part gets a thorough workout in the low range which is not entirely characteristic). Featuring oboe and horn, but giving every instrument plenty to do and moments to shine, this is a fantastic addition to the romantic woodwind quintet repertoire – which, besides the usual suspects, is surprisingly scarce. The level of difficulty is just above advanced intermediate – the low flute part, some tricky rhythmic passages (especially for the clarinet) and overall ensemble considerations make this a challenge, but a very, very rewarding one, for an advanced quintet.
$25.00
Con Alma
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Jazz
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Dizzy Gillespie
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Caleb Murray
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Con Alma
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Caleb Murray
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.882903 By Dizzy Gillespie. By Dizzy Gillespie. Arranged by Caleb Murray. Jazz. 66 pages. Caleb Mu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.882903 By Dizzy Gillespie. By Dizzy Gillespie. Arranged by Caleb Murray. Jazz. 66 pages. Caleb Murray #4598315. Published by Caleb Murray (A0.882903). Here is my Hip Hop Version of the Dizzy Gillespie tune, Con Alma. There is a saxophone choral, solos, and plenty of dense, beautiful chords. It gets a little trippy, but this advanced tune is a fun and challenging tune for saxophone quintet (featuring tenor saxophone) and rhythm section.
$50.00
Times Square Shuffle for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Tom Swafford
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Times Square Shuffle for woodw
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Tom Swafford
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.914154 Composed by Tom Swafford. Blues,Contemporary,Jazz. 31 pages. Tom Swafford #3585291. Publis...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.914154 Composed by Tom Swafford. Blues,Contemporary,Jazz. 31 pages. Tom Swafford #3585291. Published by Tom Swafford (A0.914154). Fun, energetic, programmatic piece for woodwind quintet. The title comes from signs around Times Square in the early 2000s directing traffic away from Broadway. The piece begins with a depiction of the honking of horns and yelling of motorists, which transforms into a dance-like blues shuffle.  Amidst the chaos is a quote from J. S. Bach's C-sharp minor fugue (BWV 873). The piece is in 12/8, with a written-out swing rhythm, playable by musicians from a classical or jazz background. Duration: 4 minutes. www.tomswafford.com ASCAP .
$5.00
Praeludium from Op. 4 Suite, - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Richard Strauss
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John Tomkins
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Praeludium from Op. 4 Suite, -
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John Tomkins
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.908712 Composed by Richard Strauss. Arranged by John Tomkins. 20th Century. Score an...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.908712 Composed by Richard Strauss. Arranged by John Tomkins. 20th Century. Score and parts. 30 pages. John Tomkins #3142951. Published by John Tomkins (A0.908712). Written in 1884 when he was only twenty years old, Richard Strauss' formidable skills are already on full display in his Op. 4 Suite. The first movement (Praeludium), arranged here for Woodwind Quintet, makes a great energetic opener or closer! Strauss' Op. 4 Suite is in the public domain in the US, Canada, and countries where the copyright length is composer's life+50 years. This arrangement may only be used in these locations.
$9.99
Divertissement for Wind Quintet (A showcase for members of the quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Sy Brandon
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Divertissement for Wind Quinte
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1214466 Composed by Sy Brandon. 20th Century,Chamber,Contemporary. 78 pages. Sy Brandon #811453. ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1214466 Composed by Sy Brandon. 20th Century,Chamber,Contemporary. 78 pages. Sy Brandon #811453. Published by Sy Brandon (A0.1214466). Divertissement was composed during 2005 for the Cadence Music Ensemble and rewritten in 2010 for Bret Pimentel, a virtuoso performer on multiple woodwinds. This version was created in 2023 and is a showcase for members of the quintet. A divertissement is a multi-movement composition designed to divert, entertain or to amuse. There are six contrasting movements in this composition; Intrada (flute feature), Nocturne (Horn feature), Valse (bassoon feature), Marche (clarinet feature), Romanza (oboe feature), and Galop (spotlight on members of the ensemble). The Intrada is energetic and playful with a lot of interplay between instruments. The Nocturne, being a night piece, is both lyrical and mysterious. The Waltz is in a flowing waltz tempo with occasional shifts away from three beats in the measure. The Marche is not a piece that would be used in a parade. It is a march that exists in the mind of a child who is playing with toy soldiers; therefore there is playfulness and humor that would not occur in a functional march. Lyrical lines and expressiveness are the predominating features of the Romanza. The piece comes to a rousing close with the Galop, which is a “perpetual motion†type of movement with a lot of rhythmic variety.
$15.00
In Winter (WQ#7) opus 98
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Michael Kibbe
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In Winter
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Stretto Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.984132 Composed by Michael Kibbe. Contemporary. Score and parts. 46 pages. Stretto M...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.984132 Composed by Michael Kibbe. Contemporary. Score and parts. 46 pages. Stretto Music #4592231. Published by Stretto Music (A0.984132). A single movement, tonal/modal, lyric and energetic.
$25.00
Carson Cooman: Solar Visions (2004) for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fab...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95
The Four Seasons - A Medley for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Antonio Vivaldi
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James Haynor
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The Four Seasons - A Medley fo
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.782406 Composed by Antonio Vivaldi. Arranged by James Haynor. Baroque. Score and par...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.782406 Composed by Antonio Vivaldi. Arranged by James Haynor. Baroque. Score and parts. 34 pages. James Haynor #6334005. Published by James Haynor (A0.782406). The Four Seasons is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention). Scored here for woodwind quintet, The Four Seasons - A Medley includes snippets from all four movements - Spring, Summer, Autumn and Winter. This arrangement allows this beautiful music to be performed by an ensemble not usually associated with it. ( Duration 8:05 )
$10.00
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Bela Bartok
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Ray Thompson
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Bartók: Fifteen Hungari
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante – Poco sostenuto – Più andante (Tempo I) – Poco sostenuto – Più andantePoco rubato – SostenutoAndanteScherzo. Andante – Sostenuto, poco rubato – Tempo IScherzoBallad (Theme with Variations)
$14.95
6 Baroque Classics - wind quintet bundle / book / pack
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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George Frideric Handel, Henry
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Austin Ralphson
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6 Baroque Classics - wind quin
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Austin Ralphson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.563330 Composed by George Frideric Handel, Henry Purcell, Johann Pach...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.563330 Composed by George Frideric Handel, Henry Purcell, Johann Pachelbel, and Johann Sebastian Bach. Arranged by Austin Ralphson. Baroque,Standards,Wedding. 134 pages. Austin Ralphson #3547855. Published by Austin Ralphson (A0.563330). This pack of baroque music is ideal to use a practice and performance pieces. The arrangements have been tried and tested for many years with great success, and are brought together here in one book to provide a big saving on the pieces compared to their full price.Includes scores and parts for:* Brandenburg Concerto No. 3 (Bach)* Brandenburg Concerto No. 5, mvt. 3 (Bach)
$9.99
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