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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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62
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45
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55
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18
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16
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13
Alto seul
11
Harpe
10
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8
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7
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7
Violoncelle (partie séparée)
6
Alto (partie séparée)
6
Violon, Guitare (duo)
5
2 Violons et Basse continue
5
Contre Basse
5
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à cordes: 3 violins
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Violoncelle, Contrebasse (duo)
3
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3
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
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Violoncelle, Basse continue
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PERCUSSIONS & ORCHESTRES
Orchestre
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Orchestre de chambre
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Orchestre à Cordes
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Ensemble de cuivres
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AUTRES
Vous avez sélectionné:
3 Sonatas
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
7 partitions trouvées
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Gallo: 3 movts from 2 Trio Sonatas (Pulcinella Suite Mvt.III Scherzino) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1453916 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque. 18 pages. RayThompsonMusic #1033104. Published by RayThompsonMusic (A0.1453916). Arranged wind quintet.This music was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.They are actually 3 movements from 2 of Domenico Gallo's Trio SonatasThey were used by Igor Stravinsky as a basis of the third movement (Scherzino) of his Neo Classical Ballet Pulcinella.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Gallo's (Pergolesi's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.My arrangement is of the the original Gallo pieces:The only change I have made is to move the bar lines so that my piece starts, as does Stravinsky's, with a quaver pickup, rather than Gallo's half bar and a quaver pickup.My arrangement uses Gallo's classical/baroque harmonies.It does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.
$9.95
9.1 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Gallo
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Ray Thompson
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Gallo: 3 movts from 2 Trio Sonatas
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RayThompsonMusic
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SheetMusicPlus
Scarlatti Sonatas No. 5 & 16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.973133 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.973133 Composed by Domenico Scarlatti. Arranged by Larry Wesley. Baroque,Concert,Standards. 23 pages. Larry Wesley #4884795. Published by Larry Wesley (A0.973133). Great Italian Baroque composer who was influential in the development of the Classical Style.The Sonatas with their rich counterpoint are a wonderful addition to the woodwind ensemble.Feedback always welcome at: WesleyStudio80@gmail.com
$15.00
13.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Scarlatti
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Larry Wesley
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Scarlatti Sonatas No. 5 & 16
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Larry Wesley
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SheetMusicPlus
Scarlatti Sonatas No. 8 & 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.973131 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.973131 Composed by Domenico Scarlatti. Arranged by Larry Wesley. Baroque,Concert,Standards,World. 29 pages. Larry Wesley #4884079. Published by Larry Wesley (A0.973131). Great Italian Baroque master who was influential in the development of the Classical Style.The sonatas with their rich counterpoint are a delightful medium for the woodwind ensemble.Feedback always welcome at: WesleyStudio80@gmail.com
$15.00
13.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Scarlatti
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Larry Wesley
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Scarlatti Sonatas No. 8 & 12
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Larry Wesley
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
45.68 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Trio Sonata No.9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.837935 Composed by William Boyce. Arranged by Spence Bundy. Baroque. 48 pages. Spencer Bundy #6426019. Published by Spencer Bundy (A0.837935). From a set of twelve trio sonatas Boyce composed in the 'Italian' style. On first publication in 1747, they were extremely successful and will still be enjoyed today by both players and the audience.
$6.99
6.39 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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William Boyce
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Spence Bundy
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Trio Sonata No.9
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Spencer Bundy
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SheetMusicPlus
Mozart: Piano Sonata No.16 in C K.545 (Sonata facile/semplice) Mvt.I Allegro - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553211 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Standards,Wedding. 11 pages. RayThompsonMusic #13291. Published by RayThompsonMusic (A0.553211). Probabaly the most well known of Mozart’s piano Sonatas. The Piano Sonata No. 16 in C major, K. 545, by Wolfgang Amadeus Mozart was described by Mozart himself in his own thematic catalogue as for beginners, and it is sometimes known by the nickname Sonata facile or Sonata semplice. I have arranged the first movement. Mozart’s tempo is crotchet/quarter note = 126: I have reduced the tempo to 120..it seems less rushed for wind instruments! Written for natural horn in C basso (alt horn in F provided) Good practise for scales and arpeggios!! I have added some judicious notes of my own, here and there, to thicken the harmony, and also taken some liberties with the semiquaver passage in bars 14-17 etc.
$13.95
12.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Piano Sonata No.16 in C K.545
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RayThompsonMusic
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SheetMusicPlus
Mozart - Epistle Sonata in F K145
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.949108 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.949108 Composed by Wolfgang Amadeus Mozart. Arranged by Ian D. Crew. Classical,Concert,Instructional,Standards,Wedding. 20 pages. Grumpy Mule Music #4345775. Published by Grumpy Mule Music (A0.949108). Some less well-known Mozart arranged for Wind Quintet and pitched at intermediate level players. The Epistle Sonatas were originally written for use in a church service, though this piece is also ideal as a short concert item, an ensemble teaching aid for developing performers, or as part of a garden party or wedding set. It's bright, energetic and elegant.
$15.00
13.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ian D
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Mozart - Epistle Sonata in F K145
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Grumpy Mule Music
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SheetMusicPlus
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