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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nat Music
Non classifié
437
Piano & claviers
Piano seul
669
Piano, Voix
59
Orgue
39
2 Pianos, 4 mains
17
Accordéon
14
Piano, Voix et Guitare
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Facile
1
+ 10 instrumentations
Retracter
Guitares
Guitare
102
Guitare notes et tablatures
18
Basse electrique
14
2 Guitares (duo)
12
3 Guitares (trio)
8
4 Guitares (Quatuor)
3
Banjo
2
Ukulele
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale TTBB
24
Voix Soprano, Piano
11
Chorale SSAA
7
Chorale SSAATTBB
7
Voix haute
5
Chorale 3 parties
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale Unison
1
Chorale
1
Voix duo
1
Voix duo, Piano
1
Voix Baryton
1
+ 12 instrumentations
Retracter
Vents
Saxophone
85
Flûte traversière
72
Clarinette
59
Flûte traversière et Piano
51
Clarinette et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Alto et Piano
19
Hautbois, Piano (duo)
16
2 Flûte à bec (duo)
16
Quatuor de Clarinettes: 4 clarinettes
13
Flûte à Bec, Piano
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Clarinettes
11
Saxophone Alto
10
Saxophone Soprano et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Hautbois
6
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières (duo)
5
Flûte à Bec
5
Flûte et Guitare
5
Hautbois (partie séparée)
5
Saxophone Tenor
5
Saxophone (partie séparée)
5
3 Clarinettes (trio)
4
Flute (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Alto, Basse continue
4
2 Saxophones (duo)
4
Saxophone Tenor et Piano
3
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
2
3 Saxophones (trio)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de Flûtes
2
Flûte, Violon, Piano
2
Ensemble de saxophones
2
Saxophone Soprano
2
2 Clarinettes (duo)
2
Clarinette Basse, Piano
2
Flûte traversière, Basse continue
2
Flûte à bec Soprano
1
Flûte traversière, Orgue (duo)
1
Ocarina
1
Flûte, Tuba (duo)
1
Saxophone Baryton
1
Cor Anglais
1
2 Flûtes à bec, Piano
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes, Basse continue
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette et Basson
1
Piccolo, Piano
1
Piccolo
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
34
Trombone
26
Trombone et Piano
19
Cor
18
Trompette, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor et Piano
14
Tuba et Piano
11
Euphonium, Piano (duo)
8
Tuba
6
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
5
2 Trombones (duo)
3
Trompette (partie séparée)
3
Trombone basse et Piano
3
2 Euphoniums et 2 Tubas
3
3 Euphoniums
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Trompette, Tuba (duo)
1
Cor Anglais
1
Euphonium
1
Trompette, Trombone (duo)
1
Trombone basse
1
Trombone (partie séparée)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Ensemble de Cors
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
+ 28 instrumentations
Retracter
Cordes
Violon
119
Violon et Piano
101
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violoncelle, Piano
54
Violoncelle
51
Alto seul
42
Alto, Piano
29
Harpe
22
Violoncelle , Guitare (duo)
11
Violon, Guitare (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
5
2 Violons (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
4
Contrebasse, Piano (duo)
3
2 Altos (duo)
3
4 Violoncelles
3
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
116
Orchestre à Cordes
44
Ensemble Jazz
31
Orchestre d'harmonie
30
Orchestre de chambre
24
Batterie
22
Ensemble de cuivres
16
Ensemble de Percussions
11
Marimba
4
Cloches
3
Jazz combo
1
Orchestre, Violon
1
Xylophone
1
Percussion
1
Piano et Orchestre
1
Fanfare
1
Voix Mezzo-Soprano, Orchestre
1
+ 12 instrumentations
Retracter
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AUTRES INST…
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Scheherazade (Rimsky-Korsakov) - Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Jonathan Ru…
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Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Jonathan Russell. 20th Century, Children, Instructional, Romantic Period, Standards. 152 pages. Jonathan Russell #6266547. Published by Jonathan Russell
$45.00
41.49 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Nikolay Andreyevich Rimsky-Korsakov (1844-1908)
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Jonathan Russell
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Scheherazade
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Jonathan Russell
#
SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
23.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Course of Empire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
23.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Kyle Vanderburg
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Course of Empire
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NoteForge
#
SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.74 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
L Adorazione Dei Magi Da Trittico Botticelliano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.58…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.582096 By The Cleveland Orchestra The Cleveland Or. By Ottorino Respighi. Arranged by John Gibson. Christmas,Contemporary. Score and parts. 37 pages. JB Linear #4970103. Published by JB Linear (A0.582096). Ottorino Respighi's Adoration of the Magi from Three Botticelli Pictures set for WOODWIND QUINTET by John Gibson. Respighi composed the Trittico in 1927 in a three movement setting of musical impressions of paintings by Botticelli. The middle movement, Adoration of the Magi makes use of the ancient Christmas season hymn, O Come, O Come, Emanuel. This setting for woodwind quintet is for flute, oboe, clarinet in A (with an alternate Bb part provided), F Horn, and bassoon. In my opinion this is suitable for advanced players, due to the depth of the music as well as challenging key signatures and instrument ranges, especially for the bassoon. I kept the key relationships the same as in the original orchestration. In the original the clarinet switches from A clarinet to Bb clarinet, and I eliminated that but have provided an optional Bb part if desired. Â Â The short audio sample begins on page 3 of the score.
