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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More
Non classifié
896
Piano & claviers
Piano seul
546
Piano, Voix
155
Orgue
27
2 Pianos, 4 mains
13
Piano, Voix et Guitare
10
Instruments en Do
8
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
5
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Facile
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
55
Guitare notes et tablatures
40
Basse electrique
6
2 Guitares (duo)
5
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
107
Chorale TTBB
37
Chorale SSAA
16
Voix Soprano, Piano
11
Chorale 3 parties
9
Voix haute
8
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix duo, Piano
3
Voix seule
3
Chorale SSAATTBB
3
Voix basse
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Chorale 2 parties
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
47
Clarinette
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Flûte traversière et Piano
37
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone Alto et Piano
24
Clarinette et Piano
22
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Soprano et Piano
20
Flûte traversière
16
Hautbois, Piano (duo)
16
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
16
2 Flûtes traversières (duo)
15
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
14
Saxophone
11
Ensemble de saxophones
11
Saxophone Baryton, Piano
9
2 Clarinettes (duo)
9
Saxophone Alto
8
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Flûte et Guitare
4
3 Clarinettes (trio)
4
Hautbois
4
Saxophone (partie séparée)
4
Cor anglais, Piano
4
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
2 Saxophones (duo)
2
Flûte, Violon, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Flute (partie séparée)
2
4 Hautbois
1
Flûte, Violoncelle
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
3 Saxophones (trio)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
2 Hautbois (duo)
1
Clarinette Basse, Piano
1
Saxophone Soprano
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Clarinette, Violon (duo)
1
2 Clarinettes, Piano
1
Harmonica
1
2 Saxophones, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte à bec Soprano
1
Saxophone, Clarinette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone et Piano
27
Trompette
16
Cor et Piano
14
Cor
12
Tuba et Piano
11
Euphonium, Piano (duo)
11
Ensemble de Trombones
10
Ensemble de Cors
10
Trompette, Piano
10
Quatuor de cuivres: 4 trombones
10
Trombone
9
Tuba
8
Quatuor de cuivres: 4 cors
6
2 Trombones (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
4
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Trompette, violon (duo)
3
Trombone, Tuba (duo)
3
3 Trombones (trio)
3
Ensemble de Trompettes
3
Trompette (partie séparée)
2
3 Euphoniums
2
Trombone et orchestre
1
Cor (partie séparée)
1
Trombone basse
1
Euphonium
1
Trompette, Orchestre
1
2 Tubas (duo)
1
2 Cors (duo)
1
4 Tubas
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
43
Violon
26
Violoncelle, Piano
24
Harpe
23
Violoncelle
18
Trio à Cordes: violon, alto, violoncelle
17
Violon, Violoncelle (duo)
17
2 Violons (duo)
14
Alto, Piano
12
Contrebasse, Piano (duo)
8
Violon, Alto (duo)
8
Violoncelle, Contrebasse (duo)
6
2 Violoncelles (duo)
6
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
4
2 Altos (duo)
4
Harpe, Violon (duo)
3
Harpe, Quatuor à cordes
3
Harpe, Flûte (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Harpe
1
Violon, Orgue
1
Trio à Cordes: 3 violoncelles
1
4 Harpes
1
Ensemble de Violons
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Trio à cordes: 3 violins
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre
188
Orchestre d'harmonie
103
Ensemble Jazz
65
Orchestre de chambre
46
Orchestre à Cordes
40
Jazz combo
38
Ensemble de cuivres
38
Batterie
16
Ensemble de Percussions
9
Big band
8
Piano et Orchestre
2
Marimba
2
Cloches
2
Orchestre, Violon
1
Marimba et Orgue
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
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facile
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avancé
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
37 partitions trouvées
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26
The Sycamore (Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Ragtime
#
Scott Joplin
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Glen D
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The Sycamore
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Glen D. Lienhart
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.840250 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Ragtime. 22 pages. Glen D. Lienhar...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.840250 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Ragtime. 22 pages. Glen D. Lienhart #3372565. Published by Glen D. Lienhart (A0.840250). Grade V woodwind quintet, with a few substitute parts.
