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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Ray of Hope
Non classifié
254
Piano & claviers
Piano seul
64
Piano, Voix
52
Piano, Voix et Guitare
16
Instruments en Do
12
Orgue
9
Clavier
3
Piano Facile
3
Accordéon
2
1 Piano, 4 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
3
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Paroles et Accords
1
Banjo
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
173
Chorale 3 parties
18
Chorale 2 parties
17
Voix duo, Piano
6
Voix duo
6
Voix seule
6
Chorale Unison
4
Voix Soprano, Piano
3
Voix Alto, Piano
2
Chorale TTBB
2
Chorale SSAA
1
Voix haute
1
Voix moyenne, Piano
1
+ 8 instrumentations
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Vents
Flûte traversière et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
6
Ocarina
5
Flûte à bec Soprano
4
Harmonica
3
Clarinette et Piano
3
2 Clarinettes, Piano
3
Flûte à bec Alto
3
Flûte traversière
3
Saxophone Soprano et Piano
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
2
2 Saxophones (duo)
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Clarinette, Piano (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûtes traversières (duo)
2
Ensemble de saxophones
2
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Flûte, trombone et piano
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Saxophone Alto
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette, trompette et piano
1
Saxophone Tenor
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
3
Trompette, Piano
2
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
Tuba
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
8
Harpe
6
Violon et Piano
6
Violoncelle, Piano
3
Violon, Violoncelle (duo)
3
4 Violoncelles
2
2 Violoncelles (duo)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Alto et Harpe
1
2 Altos (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Violon (duo)
1
Violon, Alto (duo)
1
Violoncelle
1
2 Violons (duo)
1
Violon
1
Violon, Clarinette, Piano (trio)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Cloches
30
Orchestre d'harmonie
17
Orchestre
16
Ensemble Jazz
6
Orchestre à Cordes
5
Jazz combo
3
Ensemble de cuivres
2
Ensemble de Percussions
2
Fanfare
1
Batterie
1
+ 5 instrumentations
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CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
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FUNK
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Crtitères actifs :
A Ray of Hope
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
7 partitions trouvées
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1
A Marshmallow World
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Pop musique
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Peter De Rose
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A Marshmallow World
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.874247 Composed by Peter De Rose. Arranged by Ray-Michael Kauffman a do Ray me flute studio pro...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.874247 Composed by Peter De Rose. Arranged by Ray-Michael Kauffman a do Ray me flute studio production. Pop. 20 pages. As do Ray meflute studio production #3685843. Published by as do Ray meflute studio production (A0.874247). https://www.youtube.com/watch?v=w6K4WtwfMac&feature=youtu.be2018 Holiday Contest EntryWhether it's sledding, making a snowman, snow ball fights ,a lovely winter walk, or making the Holidays merry, one of the best things about the Holidays and winter is spending time with love ones and gather by a fireplace with some delicious hot cocoa with LOTS of marshmallows !! And let's not forget all those special holiday deserts , and a lot of those great treats are made with Marshmallows. Even outside is magically transformed into a beautiful Marshmallow World with snow. I think imagine a better song choice then my arrangement of (it's a ) Marshmallow World. arranged for intermediate to intermediate advanced for flute ensemble / flute choir with optional bells/ glockenspiel. This little gem of a piece is in a jazzy, swing ( swingin ) Yuletide good fun. Packed with lot's of fun and wimsey, this piece will be a sure favorite with your group and audience members a like. May be played for school concerts, Holiday performances,seasonal/ winter concerts, community homes settings, for small children even to us grown up big kids. Everyone will love this !! this piece is up for 2018 Holiday Contest Entry.. I hope you all love this as I do. thank you for interest, and please fell free to visit my website at doRaymeflute.comholiday holiday music christmas music winter music holiday song s christmas songs seasonal songs winter songs
$13.99
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Air In D For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Conc...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.2 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553491 Composed by Ludwig van Beethoven. Arranged by Ray Thompso...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553491 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Instructional,Wedding. 7 pages. RayThompsonMusic #2966917. Published by RayThompsonMusic (A0.553491). Contre-Tanze (Country Dance) No.2 (adapted Seiss)Beethoven wrote 12 Country Dances WoO14 for orchestra .They are all quite short: some have trios.They are probably better known as a set of 3 piano pieces called Contre-Tanzes which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by Isidor Wilhelm Seiss) Isidor Seiss (23 December 1840 – 25 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist.They have a romantic feel to them.Each one of Seiss's 3 country dances are made up of extracts from 3 of Beethoven's. In some cases he uses only the trio, other times he uses the first 8 bars. Extracts are also transposed when needed to fit the home key of the piece. My arrangement is based on the musical layout of Seiss's Dance Number 2 which utilises extracts of Beethoven's as follows: The trio from No.5, the Trio from No 6 and part of No.12.Seiss freely adapts Beethoven's melodies and chordal structure. I have used Beethoven's original orchestration as a guide to give a more authentic classical sound.The horn part is for a natural horn in Eb.I have ignored the coda from Seiss's arrangement.Hope you enjoy them.
$4.95
Emoticons III for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
Ukrainian National Anthem for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Patriotique
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Mykhailo Verbytsky, 1863
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James M
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Ukrainian National Anthem for
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1122095 Composed by Mykhailo Verbytsky, 1863. Arranged by James ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - SKU: A0.1122095 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Chamber,Folk,Historic,Patriotic,Traditional. 7 pages. Jmsgu3 #723252. Published by jmsgu3 (A0.1122095). Ukrainian National Anthem for Woodwind QuintetThe Ukrainian National Anthem is an anthem that was adopted by the Ukrainian government in 2003. It is based on the song “Shche ne vmerla Ukrayina†which was written by Pavlo Chubynsky in 1862. The song was written as a response to the Russian occupation of Ukraine. The song was very popular in Ukraine and is considered to be one of the most important symbols of Ukrainian identity.The lyrics of the anthem call for Ukraine to remain strong and united. The song speaks of the Ukrainian people's courage, resilience and patriotism. It also speaks of the beauty of the Ukrainian land and its people. The anthem is a call to action and a reminder of the importance of standing together to protect the freedom and independence of Ukraine. The anthem is a symbol of hope and strength for the Ukrainian people.
$20.00
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