$17.50
16.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Cleveland Orchestra The Cleveland Or
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John Gibson
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L Adorazione Dei Magi Da Trittico Botticelliano
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JB Linear
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SheetMusicPlus
Wood Wind Quintet - (1995)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1084697 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Folk,Multicultural,World. 53 pages. DoReMi Edition #688884. Published by DoReMi Edition (A0.1084697). Commissioned (1995) by the Wood Wind Group of the Taiwan National Symphony Orchestra, this quintet was arranged from An-lun Huang’s piano Sonatina of the album “30 Pieces in Saibei Folk Styleâ€(op.13). It has been premiered successfully by the Group in the same year. It consists of 3 movements. The 1st movement is a vivid Sonatina which connecting a recitative typed 2nd movement, the music concludes with a humorous Rondo as the 3rd movement. 这部木管五é‡å¥ä¹ƒæ˜¯é»„安伦在1995年应å°æ¹¾çœäº¤å“ä¹å›¢çš„木管åˆå¥ç»„“音ä¹ç›’â€çš„特约而作，并在那年由“音ä¹ç›’â€åœ¨å°æ¹¾é¦–演。 ä¹æ›²å–æ于作者作å“å三å·é’¢ç´ç‹¬å¥ã€Šå¡žåŒ—å°æ›²ä¸‰å首》之第30首《å°å¥é¸£æ›²ã€‹ã€‚虽然全曲å‡ä¸ºåŽŸåˆ›ï¼Œå´å……满ç€æµ“éƒçš„塞北民æŒé£Žæ ¼ã€‚ 全曲分三个ä¹ç« ：第一ä¹ç« ä¸ºä¼ ç»Ÿçš„å¥é¸£æ›²ï¼Œå……æ»¡åŠ¨åŠ›çš„ç¬¬ä¸€ä¸»é¢˜ä¸Žæ‚ é•¿çš„ç¬¬äºŒä¸»é¢˜äº¤ç›¸äº’åŠ¨ï¼Œä½¿ä¹æ›²ç”Ÿæ°”盈然；第二ä¹ç« 其实是一段感情丰富的朗诵调；第三ä¹ç« ä¸€å¦‚ä¼ ç»Ÿçš„å¥é¸£æ›²ï¼Œä»¥ä¸€é¦–欢快ã€è¯™è°çš„廻旋曲结æŸäº†æ•´éƒ¨ä½œå“。.
$39.99
36.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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An-lun Huang
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Wood Wind Quintet -
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DoReMi Edition
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SheetMusicPlus
Blast - Score Only
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of EÃkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.
$10.00
9.22 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Amos Elkana
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Blast - Score Only
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Amos Elkana
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SheetMusicPlus
Carson Cooman: Solar Visions (2004) for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.53…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95
27.61 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
AEROS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1145980 By …
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. Thinkling Music #746220. Published by Thinkling Music (A0.1145980).      AEROS is a one-movement piece about flying.      The composition begins with Latin dance rhythms and a clearly defined melodic motif. The threads gradually build to a tumble of ecstatic exuberance, engaging but short-lived. The remainder of the piece is a return to the mundane, ultimately settling on a plateau of stability which the listener senses to be merely a steppingstone, a pause before resuming the journey into an uncertain future …      Structurally, the work is a single movement built around an Afro-Cuban montuno pattern, with ostinati divided among the instruments. Stylistically it could be considered as “moody minimalist with a melodyâ€. Or if that is too long and unwieldy, then perhaps just “MMMMUSIC!â€Â      First performance in Laguna Beach, California on September 21st, 2021, by West Coast Wind Quintet, as part of the Sunset Serenades series. The outdoor venue, a small amphitheater in beautiful Heisler Park, high on a bluff overlooking the Pacific Ocean, was the perfect aerie from which to bring this piece into the world.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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West Coast Wind Quintet
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AEROS
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Thinkling Music
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SheetMusicPlus
Wind Quintet - Summer in Bloom
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
27.66 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Resonance and Flow
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1015754 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1015754 Composed by Dylan Dukat. Contemporary. 12 pages. D. Dukat #6431607. Published by D. Dukat (A0.1015754). This work is a representation of my experimentation with 20th-century harmonies and scales, as noted by Vincent Persichetti in his book Twentieth-Century Harmony. Through this process, I worked to combine aspects of these harmonic ideas with my own voice and focus on harmonic color and nature. Combining the harmonic tendencies of the 20th-century with my own harmonic language, and connecting them through digestible melodies led me to Resonance and Flow, a work that also capitalizes on the nature of the wind quintet's aural characteristics. The wind quintet can be equally homogenous or heterogeneous in timbre, and these can change based on combinations and roles of the instruments. In playing with all of these tools, Resonance and Flow is a representation of 20th-century music with a 21st-century attunement to the audience and their taste.
