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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
it
Non classifié
1 190
Piano & claviers
Piano seul
1 534
Piano, Voix
87
Orgue
56
Piano, Voix et Guitare
31
1 Piano, 4 mains
24
2 Pianos, 4 mains
20
Piano Trio: piano, violon, violoncelle
18
Clavecin
16
Instruments en Do
13
Accordéon
12
Piano Facile
11
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
1
Accordéon et Orchestre
1
+ 14 instrumentations
Retracter
Guitares
Guitare
128
Guitare notes et tablatures
70
Basse electrique
14
Ukulele
10
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
4
4 Guitares (Quatuor)
3
Ensemble de guitares
1
Mandoline, Piano (duo)
1
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
232
Chorale TTBB
65
Chorale SSAA
36
Chorale 3 parties
16
Voix Soprano, Piano
15
Voix haute
12
Voix basse, Piano
7
Chorale SSAATTBB
7
Voix Alto, Piano
5
Voix Tenor, Piano
5
Voix duo, Piano
3
Voix duo
3
Voix Soprano
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SAATB A Cappella
1
Voix moyenne, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix seule
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
123
Saxophone
85
Flûte traversière et Piano
72
Quatuor de Saxophones: 4 saxophones
71
Flûte traversière
69
Clarinette
65
Quatuor de Clarinettes: 4 clarinettes
48
Flûte, Hautbois, Clarinette, Basson
40
Ensemble de Clarinettes
37
Clarinette et Piano
36
Saxophone Alto
34
Hautbois, Piano (duo)
27
Saxophone Alto et Piano
25
Quintette de Saxophone: 5 saxophones
24
Hautbois (partie séparée)
22
2 Flûtes traversières (duo)
21
Quatuor de Flûtes : 4 flûtes
18
Ensemble de saxophones
17
Saxophone Soprano et Piano
16
Quintette de Clarinettes: 5 clarinettes
15
3 Clarinettes (trio)
13
Saxophone Tenor
13
Saxophone Tenor et Piano
13
Ensemble de Flûtes
10
2 Saxophones (duo)
9
Saxophone (partie séparée)
6
Clarinette Basse, Piano
6
2 Clarinettes (duo)
6
Flute (partie séparée)
5
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
4
Hautbois
3
Flûte, Violon, Piano
3
Quatuor de Flûtes à bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon
3
Flûte, Clarinette, Piano (trio)
3
Cor anglais, Piano
3
Saxophone Soprano
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Violoncelle
2
2 Clarinettes, Piano
2
Flûte à bec Tenor
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Guitare
2
Cor Anglais
2
Flûte à Bec
1
Hautbois et Orchestre
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Flûte
1
Clarinette, Violon (duo)
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Clarinette (duo)
1
Piccolo
1
Clarinette et Alto
1
Flûte, Alto et Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
3 Saxophones (trio)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
155
Quatuor de Cuivres : 2 trompettes, trombone, tuba
82
Trombone et Piano
73
Trompette
50
Ensemble de Trombones
45
Trombone
42
Tuba et Piano
32
Cor
30
Trompette, Piano
28
Euphonium, Piano (duo)
28
Quatuor de cuivres: 4 trombones
27
Cor et Piano
25
Tuba
15
Quatuor de cuivres: 4 cors
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Euphoniums et 2 Tubas
12
Quatuor de Cuivres
10
2 Trombones (duo)
8
Ensemble de Trompettes
8
2 Trompettes (duo)
8
2 Cors (duo)
7
4 Tubas
6
Trombone basse
5
Euphonium
4
Trompette, violon (duo)
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Trompette (partie séparée)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
Cor Anglais
2
Trombone (partie séparée)
1
Trompette, Trombone (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Ensemble de Cors
1
3 Trompettes (trio)
1
3 Tubas (trio)
1
Trompette, Saxophone (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violon et Piano
94
Violon
66
Violoncelle, Piano
59
Violoncelle
45
Harpe
41
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
32
Alto, Piano
31
2 Violons (duo)
20
Alto seul
18
Violon, Alto (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
10
Contre Basse
9
Alto (partie séparée)
7
2 Altos (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe, Violon (duo)
6
Harpe, Flûte (duo)
6
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Harpe, Quatuor à cordes
3
Alto et Harpe
2
Trio à cordes
