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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
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SAXOPHONE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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PIANO & CLAVIERS
Piano seul
63
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7
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5
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3
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2
Orgue
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2
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2
Instruments en Do
1
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1
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1
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Guitare
16
Luth
3
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2
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2
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1
2 Guitares (duo)
1
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22
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Flûte traversière
1547
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
425
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387
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169
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82
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69
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68
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50
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24
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18
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17
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17
Flûte, Violoncelle, Piano (trio)
14
Quintette de Flûte : 5 flûtes
13
Saxophone Tenor et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Violon
10
Clarinette
10
Flûte à Bec
9
Flûte, Hautbois, Basson
9
Flûte, Clarinette, Piano (trio)
9
Saxophone Alto et Piano
8
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8
Clarinette et Piano
8
Flute (partie séparée)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Violoncelle
7
Flûte traversière, Orchestre
7
Hautbois, Flûte
6
Saxophone
6
2 Flûtes traversières, Piano
6
Flûte traversière, Orgue (duo)
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Violoncelle et Piano
4
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4
3 Clarinettes (trio)
4
Flûte, Saxophone (duo)
4
3 Saxophones (trio)
3
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3
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3
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3
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3
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2
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2
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1
Flûte à bec Alto, Piano
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1
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1
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1
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1
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1
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1
Flûte à bec Soprano
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Hautbois, Orgue
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trompette (duo)
1
Flûte, Alto et Violoncelle
1
Cor anglais, Piano
1
2 Clarinettes (duo)
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Flûte, Tuba (duo)
1
Flûte, Alto et Piano
1
Flûte irlandaise
1
Saxophone Alto
1
Quatuor de Flûtes à bec
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Flûte et Trio à cordes
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CUIVRES
Trompette, Piano
8
Trombone et Piano
8
Trombone
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor et Piano
5
Cor
4
Euphonium, Piano (duo)
3
Tuba et Piano
3
Trompette
3
3 Euphoniums
2
Euphonium
2
Trombone et orchestre
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
Cor Anglais
1
Trompette (partie séparée)
1
Tuba
1
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CORDES
Harpe
21
Harpe, Flûte (duo)
18
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
17
Violoncelle, Piano
17
Alto, Piano
16
Violon
13
Violon, Alto (duo)
7
Violoncelle
6
Alto seul
5
Harpe, Violon (duo)
4
Alto et Harpe
4
Violon, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Violoncelle (partie séparée)
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
1
4 Harpes
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Violoncelle, Orchestre
1
Trio à Cordes: violon, alto, violoncelle
1
Flûte, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
184
Orchestre d'harmonie
138
Orchestre de chambre
48
Ensemble Jazz
42
Ensemble de cuivres
13
Orchestre à Cordes
9
Fanfare
5
Ensemble de Percussions
4
Cloches
3
Piano et Orchestre
3
Big band
3
Jazz combo
1
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AUTRES
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Quintet for Flute, Oboe, Clarinet, Horn and Bassoon.
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.95…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.950853 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score and parts. 61 pages. ArtsAhimsa #4969185. Published by ArtsAhimsa (A0.950853). This is a Quintet intended for concert performance, perhaps as a companion piece to the standard Quintets by Reicha and Schoenberg. The somber tone of the music makes it suitable for solemn ceremonies.
$27.00
24.79 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Moshe S
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Quintet for Flute, Oboe, Clarinet, Horn and Bassoon.
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ArtsAhimsa
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SheetMusicPlus
Salute From Heaven (Michael's Theme)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.890968 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.890968 Composed by Juan C. Davila. Christian,Contemporary,Instructional,Standards. 31 pages. Juan C. Davila #3399967. Published by Juan C. Davila (A0.890968). This composition is written for woodwind quintet. It is dedicated to a young band director and accomplished clarinet player who passed away recently from cancer.
