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--INSTRUMENTS--
ACCORDEON
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CHORALE - CHAN…
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FLUTE TRAVERSI…
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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1
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3
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2
4 Violoncelles
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Trio à Cordes: violon, alto, violoncelle
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Piano Trio: Violon, Alto, Piano
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ACCORDEON
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AUTOHARPE
BANJO
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BASSON
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BOUZOUKI
CHORALE - CHAN…
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CORNET
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expert
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Contrapunctus IX for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.96…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.963438 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Score and parts. 24 pages. Cristiano Vecchi #5303357. Published by Cristiano Vecchi (A0.963438). The famous Counterpoint n.9 from The Art of Fugue, composed by J.S.Bach at the very end of his life as a legacy in the art of counterpoint, here in an arrangement for Woodwind Quintet (Flute - Oboe - Clarinet in Bb - French Horn in F - Bassoon) which employs several different timbre combinations of this ensemble.Respect to the original, have been added dynamical and expressive indications to fully realize the vigorous and relentless spirit of the piece, following and showing its ingenious and surprising structure.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$3.99
3.67 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Cristiano Vecchi
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Contrapunctus IX for Woodwind Quintet
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Cristiano Vecchi
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SheetMusicPlus
Parry: An English Suite I. Prelude - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553694 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 16 pages. RayThompsonMusic #3511951. Published by RayThompsonMusic (A0.553694). Includes clarinet parts in A/Bb.Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.This piece ( An English Suite) was originally written for string orchestra and was published after his death.https://youtu.be/cvwo8fCP59YCheck out my other Parry arrangements:https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229?narrow_by=parry&N....
$6.95
6.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: An English Suite I. Prelude - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Stayin' Alive from the Motion Picture SATURDAY NIGHT FEVER
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
By N-Trance. By Barry Gibb, Robin Gibb, and Maurice Gibb. Arranged by Austin Ralphson.…
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By N-Trance. By Barry Gibb, Robin Gibb, and Maurice Gibb. Arranged by Austin Ralphson. Pop. 26 pages. Austin Ralphson #4369156. Published by Austin Ralphson
$14.99
13.8 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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N-Trance
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Austin Ralphson
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Stayin' Alive from the Motion Picture SATURDAY NIGHT FEVER
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Austin Ralphson
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
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