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violoncelle (duo)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Violon, Orgue
1
2 Violons, Piano
1
Ensemble de Violons
1
Ensemble de Violoncelles
1
Violon (partie séparée)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
291
Orchestre
258
Orchestre d'harmonie
151
Ensemble Jazz
111
Orchestre à Cordes
110
Ensemble de cuivres
100
Orchestre de chambre
84
Batterie
38
Cloches
21
Ensemble de Percussions
15
Fanfare
13
Marimba
5
Piano et Orchestre
3
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Artistes
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
it
expert
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
123 partitions trouvées
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51
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101
Let It Go
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Idina Menzel
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Robert Newth
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Let It Go
#
Robert Newth
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1417812 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Robert Newth. Br...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1417812 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Robert Newth. Broadway,Film/TV,Musical/Show. 18 pages. Robert Newth #999352. Published by Robert Newth (A0.1417812). The hit song Let it Go from Frozen proved to be one of the most popular Disney songs ever and is still extremely popular to this day. This arrangement is for standard woodwind quintet and the PDF download contains both a full score and all five parts: Flute, Oboe, Clarinet in Bb, Horn in F, and Bassoon.If you have enjoyed this arrangement, please consider leaving a review.
$12.99
I Wish It Could Be Christmas Every Day
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Noël
#
Wizzard
#
Austin Ralphson
#
I Wish It Could Be Christmas E
#
Austin Ralphson
#
SheetMusicPlus
By Wizzard. By Roy Wood. Arranged by Austin Ralphson. Christmas, Contemporary, Pop. 32 pages. Austin Ralphson #3861815. Published by Austin Ralphson...
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By Wizzard. By Roy Wood. Arranged by Austin Ralphson. Christmas, Contemporary, Pop. 32 pages. Austin Ralphson #3861815. Published by Austin Ralphson
$15.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Book...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Book...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Noël
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sac...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sacred. 19 pages. RayThompsonMusic #3371795. Published by RayThompsonMusic (A0.553634). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is No 4. Adeste Fideles (O come all ye Faithful) Arranged for wind dectet: a somewhat different version than the usual carol. with additional instruments (clarinet and bass clarinet as optional alternatives for one of the oboes and one of the bassoons.Transposed from the original key of A into Bb to make it easier to perform
$9.95
Bohemian Rhapsody
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Queen
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Genessa West
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Bohemian Rhapsody
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Genessa West
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1187126 By Queen. By Freddie Mercury. Arranged by Genessa West. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1187126 By Queen. By Freddie Mercury. Arranged by Genessa West. Broadway,Contemporary,Film/TV,Musical/Show,Pop,Rock. 32 pages. Genessa West #786758. Published by Genessa West (A0.1187126). This wonderful arrangement of Bohemian Rhapsody, for Woodwind Quintet, (Flute, Oboe, Clarinet, Horn and Bassoon) is by Genessa West. Definitely a Queen Classic, lasting almost exactly 6 minutes, it's quite challenging but well worth the effort.  Advanced players and their audience will love it. Programme it after some classical item in your next concert, and it will bring the house down. Surely it is just what you need!