$6.99
6.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Juan C
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Salute From Heaven
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Juan C. Davila
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.68 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bela Bartok (1881-1945)
#
Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
Transition I Part: Flute
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1020549 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1020549 Composed by Steve Butler. Contemporary. 2 pages. Steve Butler #4848483. Published by Steve Butler (A0.1020549). See Transition I Score for details.
$1.99
1.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Steve Butler
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Transition I Part: Flute
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Steve Butler
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SheetMusicPlus
Queen of the Night Aria from "The Magic Flute"
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.708630 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.708630 Composed by Wolfgang Amadeus Mozart. Arranged by Ronald M. Krentzman. Classical,Opera. 16 pages. Ronald Krentzman #317199. Published by Ronald Krentzman (A0.708630). Wind Quintet arrangement of famous opera aria.
$10.00
9.18 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ronald M
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Queen of the Night Aria from "The Magic Flute"
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Ronald Krentzman
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SheetMusicPlus
Waltz of the Flowers - P.I.Tchaikovsky - Flute; Oboe, 2 Bb Clarinets & Bass Clarinet - Woodwind Quin
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by P.I.Tchaikovsky. Arranged by Raymond Fenech. Holiday, Multicultural, Rom…
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Composed by P.I.Tchaikovsky. Arranged by Raymond Fenech. Holiday, Multicultural, Romantic Period, Standards, World. 31 pages. Raymond Fenech #3246063. Published by Raymond Fenech
$10.95
10.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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P
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Raymond Fenech
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Waltz of the Flowers - P.I.Tchaikovsky - Flute; Oboe, 2 Bb Clarinets & Bass Clarinet - Woodwind Quin
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Raymond Fenech
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SheetMusicPlus
Andersen Viana: Quintet for flute, oboe, Bb clarinet, bassoon and horn
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Andersen Viana (1962-). Contemporary, Standards, World. Score and parts.…
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Composed by Andersen Viana (1962-). Contemporary, Standards, World. Score and parts. 68 pages. Musik Fabrik Music Publishing #3474111. Published by Musik Fabrik Music Publishing
$25.95
23.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andersen Viana (1962-)
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Andersen Viana: Quintet for flute, oboe, Bb clarinet, bassoon and horn
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Three Idylls
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.837784 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.837784 Composed by Frank Bridge. Arranged by Spence Bundy. 20th Century,Concert. 73 pages. Spencer Bundy #6213463. Published by Spencer Bundy (A0.837784). This wonderful piece represents Frank Bridge at his absolute best with lovely melodic themes and his usual harmonic brilliance. .
$6.99
6.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frank Bridge
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Spence Bundy
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Three Idylls
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Spencer Bundy
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SheetMusicPlus
Harmony Music No.1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
5.5 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
A Night at the Ballet - The Nutcracker for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.782324 Composed by Peter I. Tchaikovski. Arranged by James Haynor. Romantic Period. Score and parts. 46 pages. James Haynor #5178661. Published by James Haynor (A0.782324). The Nutcracker is an 1892 two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky. Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. A Night at the Ballet, scored here for woodwind quintet, visits Tchaikovski’s famous - The Nutcracker. Included in this minisuite are: Overture, March, Dance of the Sugar Plum Fairy, Trepac, Arabian Dance, Chinese Dance, Dance of the Reed Flutes and Waltz of the Flowers. ( Duration 9:06 )
$10.00
9.18 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Peter I
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James Haynor
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A Night at the Ballet - The Nutcracker for Woodwind Quintet
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James Haynor
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SheetMusicPlus
Serenade for Winds No. 1, Op. 16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.878298 Composed by Sean A. Brown. Contemporary. 60 pages. SeanBrownMusic #556037. Published by SeanBrownMusic (A0.878298). This is a single-movement work for 13 winds. The piece has 3 contrasting sections: A march in a moderate tempo, an allegro, and an adagio, with a recurring march at the end. Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 1 contrabassoon, 4 horns. Published by SeanBrownMusic, SeanBrownMusic.Weebly.com. Contact seanbrownmusic86@gmail.com for any questions or comments.
