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21 Years
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Christmas Time
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.760055 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. 21 pages. Raymond Fenech #3490407. Published by Raymond Fenech (A0.760055). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This Song is arranged for Woodwind Quintet – Flute; Oboe; B Flat Clarinet; Horn in F and Bassoon . The Duration is approx. 3.56 minutes and the level is Intermediate.
$12.99
11.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bryan Adams
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Raymond Fenech
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Oboe
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Christmas Time
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Raymond Fenech
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SheetMusicPlus
Delius: On hearing the first cuckoo in Spring - symphonic wind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553690 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553690 Composed by Frederick Delius. Arranged by Ray Thompson. 20th Century,Concert,Holiday,Wedding. 21 pages. RayThompsonMusic #3506929. Published by RayThompsonMusic (A0.553690). On Hearing the First Cuckoo in Spring is a tone poem composed in 1912 by Frederick Delius; it was first performed in Leipzig on 23 October 1913. It is the first of Two Pieces for Small Orchestra, the second piece being Summer Night on the River, although these have for many years existed separately on recordings and in the concert hall.The piece opens with a slow three-bar sequence; its first theme is an exchange of cuckoo calls.The second theme is taken from a Norwegian folk song, In Ola Valley, which was brought to his attention by the Australian composer and folk-song arranger Percy Grainger. (The theme was also arranged by Edvard Grieg in his 19 Norwegian Folksongs, Op. 66.)The clarinet returns with the cuckoo calls before the piece ends in pastoral fashion.Arranged symphonic wind and contra bass/tuba.
$19.95
18.09 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frederick Delius
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Ray Thompson
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Delius: On hearing the first cuckoo in Spring - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
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