$14.99
Mozart Andante from Piano Concerto No 21 for Saxophone Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796854 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Weddin...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796854 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 29 pages. Stephanie Daige #3214093. Published by Stephanie Daige (A0.796854). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for saxophone quintet. Unfortunately,Mozart never wrote anything for saxophone, so I transcribed it for you. I wonder if he would have, if the saxophone had existed during his lifetime. Would he have liked the saxophone, or considered it gauche? The melody moves around between the different instruments as if they are having a conversation. This is a challenging and enjoyable arrangement, suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable for a chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$17.99
Wind Quintet - Courtly Dances
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Courtly Dances
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #46...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #4610379. Published by Lyons Music Services (A0.767471). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
$10.99
Schubert: Finale-Presto from String Quartet No. 14 "Death & the Maiden"
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Franz Schubert
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Mark A
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Schubert: Finale-Presto from S
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Mark Craig
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.815297 Composed by Franz Schubert. Arranged by Mark A. Craig. Concert,Graduation,Rom...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.815297 Composed by Franz Schubert. Arranged by Mark A. Craig. Concert,Graduation,Romantic Period,Wedding,World. Score and parts. 84 pages. Mark Craig #3361869. Published by Mark Craig (A0.815297). This is a challenging and dynamic arrangement for woodwind quintet. It's appropriate for professional and college ensembles. It's important to exaggerate all articulations and dynamics on this piece--it's full of contrasts/quick changes in style. Approximate duration is 9:20. .
$15.00
Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 2, Adagio cantabile
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Darrell Goforth
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Beethoven: Septet in E-flat Ma
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Inst...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 20 pages. Darrell Harrison Goforth #707861. Published by Darrell Harrison Goforth (A0.747388). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.
$9.99
Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 3, Menuet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Darrell Goforth
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Beethoven: Septet in E-flat Ma
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747390 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Inst...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747390 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 9 pages. Darrell Harrison Goforth #707863. Published by Darrell Harrison Goforth (A0.747390). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.
$9.99
26-2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Jazz
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John Coltrane
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Stephen Davies
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26-2
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.891946 By John Coltrane. By John Coltrane. Arranged by Stephen Davies. Jazz. 23 pages. Stephen Da...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.891946 By John Coltrane. By John Coltrane. Arranged by Stephen Davies. Jazz. 23 pages. Stephen Davies #5730583. Published by Stephen Davies (A0.891946). This piece by John Coltrane was recorded in 1960 on Atlantic Records, but was only released 10 years later on the album 'The Coltrane Legacy'. Coltrane based 26-2 on Charlie Parkers 'Confirmation', but altered it slightly using his famous 'Coltrane Changes' system of over writing the melody and harmonies. Scored for 5 Saxophones, this is not for the faint-hearted!! But should engender some focused practice sessions! Incidentally, 26-2 was originally an untitled track on the 1960 album, Trane brought it into the studio at the last minute, and after 26 takes on day 2 it was labelled as such by the producer, 26-2, and the name just seemed to stick!Full recorded MP3 on this site too.
$12.99
Debussy: La plus que lente (Valse) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95
Mozart Andante from Piano Concerto No 21 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796853 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Weddin...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796853 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 30 pages. Stephanie Daige #3213733. Published by Stephanie Daige (A0.796853). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for woodwind quintet. I have always thought this gorgeous melody would sound amazing as a woodwind quintet (my personal favorite ensemble), and I am glad I have finally gotten around to putting what I hear in my head on paper. The melody moves around between the different instruments as if they are having a conversation. This is a challenging and enjoyable arrangement, suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable for a chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99
Danse siberienne for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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Ted R
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Danse siberienne for Woodwind
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.986813 Composed by Gioachino Rossini. Arranged by Ted R. Marcus. 19th Century,Classical,Opera,Romantic Period. 16 pages. Ted R. Marcus #592481. Published by Ted R. Marcus (A0.986813). Danse sibérienne is one of Gioachino Rossini's Péchés de vieillesse (Sins of Old Age). Written for piano in 1864, it's a delightfully clever imitation of a Russian dance by an Italian composer living in France. This version for advanced woodwind quintet captures all the playfulness while emphasizing Rossini's seeming anticipation of such 20th century composers as Shostakovich or Kabalevsky. It's transposed up half a step from the original f-sharp minor. Suitable for college or adult ensembles or an adventurous high school quintet, it's a fun and entertaining concert opener, finale, or encore.Duration: approx. 2:15Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
On The Trail
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Ferde Grofé
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Hugh Levey
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published in 1932
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On The Trail
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.937290 Composed by Ferde Grofé. Arranged by Hugh Levey. 20th Century,Contemporary,Film/TV,Patr...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.937290 Composed by Ferde Grofé. Arranged by Hugh Levey. 20th Century,Contemporary,Film/TV,Patriotic. 59 pages. Woodwindly.com #6518987. Published by woodwindly.com (A0.937290). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) On the Trail is the third movement from Ferde Grofé’s Grand Canyon Suite, written between 1929 and 1931; published in 1932. It has since become one of the most popular American musical works of the twentieth century, with On the Trail being the most well-known movement. It portrays a cowboy and his burro (donkey) sauntering through the Grand Canyon, coming across an oasis and a lonely cabin where they hear a music box playing, before continuing their journey. All this is portrayed in the music, including the braying sound of the donkey, its clip-clopping along and the cowboy singing a relaxed Western style song.This lovely and fun arrangement for wind quintet remains faithful to the original; retaining its structure, key and, where possible, its instrumentation. The only section omitted is the violin cadenza. The original orchestral work includes clarinets in Bb. This arrangement is also written for Bb clarinet but an alternative clarinet in A part is included, which is more suited to the key of the work.This is an ideal recital piece for either formal or informal concert settings. It is also suitable for any American or Western themed celebration or event.Duration - just over 6 minutesScore - 33 pages, Parts - 23 pages, Cover and programme notes - 3 pages.
$16.00
Pictures of a Dream for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Hans Christian Lumbye
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John Gibson
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Pictures of a Dream for Woodwi
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JB Linear
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.581930 Composed by Hans Christian Lumbye. Arranged by John Gibson. Romantic Period. ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.581930 Composed by Hans Christian Lumbye. Arranged by John Gibson. Romantic Period. Score and parts. 37 pages. JB Linear #3450135. Published by JB Linear (A0.581930). Hans Christian Lumbye - Pictures of a Dream (Drømmebilleder) set for woodwind quintet by John Gibson. This entertaining piece was written in 1846 by Lumbye who became known as the Strauss of the North as his music was similar to Johann Strauss's and popular at the time. This piece lasts about 5 1/2 minutes and has many tempo changes....the reason for an advanced level rating. In fact, it may be useful for your group to play it with a conductor! The music is really dream-like with its many changes of mood, much like how dreams often move from one scene to another without warning. It is set for flute, oboe, Bb clarinet, F horn, and bassoon.
$16.25
Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Fantasia in D Minor K.
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Stephanie Daige
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pages. Stephanie Daige #3514337. Published by Stephanie Daige (A0.796886). This Fantasia in D Minor, K. 397, really shows off Mozart's dramatic side. My arrangement of this Fantasy, one of Mozart's most popular piano pieces, gives each instrument the opportunity to play a different character. Fantasia in D Minor opens with somber arpeggios in the bassoon, and then goes to a pleading melody that goes back and forth between the flute and the oboe. The tension builds up until the clarinet breaks out into a wild cadenza. The pleading melodies and wild cadenzas go back and forth a few more times building tension until the final segment, which resolves with a bright, cheerful song-like melody in the horn. Duration is approximately 6 minutes.I had a great time arranging this piece, and I hope you will enjoy playing it. It presents some unique challenges and expressive opportunities, and it is a real crowd-pleaser.
$17.99
Les Preludes
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Franz Liszt
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Bill Malcolm
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Les Preludes
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Bill Malcolm
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.786180 Composed by Franz Liszt. Arranged by Bill Malcolm. Instructional,Romantic Period. 68 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.786180 Composed by Franz Liszt. Arranged by Bill Malcolm. Instructional,Romantic Period. 68 pages. Bill Malcolm #4852163. Published by Bill Malcolm (A0.786180). This 15 minute in duration arrangement includes the entirety of the orchestral version of Les Preludes. Full disclosure: I'm not even sure it is playable, rests are few and far between and the noodling is intense. The sound bite is edited to provide highlights. It is certainly a challenge and I think fun to try. Good luck with it! Maybe some things are better left to larger ensembles.
$18.00
Wind Quintet - Summer in Bloom
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
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