$12.00
11.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Dylan Dukat
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Resonance and Flow
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D. Dukat
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SheetMusicPlus
Dance of the Rainbow Lorikeets
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1005869 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1005869 Composed by Neille Williams. 20th Century,Contemporary,World. 16 pages. Neille Williams #6211853. Published by Neille Williams (A0.1005869). Australian music for wind quintet. Advanced. This captivating piece evokes a scene of colourful, fluttering birds - the beautiful. playful rainbow lorikeets native to Australia.
$10.95
10.09 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Neille Williams
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Dance of the Rainbow Lorikeets
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Neille Williams
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SheetMusicPlus
Two Daydreams for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00
16.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sir Arthur Seymour Sullivan
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Ted R
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Two Daydreams for Woodwind Quintet
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Ted R. Marcus
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SheetMusicPlus
Gli Uccelli
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.690657 Composed by Ottorino Respighi. Arranged by John Gibson. 20th Century,Contemporary. 24 pages. JB Linear #299316. Published by JB Linear (A0.690657). Ottorino Respighi composed Gil Uccelli (THE BIRDS) for small orchestra in 1931. This version for woodwind quintet is set by John Gibson. THIS IS THE PRELUDE ONLY. Respighi did not attempt to exactlly use bird sounds - with the exception of the cuckoo of course. He took music from the 17th century having to do wiith birds and re-set them as modern pieces. This would be for an ADVANCED WOODWIND QUINTET. The parts are piccolo, flute, oboe, Bb clarinet (with an alternate A clarinet part), F Horn, and Bassoon.
$18.99
17.51 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ottorino Respighi
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John Gibson
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Gli Uccelli
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JB Linear
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SheetMusicPlus
March – Entry of the Gladiators (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514677 Composed by Julius Fucik. Arranged by Kenneth Abeling. March. 18 pages. LINCOLN MUSIC PUBLICATIONS #3504359. Published by LINCOLN MUSIC PUBLICATIONS (A0.514677). “Entry of the Gladiators†or “Entrance of the Gladiators†Op. 68 by Julius Fucik, transcription for Woodwind Quintet by Kenneth Abeling and also known as “Thunder and Blazesâ€. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer†march. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Playing Time: 2:30
$13.99
12.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Julius Fucik
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Kenneth Abeling
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March – Entry of the Gladiators
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Signs of the Times
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99
36.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.27 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Witchcraft
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514634 Composed by Cy Coleman. Arranged by Kenneth Abeling. Jazz. 23 pages. LINCOLN MUSIC PUBLICATIONS #3488601. Published by LINCOLN MUSIC PUBLICATIONS (A0.514634). “Witchcraftâ€, Music by Cy Coleman & Lyrics by Carolyn Leigh for Woodwind Quintet, arr. Ken Abeling. This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus†as “Lullaby of Birdlandâ€, if you liked that chart, you will like this one as well! To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Playing Time: 3:15
$15.99
14.74 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Cy Coleman
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Kenneth Abeling
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Witchcraft
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
CHICAGO (That Toddlin' Town) (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514763 Composed by Fred Fisher. Arranged by Kenneth Abeling. Jazz. 23 pages. LINCOLN MUSIC PUBLICATIONS #3559105. Published by LINCOLN MUSIC PUBLICATIONS (A0.514763). CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Woodwind Quintet by Kenneth Abeling. This is an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=BOpi4z9StlE
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Fred Fisher
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Kenneth Abeling
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CHICAGO
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Divertissement for Wind Quintet (A showcase for members of the quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1214466 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1214466 Composed by Sy Brandon. 20th Century,Chamber,Contemporary. 78 pages. Sy Brandon #811453. Published by Sy Brandon (A0.1214466). Divertissement was composed during 2005 for the Cadence Music Ensemble and rewritten in 2010 for Bret Pimentel, a virtuoso performer on multiple woodwinds. This version was created in 2023 and is a showcase for members of the quintet. A divertissement is a multi-movement composition designed to divert, entertain or to amuse. There are six contrasting movements in this composition; Intrada (flute feature), Nocturne (Horn feature), Valse (bassoon feature), Marche (clarinet feature), Romanza (oboe feature), and Galop (spotlight on members of the ensemble). The Intrada is energetic and playful with a lot of interplay between instruments. The Nocturne, being a night piece, is both lyrical and mysterious. The Waltz is in a flowing waltz tempo with occasional shifts away from three beats in the measure. The Marche is not a piece that would be used in a parade. It is a march that exists in the mind of a child who is playing with toy soldiers; therefore there is playfulness and humor that would not occur in a functional march. Lyrical lines and expressiveness are the predominating features of the Romanza. The piece comes to a rousing close with the Galop, which is a “perpetual motion†type of movement with a lot of rhythmic variety.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sy Brandon
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Divertissement for Wind Quintet
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Sy Brandon
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SheetMusicPlus
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