$23.00
21.12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sean A
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Serenade for Winds No. 1, Op. 16
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SeanBrownMusic
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SheetMusicPlus
Romeo & Juliet Fantasy Overture - Wind Ensemble
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.73…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.735414 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Romantic Period. Score and parts. 152 pages. Andrew Middleton #4626473. Published by Andrew Middleton (A0.735414). Tchaikovsky's Romeo and Juliet Fantasy Overture arranged for Wind Ensemble (2 flutes, 2 oboes, 2 clarinets in A, 4 horns in F and 2 Bassoons). There is also an optional contrabass part too for anyone wanting to add more bass to your performance. This is the complete work and is ideal for the advance ensemble!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$24.99
22.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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Romeo & Juliet Fantasy Overture - Wind Ensemble
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Andrew Middleton
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SheetMusicPlus
Concerto in D minor for Horn and Harmoniemusik
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.94…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.941795 Composed by F. Antonio Rosetti. Arranged by Robert Oldroyd. Classical,Concert. Score and parts. 193 pages. Robert Oldroyd Music #5999627. Published by Robert Oldroyd Music (A0.941795). This arrangement is a direct re-imagining of Rosetti's brilliant D minor Horn Concerto for solo horn and Rosetti-style harmoniemusik. Great care has been taken to unify musical instructions and articulations between the solo horn and the harmoniemusik. The instrumentation is solo horn, 2 flutes, 2 oboes, Bb clarinet, basset horn, 2 horns, 2 bassoons and string bass. This work is an excellent choice for solo recitals and wind ensemble concerts.
$35.00
32.14 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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F
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Robert Oldroyd
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Concerto in D minor for Horn and Harmoniemusik
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Robert Oldroyd Music
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SheetMusicPlus
I'll Be Home For Christmas
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.875478 By R…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.875478 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Scott Grimaldi. Jazz. 16 pages. Scott Grimaldi #3565835. Published by Scott Grimaldi (A0.875478). I'll Be Home For Christmas - for Flute Quintet/Choir (Flute 1, Flute 2, Flute 3, Alto Flute & Bass Flute). Words and Music by Kim Gannon and Walter Kent. Arranged by Scott Grimaldi. Includes a title page, score & set of parts. 16 pages. Duration: 2:40 min. Set in a medium Latin Jazz style that alternates between 4/4 & 3/4, beginning with a Bass Flute lead.
$20.00
18.37 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Rascal Flatts
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Scott Grimaldi
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Bass Flute)
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I'll Be Home For Christmas
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Scott Grimaldi
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SheetMusicPlus
Hyacinth Rag (G. Botsford) - woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.892009 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.892009 Composed by George Botsford. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditional. 17 pages. Carrie Burdzinski #3478645. Published by Carrie Burdzinski (A0.892009). George Botsford wrote Hyacinth Rag in 1911. This woodwind quintet arrangement opens with oboe in a minor key followed by the melody, requiring some fast keywork on the part of the oboist. A pretty flute accompaniment adds an airy feel to the oboe line. In the second section the flute performs a series of runs, and is answered by the clarinet and horn. A trio section pairs flute with horn and clarinet with bassoon. The piece concludes with a return to the second section. Run time is approximately 2:30.Sheet music includes conductor's score plus individual parts for flute, oboe, Bb clarinet, French horn, and bassoon.2018 Chamber Music Contest Entry
$6.99
6.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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George Botsford
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C
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Hyacinth Rag
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Carrie Burdzinski
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SheetMusicPlus
All The Things You Are
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.910442 By J…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.910442 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by David Heywood. Contemporary. 60 pages. David Heywood #6610079. Published by David Heywood (A0.910442). This arrangement is a saxophone adaptation of the flute chart that I created on this tune, based on the Joe Pass solo version of Jerome Kern's All the Things You Are. You can find out more information under the flute version of the chart about this arrangement, and I have modified the flute concept to make it work for standard big band sax section - two altos, two tenors, and a bari. There are significant differences between the flute and sax versions by necessity, but both are faithful reproductions of the Joe Pass original from his album Virtuoso.