$15.00
Lassus Trombone (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Henry Fillmore
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Kenneth Abeling
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Lassus Trombone
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514722 Composed by Henry Fillmore. Arranged by Kenneth Abeling. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514722 Composed by Henry Fillmore. Arranged by Kenneth Abeling. 20th Century,Comedy. 16 pages. LINCOLN MUSIC PUBLICATIONS #3530385. Published by LINCOLN MUSIC PUBLICATIONS (A0.514722). Lassus Trombone written by Henry Fillmore transcribed here for Woodwind Quintet by Kenneth Abeling. This is an advanced Intermediate to easier advanced arrangement of one Henry Fillmore’s numerous trombone features making use of numerous glissandos. This piece makes a great humorous novelty piece or encore for most any concert performance. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Playing Time: 2:30 Preview this score on YouTube: https://www.youtube.com/watch?v=DoI6sE9hJD4
$11.99
Marche Des Gibaros - Souvenir de Porto Rico
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Louis Moreau Gottschalk
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Marc Donatelle
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Marche Des Gibaros - Souvenir
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Marc Donatelle
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1454776 Composed by Louis Moreau Gottschalk. Arranged by Marc Donatelle. 19th Century,Classical,F...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1454776 Composed by Louis Moreau Gottschalk. Arranged by Marc Donatelle. 19th Century,Classical,Folk,March. 45 pages. Marc Donatelle #1033846. Published by Marc Donatelle (A0.1454776). Gottschalk wrote the Marche Des Gibaros in 1857. It is a patrol march in that it is based on repetition of thematic material, starting softly, building to a big climaxwith a change of key, and subsiding softly in to the sunset. Gibaros are Puerto Rican peasants,and this melody with its complex rhythms is an original folk song.
$20.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Mike Lyons
#
Wind Quintet - One Rule
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Kyle Vanderburg
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Course of Empire
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NoteForge
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
March – Entry of the Gladiators (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Julius Fucik
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Kenneth Abeling
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March – Entry of the Gla
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514677 Composed by Julius Fucik. Arranged by Kenneth Abeling. Ma...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514677 Composed by Julius Fucik. Arranged by Kenneth Abeling. March. 18 pages. LINCOLN MUSIC PUBLICATIONS #3504359. Published by LINCOLN MUSIC PUBLICATIONS (A0.514677). “Entry of the Gladiators†or “Entrance of the Gladiators†Op. 68 by Julius Fucik, transcription for Woodwind Quintet by Kenneth Abeling and also known as “Thunder and Blazesâ€. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer†march. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Playing Time: 2:30
$13.99
Menuet Vif, Op. 3 No. 9 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Gabriel Pierne
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Ted R
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Menuet Vif, Op. 3 No. 9 for Wo
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1238641 Composed by Gabriel Pierne. Arranged by Ted R. Marcus. 1...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1238641 Composed by Gabriel Pierne. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 29 pages. Ted R. Marcus #834077. Published by Ted R. Marcus (A0.1238641). Gabriel Pierné's lively minuet is from a collection of 15 piano pieces, each dedicated to a fellow composer. This one is dedicated to Camille Saint-Saëns. In a minor key but sprightly, it's more of a free-form rondo than a minuet, with a rhythmic principal theme, two fugato sections, and a French Romantic sensibility. Arranged for advanced players, it's a great concert opener or encore.  Approx. Duration: 3:20Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
Romeo & Juliet Fantasy Overture - Wind Ensemble
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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Romeo & Juliet Fantasy Ove
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Andrew Middleton
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.735414 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Romantic ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.735414 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Romantic Period. Score and parts. 152 pages. Andrew Middleton #4626473. Published by Andrew Middleton (A0.735414). Tchaikovsky's Romeo and Juliet Fantasy Overture arranged for Wind Ensemble (2 flutes, 2 oboes, 2 clarinets in A, 4 horns in F and 2 Bassoons). There is also an optional contrabass part too for anyone wanting to add more bass to your performance. This is the complete work and is ideal for the advance ensemble!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$24.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Holberg Suite by Edvard Grieg
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Edvard Grieg
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Simeon Loring
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Holberg Suite by Edvard Grieg
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S. Loring
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.953683 Composed by Edvard Grieg (1843-1907). Arranged by Simeon Loring. Concert,Romantic Period,W...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.953683 Composed by Edvard Grieg (1843-1907). Arranged by Simeon Loring. Concert,Romantic Period,World. 90 pages. S. Loring #3223389. Published by S. Loring (A0.953683). There is a lack of truly great music for woodwinds. Here is a sophisticated arrangement of the Holberg Suite that manages to convey the subtle flavors of Grieg's version. It is five movements long. The movements may be played separately. The Suite takes about 20 minutes. https://youtu.be/L-8sqNYpi-g is a link to a performance by L'Amore della Musica at Lincoln Center in 2018.
