English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
12
Librairie
Musicale
0
Matériel
de Musique
4 881
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1509
PIANO & CLAVIERS
Piano seul
128
Piano Trio: piano, violon, violoncelle
114
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano, Voix
9
Piano, Voix et Guitare
5
Clavecin
4
1 Piano, 4 mains
3
Accordéon et Orchestre
3
Orgue
2
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
37
Guitare notes et tablatures
15
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
16
Chorale SSAATTBB
3
Voix duo, Piano
3
Voix duo
2
Chorale 2 parties
2
Chorale 3 parties
1
Voix Soprano, Piano
1
Chorale TTBB
1
Chorale SSAA
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
33
Flûte traversière
21
Clarinette et Piano
16
Flûte, Violon, Piano
16
Quintette de Saxophone: 5 saxophones
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Violon
10
Quatuor de Saxophones: 4 saxophones
9
Hautbois, Piano (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
8
Saxophone Alto et Piano
7
Clarinette, Violon (duo)
6
2 Flûtes traversières (duo)
6
Ensemble de Clarinettes
6
3 Clarinettes (trio)
5
3 Saxophones (trio)
4
Clarinette
4
Flûte et Guitare
4
Flûte, Violon, Violoncelle et Piano
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violon et Violoncelle
2
5 Flûtes à bec
2
Hautbois
2
Ensemble de saxophones
2
Saxophone
2
Flûte à bec Alto, Basse continue
2
Saxophone Soprano et Piano
2
2 Saxophones (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Harmonica
1
2 Clarinettes (duo)
1
Hautbois (partie séparée)
1
Flûte, Violon, Guitare
1
Hautbois, Orgue
1
Flûte à bec Alto
1
Flûte, Violoncelle
1
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
3 Flûtes à bec (trio)
1
Ocarina
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
4 Hautbois
1
Ensemble de Flûtes
1
Hautbois, Basson et Piano
1
Saxophone Baryton, Piano
1
Saxophone et violoncelle
1
Flûte, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Euphonium, Piano (duo)
8
Trompette, Piano
8
Cor
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Ensemble de Trompettes
5
Cor et Piano
5
Tuba et Piano
4
Trompette, violon (duo)
3
Ensemble de Trombones
2
Tuba
2
Trombone
2
Trompette
2
2 Trombones (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
1
Trombone basse
1
Trombone, Violon (duo)
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1616
Violon
1092
Violon et Piano
766
Violon, Violoncelle (duo)
211
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Violon, Guitare (duo)
74
Trio à Cordes: 2 violons, violoncelle
69
Violon (partie séparée)
44
Violoncelle, Piano
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Harpe, Violon (duo)
23
Trio à cordes: 3 violins
20
Alto, Piano
19
Alto seul
17
Trio à Cordes: 2 violons, alto
13
Violoncelle
13
Quatuor à cordes: 4 violons
12
Violoncelle, Contrebasse (duo)
11
Violon, Orgue
6
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
5
Violon, Clarinette, Piano (trio)
4
Trio à cordes
4
4 Violoncelles
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
3
Contre Basse
3
2 Violons, Piano
3
Harpe, Quatuor à cordes
3
Harpe
3
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Violon, Violoncelle, Clarinette
2
Violon, Clarinette et Guitare
1
Violon, Basse continue
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
251
Orchestre à Cordes
130
Orchestre de chambre
101
Orchestre d'harmonie
9
Ensemble Jazz
8
Orchestre, Violon
8
Ensemble de Percussions
3
Big band
3
Piano et Orchestre
3
Ensemble de cuivres
2
Cloches
2
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Violin
expert
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
12 partitions trouvées
<
1
Violin Concerto - Rondo for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1210867 Composed by Ludwig van Beethoven. Arranged by James Haynor. Romantic Period. 47 pages. James Haynor #808576. Published by James Haynor (A0.1210867). The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844. Since then it has become one of the best-known and regularly performed violin concertos.This arrangement is scored for Woodwind Quintet and makes a lively and exciting addition to any concert or recital. Plenty to play for everyone.( Duration - 8:10 )Â
$10.00
9.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Ludwig van Beethoven
#
James Haynor
#
Violin Concerto - Rondo for Woodwind Quintet
#
James Haynor
#
SheetMusicPlus
Bach A Minor Violin Concerto for Woodwind Quintet (1st movement)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.85…
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.855709 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Graduation. Score and parts. 26 pages. Darren Lloyd #3133719. Published by Darren Lloyd (A0.855709). A very challenging arrangement of the first movement of Bach's Violin concerto in A minor. The main solo part has been split between the Flute and Oboe but the majority given over to the Flute.A great show piece for a concert or graduation. The score has been transposed!All parts are 2 pages long and the score (with cover) is 15, making a total of 25 pages to print.