$24.99
22.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jack Leonard with Tommy Dorsey Orchestra
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David Heywood
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All The Things You Are
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David Heywood
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SheetMusicPlus
Frolic of Forest Quartet for Woodwinds
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1406769 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Easter,Festival,New Age. 15 pages. Darian Thompkins #989523. Published by Darian Thompkins (A0.1406769). Frolic of Forest Quartet for Woodwinds is a piece for musicians who wish to be challenged. The piece is written in compound time with a transition to common time and showcases a change from D major to F major. A tour of the woods you will go with delights of colorful trees and various bouquets of flowers. Chords pulled and clustered to create a bliss and peaceful sound for the listener. Feelings of flying or running through an emerald forest. A trip deep into the woods to see its wonders. The flute has a beautiful solo that represents the beauty and freedom of the wind as it moves through the trees. The bassoon represents the forest trees and creatures as they move, animals that gallop across the floor of the forest. Like fairies they are enchanted and whimsical as they thrive. An ecosystem of life vibrant as far as the eye can see. Frolic of Forest Quartet for Woodwinds is for Advanced Woodwind players for flute, oboe, clarinet, and bassoon. Prepare yourself for a beautiful journey your ears will never forget, and you will always remember.
$3.99
3.66 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Darian Thompkins
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Frolic of Forest Quartet for Woodwinds
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Darian Thompkins
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SheetMusicPlus
Bach A Minor Violin Concerto for Woodwind Quintet (1st movement)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.85…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.855709 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Graduation. Score and parts. 26 pages. Darren Lloyd #3133719. Published by Darren Lloyd (A0.855709). A very challenging arrangement of the first movement of Bach's Violin concerto in A minor. The main solo part has been split between the Flute and Oboe but the majority given over to the Flute.A great show piece for a concert or graduation. The score has been transposed!All parts are 2 pages long and the score (with cover) is 15, making a total of 25 pages to print.
$9.99
9.17 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Darren Lloyd
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Bach A Minor Violin Concerto for Woodwind Quintet
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Darren Lloyd
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SheetMusicPlus
Poor Silly Ewe Stolen Away for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1182428 By John Gibson. By Traditional. Arranged by John Gibson. Folk,Multicultural,World. 29 pages. JB Linear #782159. Published by JB Linear (A0.1182428). The Scottish folk song, Poor Silly Ewie Stown Awa (Poor Silly Ewe Stolen Away) is also known as The Ewe with the Crooked Horn. Some say the song is really about whiskey stills back in the day. This arrangement for woodwind quintet (flute, oboe, clarinet, horn, and bassoon) is a fun, free and not too easy either. There will be versions for flute choir, clarinet choir.....and perhaps various quartet versions.....we'll see!
$19.95
18.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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John Gibson
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John Gibson
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Poor Silly Ewe Stolen Away for Woodwind Quintet
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JB Linear
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.14 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Viscous Air
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1459117 Composed by Cameron Duncan. 21st Century,Chamber,Contest,Festival,Film/TV,Rock. 41 pages. Cameron Duncan #1038087. Published by Cameron Duncan (A0.1459117). Viscous Air is a lively piece written for woodwind quintet, flute, oboe, Bb clarinet, bassoon, and horn in F. It captures the anticipatory feeling of the summer air, thick with heat and excitement! The framing portions of the piece are light and playful, while the middle section is a sweet, syrupy chorale.Length: 4'30.
$19.99
18.36 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Cameron Duncan
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Viscous Air
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Cameron Duncan
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SheetMusicPlus
Course of Empire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
22.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
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