$25.00
Scherzo from A Midsummer Night's Dream
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Edition Maulwurf
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Scherzo from A Midsummer Night
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Edition Maulwurf
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1407992 Composed by Felix Bartholdy Mendelssohn. Arranged by Edi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1407992 Composed by Felix Bartholdy Mendelssohn. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 38 pages. Edition Maulwurf #990558. Published by Edition Maulwurf (A0.1407992). Scherzofrom A Midsummer Night's DreamMusic by: Felix Mendelssohn Bartholdy (1809-1847)arrangement for woodwind quintetflute, oboe, clarinet (Bb), horn (F), bassoonduration: ca. 4:30 min.grade: advancedscore and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition
$18.99
Scottish Fantasy (for Wind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Robert Newth
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Scottish Fantasy
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Robert Newth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1397785 Composed by Robert Newth. Celtic,Contemporary,Folk,Irish,Traditional. 15 pages. Robert Ne...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1397785 Composed by Robert Newth. Celtic,Contemporary,Folk,Irish,Traditional. 15 pages. Robert Newth #981052. Published by Robert Newth (A0.1397785). This short piece was written for Prismatic Winds in 2024, to close a Scottish-themed concert, and I wanted a good finale which encompassed as many famous Scottish tunes as possible. The result was Scottish Fantasy, which is a mashup of 23 popular melodies, some more recognisable than others. The piece would be a fantastic addition to any woodwind quintet's repertoire.The PDF download contains a full score and all five parts: Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.If you have enjoyed this piece, please consider leaving a review!
$14.99
Conversations Between Beauty and Beast - Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Maurice Ravel
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Andrew Middleton
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Conversations Between Beauty a
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Andrew Middleton
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.735267 Composed by Maurice Ravel. Arranged by Andrew Middleton. 20th Century,Childre...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.735267 Composed by Maurice Ravel. Arranged by Andrew Middleton. 20th Century,Children. Score and parts. 21 pages. Andrew Middleton #4280877. Published by Andrew Middleton (A0.735267). From Ravel's ballet, Ma Mere L'Oyle, Conversations Between Beauty and Beast arranged for Woodwind Quintet is ideal for the advanced woodwind Quintet!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
Blast - Score Only
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Amos Elkana
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Blast - Score Only
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Amos Elkana
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of EÃkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.
$10.00
We Three Kings (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Noël
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John Henry Hopkins Jr
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Kenneth Abeling
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We Three Kings
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514834 Composed by John Henry Hopkins Jr. Arranged by Kenneth Ab...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.514834 Composed by John Henry Hopkins Jr. Arranged by Kenneth Abeling. Blues,Christmas,Jazz. 19 pages. LINCOLN MUSIC PUBLICATIONS #3663433. Published by LINCOLN MUSIC PUBLICATIONS (A0.514834). “We Three Kings†or, “We Three Kings of Orient Are†by John Henry Hopkins Jr. This a 6/8 swing version of the Christmas favorite arranged here for Woodwind Quintet by Kenneth Abeling. It is a more advanced arrangement with a minor and modal “Blues†feel. Playing Time: 3:25. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$13.99
Oh Come, Oh Come Emmanuel (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Noël
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Traditional
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Kenneth Abeling
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Oh Come, Oh Come Emmanuel
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.514828 Composed by Traditional. Arranged by Kenneth Abeling. Christma...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.514828 Composed by Traditional. Arranged by Kenneth Abeling. Christmas,Jazz. 24 pages. LINCOLN MUSIC PUBLICATIONS #3662925. Published by LINCOLN MUSIC PUBLICATIONS (A0.514828). This is minor jazz swing version of the traditional and beloved Christmas Carol “Oh Come, Oh Come Emmanuel†arranged for Woodwind Quintet by Kenneth Abeling. It is an easier advanced arrangement suitable for more experienced ensembles. Playing time 3:40. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=ZkQc9QtoJx0 2018 Holiday Contest Entry
$13.99
Debussy: La plus que lente (Valse) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95
Danse siberienne for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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Ted R
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Danse siberienne for Woodwind
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus. 19th Century,Classical,Opera,Romantic Period. 16 pages. Ted R. Marcus #592481. Published by Ted R. Marcus (A0.986813). Danse sibérienne is one of Gioachino Rossini's Péchés de vieillesse (Sins of Old Age). Written for piano in 1864, it's a delightfully clever imitation of a Russian dance by an Italian composer living in France. This version for advanced woodwind quintet captures all the playfulness while emphasizing Rossini's seeming anticipation of such 20th century composers as Shostakovich or Kabalevsky. It's transposed up half a step from the original f-sharp minor. Suitable for college or adult ensembles or an adventurous high school quintet, it's a fun and entertaining concert opener, finale, or encore.Duration: approx. 2:15Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
Serenade for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Pauline Viardot
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Ted R
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Serenade for Woodwind Quintet
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1304437 Composed by Pauline Viardot. Arranged by Ted R. Marcus. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1304437 Composed by Pauline Viardot. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 19 pages. Ted R. Marcus #893928. Published by Ted R. Marcus (A0.1304437). Pauline Garcia Viardot's Sérénade is a piquant Spanish dance imbued with Flamenco rhythms and Andalusian cadences. Although she was a French composer, singer, and teacher born in Paris, Viardot's Spanish heritage lends the piece a special authenticity. Sérénade was originally conceived as a virtuosic showpiece for piano. This version for an advanced woodwind quintet retains just enough bravura to make it exciting for players and audiences. But above all, it's a hauntingly melodic and colorful souvenir of a time when French composers and their audiences were infatuated with all things Spanish. Duration: approx. 3:00Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
Symphony No. 88 Finale (4th Movement) for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Symphony No. 88 Finale
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1173793 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcu...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1173793 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Chamber,Classical,Contest,Festival. 26 pages. Ted R. Marcus #773944. Published by Ted R. Marcus (A0.1173793). The complete ebullient finale of Haydn's Symphony No. 88 in an Advanced-level arrangement for Woodwind Quintet. Transposed to B-flat major from the original G major. It's a fun piece for players and audiences alike, and a joyful selection appropriate for any concert program.Duration: approx. 3:45Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
Waltz Op. 54 No. 4 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Antonin Dvorak
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Ted R
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Waltz Op. 54 No. 4 for Woodwin
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1193714 Composed by Antonin Dvorak. Arranged by Ted R. Marcus. 1...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1193714 Composed by Antonin Dvorak. Arranged by Ted R. Marcus. 19th Century,Chamber,Contest,Festival,Romantic Period. 22 pages. Ted R. Marcus #793187. Published by Ted R. Marcus (A0.1193714). Originally from a suite of waltzes for piano, this piece is most often performed as the Waltz in D major in Dvorak's arrangement for strings. Transposed to B-flat major, this version for woodwind quintet brings a new and colorful perspective to a tuneful Slavonic-flavored waltz with shifting moods, meant for the concert hall rather than for the ballroom. This advanced arrangement is suitable for college and adult ensembles, or perhaps for an adventurous high school quintet. It's a great concert opener, finale, or encore.Duration: approx: 3:30Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
Witchcraft
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Jazz
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Cy Coleman
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Kenneth Abeling
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Witchcraft
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.514634 Composed by Cy Coleman. Arranged by Kenneth Abeling. Jazz. 23 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.514634 Composed by Cy Coleman. Arranged by Kenneth Abeling. Jazz. 23 pages. LINCOLN MUSIC PUBLICATIONS #3488601. Published by LINCOLN MUSIC PUBLICATIONS (A0.514634). “Witchcraftâ€, Music by Cy Coleman & Lyrics by Carolyn Leigh for Woodwind Quintet, arr. Ken Abeling. This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus†as “Lullaby of Birdlandâ€, if you liked that chart, you will like this one as well! To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Playing Time: 3:15
$15.99
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