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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
TUBA
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85
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27
Piano, Voix
3
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
2 Pianos, 8 mains
1
+ 2 instrumentations
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Guitares
Guitare
8
Guitare notes et tablatures
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
17
Voix Soprano, Piano
7
Chorale TTBB
5
Chorale SSAA
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 3 instrumentations
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Vents
Saxophone
15
Clarinette
11
Flûte traversière
10
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte traversière et Piano
2
Ensemble de Clarinettes
2
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
Hautbois
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Piano (duo)
1
Saxophone Soprano
1
3 Clarinettes (trio)
1
Saxophone Tenor et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Saxophone Alto et Piano
1
Clarinette et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Flûtes
1
+ 18 instrumentations
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Cuivres
Trombone
9
Trompette
8
Cor
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba
1
Trombone et Piano
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Piano
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
6
Alto seul
5
Violon et Piano
5
Violoncelle, Piano
2
Violon, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Piano
1
Violoncelle
1
2 Altos (duo)
1
2 Violons (duo)
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre
18
Orchestre à Cordes
11
Ensemble de cuivres
5
Orchestre d'harmonie
5
Ensemble Jazz
4
Jazz combo
4
Batterie
2
Orchestre de chambre
2
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Custos Caeli
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Brian Joyce
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Custos Caeli
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Brian Joyce
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Publis...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Published by Brian Joyce (A0.836708). Full disclosure: This work is frankly atonal. Rhythms are tricky. Harmonies are unconventional to say the least. And even the form is nicely aberrant.Yet something magical happens when writing for winds: because of the weak timbre contact between the different instruments, one can write complex textures without losing clarity. One can write dissonant harmonies without having them sound harsh and grating. In fact, there are moments of surprising beauty here. Take for instance the color canons, passages combining all instruments in clusters whose harmonic and rhythmic motion is essentially static, but which shimmer with ever-changing timbres. The title translates - inexactly - to Keeper of Heaven, or Starry Watchman, or Celestial Caretaker, and refers to an imaginary character whose task it is to walk about the heavens at sunset and turn on the stars. He is the galactic equivalent of the old gentlemen who once went about Victorian streets, lighting the gas lamps and generally keeping an eye on things, making sure that all is well. I do not claim that this character is God the Father Almighty, only that he is an old gentleman. But there might very well be something wizard-ish about him!Performance time is approximately seven and a half minutes. The audio excerpt included here is of the last two minutes, where the music comes the closest to being tonal.
$11.95
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553919 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553919 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 10 pages. RayThompsonMusic #6116239. Published by RayThompsonMusic (A0.553919). Claude Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28, or the preludes from Johann Sebastian Bach's Well-Tempered Clavier, Debussy's do not follow a strict pattern of key signatures.Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.This is an arrangement of No.5 in Book 2 Bruyères (Heather)
$14.95
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