$9.99
9.13 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Darren Lloyd
#
Bach A Minor Violin Concerto for Woodwind Quintet
#
Darren Lloyd
#
SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.86 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind Quintet
#
Luis Anjos Teixeira
#
SheetMusicPlus
Debussy: La plus que lente (Valse) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95
13.67 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Claude Debussy
#
Ray Thompson
#
Debussy: La plus que lente
#
RayThompsonMusic
#
SheetMusicPlus
Danse Macabre by Camille Saint-Saens for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1296281 Com…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1296281 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 52 pages. Woods Only, Arrangements #886525. Published by Woods Only, Arrangements (A0.1296281). We present to you an exclusive arrangement of the masterpiece “Danse Macabreâ€, composed by the renowned French composer Camille Saint-Saëns. In this special arrangement for Woodwind Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. “Danse Macabre†is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of “Danse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.
$9.99
9.13 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Camille Saint-Saens
#
Ander
#
Danse Macabre by Camille Saint-Saens for Woodwind Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
The Four Seasons - A Medley for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.78…
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.782406 Composed by Antonio Vivaldi. Arranged by James Haynor. Baroque. Score and parts. 34 pages. James Haynor #6334005. Published by James Haynor (A0.782406). The Four Seasons is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention). Scored here for woodwind quintet, The Four Seasons - A Medley includes snippets from all four movements - Spring, Summer, Autumn and Winter. This arrangement allows this beautiful music to be performed by an ensemble not usually associated with it. ( Duration 8:05 )
$10.00
9.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
James Haynor
#
The Four Seasons - A Medley for Woodwind Quintet
#
James Haynor
#
SheetMusicPlus
On The Trail
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Composed by Ferde Grofé. Arranged by Hugh Levey. 20th Century,Contemporary,Film/TV,Patriotic. 59 pages. Woodwindly.com #6518987. Published by woodwindly.com (A0.937290). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) On the Trail is the third movement from Ferde Grofé’s Grand Canyon Suite, written between 1929 and 1931; published in 1932. It has since become one of the most popular American musical works of the twentieth century, with On the Trail being the most well-known movement. It portrays a cowboy and his burro (donkey) sauntering through the Grand Canyon, coming across an oasis and a lonely cabin where they hear a music box playing, before continuing their journey. All this is portrayed in the music, including the braying sound of the donkey, its clip-clopping along and the cowboy singing a relaxed Western style song.This lovely and fun arrangement for wind quintet remains faithful to the original; retaining its structure, key and, where possible, its instrumentation. The only section omitted is the violin cadenza. The original orchestral work includes clarinets in Bb. This arrangement is also written for Bb clarinet but an alternative clarinet in A part is included, which is more suited to the key of the work.This is an ideal recital piece for either formal or informal concert settings. It is also suitable for any American or Western themed celebration or event.Duration - just over 6 minutesScore - 33 pages, Parts - 23 pages, Cover and programme notes - 3 pages.
$16.00
14.63 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Ferde Grofé
#
Hugh Levey
#
published in 1932
#
On The Trail
#
woodwindly.com
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
A Christmas Greeting by Edward Elgar set for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.58…
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.582091 Composed by Edward Elgar. Arranged by John Gibson. 20th Century,Christmas. Score and parts. 23 pages. JB Linear #4890549. Published by JB Linear (A0.582091). A Christmas Greeting by Edward Elgar set for woodwind quintet by John Gibson. Edward Elgar, well known for his Pomp and Circumstance pieces and The Enigma Variations, composed this Christmas Greeting in 1909 for 2 voices, 2 violins, and piano. The lyrics were written by his wife, Caroline. The phrase, friends in storm or calm. sets the tone of the piece. This setting is for flute, oboe, Bb clarinet, F horn, and bassoon. It runs about 4 1/2 minutes.
$17.50
16 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Edward Elgar
#
John Gibson
#
A Christmas Greeting by Edward Elgar set for Woodwind Quintet
#
JB Linear
#
SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
(+)
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.62 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bela Bartok (1881-1945)
#
Ray Thompson
#
Bartók: Rumanian Folk Dances Sz.56
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale