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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
William York
Non classifié
61
Piano & claviers
Piano seul
155
Piano, Voix
87
Piano Facile
7
Piano, Voix et Guitare
5
Instruments en Do
2
Orgue
2
Accompagnement Piano
2
Piano grosses notes
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
4
Basse electrique
2
4 Guitares (Quatuor)
1
Ukulele
1
Voix
Chorale SATB
31
Chorale 3 parties
5
Chorale TTBB
2
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Chorale 2 parties
1
Voix Alto, Piano
1
+ 2 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone (partie séparée)
8
Clarinette (partie séparée)
7
Ensemble de Clarinettes
4
Ensemble de saxophones
4
Quintette de Flûte : 5 flûtes
3
Flute (partie séparée)
3
Quatuor de Saxophones: 4 saxophones
3
Hautbois (partie séparée)
2
Saxophone Alto
2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Alto et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
Saxophone et Orgue
1
2 Flûtes traversières (duo)
1
Ensemble de Flûtes
1
Flûte traversière et Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Ensemble de Trombones
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone (partie séparée)
3
Cor (partie séparée)
2
Ensemble de Trompettes
2
Tuba (partie séparée)
2
Trombone et Piano
1
Ensemble de Tubas
1
Trompette
1
Quatuor de Cuivres
1
Trompette, Piano
1
+ 9 instrumentations
Retracter
Cordes
Violon (partie séparée)
3
Ensemble de Violons
3
Violon
2
Violoncelle (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle, Piano
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
Alto (partie séparée)
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
96
Fanfare
21
Orchestre à Cordes
11
Orchestre
7
Percussion (partie séparée)
5
Ensemble de cuivres
4
Batterie
3
Timbales (partie séparée)
2
Batterie (partie séparée)
1
Orchestre de chambre
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
William York
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
8 partitions trouvées
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Andante (Introductory Voluntary)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Musique Sacrée
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Andrew Lamb
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Andrew Lamb
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Andante
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1209176 By Andrew Lamb. By William Warden Harvey (1861-1939). Ar...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1209176 By Andrew Lamb. By William Warden Harvey (1861-1939). Arranged by Andrew Lamb. Religious. 19 pages. Andrew Lamb #807288. Published by Andrew Lamb (A0.1209176). Title: Andante (Introductory Voluntary)Composer: William Warden Harvey (1861-1939)Arranger: Andrew LambDescription: This is my transcription of the Introductory Voluntary ‘Andante’ by composer William Warden Harvey (1861-1939). This piece appeared in Volume 1 of the Village Organist.William Warden Harvey was an American composer and music educator born on November 20, 1861, in Auburn, New York. He began studying music at a young age and went on to receive a Bachelor of Music degree from Syracuse University in 1878. Later, he studied at the Leipzig Conservatory in Germany, where he received a degree in composition.Harvey composed a variety of works, including chamber music, choral music, and operas, but it is his work as a music educator that is perhaps most significant. He served as the director of music at Syracuse University from 1893 to 1927, during which time he established the university's music department and worked to elevate the status of music education in the United States.In addition to his work at Syracuse University, Harvey served as the president of the Music Teachers National Association and was a member of the National Association of Schools of Music. He was also a regular contributor to music journals and edited several collections of songs and hymns.William Warden Harvey died on March 20, 1939, in Syracuse, New York, at the age of 77. His contributions to music education in the United States were significant, and his legacy lives on through the many students he taught and influenced during his long career.
$12.00
Communion (for Wind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Andrew Lamb
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863-1933). Arranged...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863-1933). Arranged by Andrew Lamb. 19th Century,Chamber,Christian,Religious. 10 pages. Andrew Lamb #815992. Published by Andrew Lamb (A0.1219628). Title: CommunionComposer: William Faulkes (1863-1933)Arranger: Andrew LambDescription: This is a transcription of Andante Religioso by Henry Smith (1813-1879).William Faulkes was a renowned British composer and organist, born in 1863. He began his musical career as a choirboy at York Cathedral, where he developed his love for music. Faulkes went on to study music and became a distinguished organist, playing at prestigious cathedrals and churches throughout England. He also developed a reputation as a gifted composer, writing works for organ, choir, and orchestra. Faulkes’ music was known for its delicacy, simplicity, and expressive qualities. His work was admired by many, including the renowned composer Sir Edward Elgar. Faulkes was awarded numerous honours throughout his career, including the Order of the British Empire. He died in London in 1933, leaving behind a legacy of beautiful music that continues to inspire and delight music lovers to this day.
$6.00
Tango - Habanera Tropical Dance No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Justin Elie
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Charles Decker
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Tango - Habanera Tropical Danc
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Charles Decker Music Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412073 Composed by Justin Elie. Arranged by...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1412073 Composed by Justin Elie. Arranged by Charles Decker. 20th Century,Chamber,Contest,Festival,Jazz,Latin. 22 pages. Charles Decker Music Press #994296. Published by Charles Decker Music Press (A0.1412073). Prominent Afro-Haitian pianist and composer Justin Elie’s Tango-Habanera Tropical Dance No. 2 captures the appealing elegance of Caribbean music. Elie studied at the Paris Conservatory and settled in the United States in 1921. His adaptations of Haitian melodies into miniatures led him to performances at Carnegie Hall and international concert venues in addition to composing music for silent films, and in 1931 his own New York radio show, “The Lure of the Tropics.†Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the alluring work entices audiences and performers. The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
Clef Club March for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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James Reese Europe
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Charles Decker
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Clef Club March for Woodwind Q
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Charles Decker Music Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411895 Composed by James Reese Europe. Arra...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411895 Composed by James Reese Europe. Arranged by Charles Decker. 20th Century,Contest,Festival,Historic,Multicultural,World. 23 pages. Charles Decker Music Press #994126. Published by Charles Decker Music Press (A0.1411895). Organizer, promoter, composer and conductor James Reese Europe, called by Eubie Blake the Martin Luther King of Musicâ€, was the leading figure in the African-American music scene of New York City in the 1910's. Europe composed the spirited Clef Club March as the signature theme for his 125 member Clef Club orchestra that performed at Carnegie Hall from 1912 to 1915. During World War I, Europe directed the 369th Infantry Regiment Harlem Hellfighters Band to great acclaim in performances throughout France. Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the historically important work has audience appeal and is accessible for less experienced performers. The recording is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Booksha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
Jeanie with the Light Brown Hair
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Stephen Foster
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Judith Katz
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Jeanie with the Light Brown Ha
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...
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Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
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