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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Work
Non classifié
519
Piano & claviers
Piano, Voix
1 091
Piano seul
328
Orgue
40
Piano Facile
36
Piano, Voix et Guitare
27
Instruments en Do
16
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
1
Clavecin
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
25
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Mandoline
1
2 Dulcimers (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
32
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
9
Voix Soprano, Piano
9
Chorale Unison
6
Chorale SSATTB
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Soli, choeur mixte et accompagnement
2
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
56
Clarinette et Piano
43
Saxophone Alto et Piano
42
Quatuor de Saxophones: 4 saxophones
42
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Soprano et Piano
28
Hautbois, Piano (duo)
27
2 Saxophones (duo)
25
Flûte traversière
21
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
17
Clarinette
17
3 Saxophones (trio)
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
13
2 Flûte à bec (duo)
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
9
Clarinette Basse, Piano
9
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Flûte à Bec
3
2 Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Clarinette Basse
1
Flûte irlandaise
1
Flute, alto, violoncelle et guitare
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone et Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
23
Trompette
17
Trompette, Piano
15
Euphonium, Piano (duo)
15
Tuba et Piano
14
Ensemble de Trombones
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Trombone (partie séparée)
4
3 Trombones (trio)
4
2 Trompettes (duo)
3
Cor
3
Ensemble de Cors
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Tuba
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
67
Violoncelle, Piano
46
Violon
36
Alto, Piano
36
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
17
2 Violons (duo)
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
3
Contre Basse
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
382
Orchestre
93
Orchestre à Cordes
59
Orchestre de chambre
29
Ensemble de cuivres
27
Ensemble Jazz
11
Ensemble de Percussions
5
Marimba
3
Cloches
3
Orchestre, Violon
3
Percussion (partie séparée)
2
Batterie
1
Piano et Orchestre
1
Vibraphone
1
Jazz combo
1
+ 10 instrumentations
Retracter
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
After Work
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
62 partitions trouvées
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51
After the Cake Walk for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
R
#
Charles Decker
#
After the Cake Walk for Woodwi
#
Charles Decker Music Press
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411872 Composed by R. Nathaniel Dett. Arran...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - SKU: A0.1411872 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Chamber,Jazz,Multicultural,Ragtime,World. 22 pages. Charles Decker Music Press #994101. Published by Charles Decker Music Press (A0.1411872). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
After Glow
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
George L Cobb
#
Spence Bundy
#
After Glow
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.837529 Composed by George L Cobb. Arranged by Spence Bundy. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.837529 Composed by George L Cobb. Arranged by Spence Bundy. 20th Century,Ragtime. 25 pages. Spencer Bundy #4575925. Published by Spencer Bundy (A0.837529). A simple piano solo which works well transcribed for Wind Quintet.
$6.99
5 Famous Songs by Bach for Woodwind Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
where it is also known a.
#
5 Famous Songs by Bach for Woo
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
5 Famous Songs by Bach for Tenor Sax Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Ten
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
5 Famous Songs by Bach for English Horn Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
DÉBUTANT
#
Classique
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Eng
#
Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
5 Famous Songs by Bach for Recorder Choir Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Rec
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedd...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
Symphony No. 7 by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126702 Composed by Johann Sebastian Bach. Arranged by Ander. Classical,Film/TV,Instructional,Mar...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126702 Composed by Johann Sebastian Bach. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #727346. Published by Woods Only, Arrangements (A0.1126702). This arrangement adapted for woodwind quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$9.99
Dreams of the White Tiger
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Daniel Baldwin
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Dreams of the White Tiger
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMS169 Composed by Daniel Baldwin. Score and Parts. 72 pages. Imagine Music - Digital #CMS169. Published by Imagine Music - D...
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Woodwind quintet - SKU: IZ.CMS169 Composed by Daniel Baldwin. Score and Parts. 72 pages. Imagine Music - Digital #CMS169. Published by Imagine Music - Digital (IZ.CMS169). 9 x 12 in inches.Dreams of the White Tiger is a work that had a complicated path to completion. Upon receiving this commission, Icontacted several of my friends (Jeff McCray, Matt Morris, and Richard Ramey) and requested lists of the mosthighly regarded staples of the wind quintet repertoire. After studying these works, I selected one of my favoritesubjects from Norse mythology as inspiration. Unfortunately, this did not work out as the work wanted to be toolarge and I could not reduce it down to a small chamber work.At that point, I decided to switch gears and find a new source of inspiration, which I found in a poem by James Yatestitled White Tiger Trilogy. I sketched out three movements based on this poem and was, again, displeased with theresulting work. However, I did very much like many elements from the sketches, so I decided to strip the piece downto these elements and construct one single cohesive movement. I chose my favorite line from the original sketchesand made that the central theme in an extended sonata rondo movement. I was finally pleased with this product thatincluded elements from all of the different versions. Dreams of the White Tiger was commissioned by 111 wind quintets in consortium led by my friend Richard Rameyand is dedicated to all of those who contributed to making this project a reality.
$30.00
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
A Song of Praise
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Andrew Lamb
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Andrew Lamb
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A Song of Praise
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1213109 By Andrew Lamb. By John Stainer (1840-1901). Arranged by...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1213109 By Andrew Lamb. By John Stainer (1840-1901). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 20 pages. Andrew Lamb #810286. Published by Andrew Lamb (A0.1213109). Title: A Song of PraiseComposer: John Stainer (1840-1901)Arranger: Andrew LambDescription: This is a transcription of A Song of Praise by English composer John Stainer (1840-1901)John Stainer was an English composer, organist, and music educator born on June 6, 1840, in London. He began his musical career as a chorister at St. Paul's Cathedral and went on to study at the Royal Academy of Music. After graduation, Stainer was appointed organist at St. Michael's College, Tenbury, and later at Magdalen College, Oxford. He also served as the Professor of Music at Oxford University from 1889 until his death.Stainer was a prolific composer who wrote in a variety of genres. He is perhaps best known for his oratorio The Crucifixion, which is still performed regularly today. Stainer's other works include church music, hymns, anthems, and organ music. He was praised for his skillful use of harmony and counterpoint and was considered one of the most important composers of his time.In addition to his work as a composer and organist, Stainer was a respected music educator. He helped establish the Royal College of Music in London and wrote several influential music textbooks. Stainer passed away on March 31, 1901, but his legacy as a composer, performer, and music educator continues to inspire musicians around the world today.
$8.00
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
In the Bleak Midwinter - Wind Quintet by Hugh Levey
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Contemporain
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Wind
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Chris...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901006. Published by woodwindly.com (A0.1312131). Wind Quintet (Flute, Oboe, Bb Clarinet, Horn, Bassoon)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This wind quintet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with oboe and flute taking turns to play the top line. In verse 2, the French horn presents the tune in a lower register while the bassoon plays a Baroque style ‘walking bass’. The flute,oboe, and clarinet weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns to the flute and oboe with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
ARIA from L'Orfeo ed Euridice (Gluck) for Wind Quintet (Horn in F solo)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Classique
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Christoph Willibald Von Gluck
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Kenneth Martin
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ARIA from L'Orfeo ed Euridice
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Martin Music Editions
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concer...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 15 pages. Martin Music Editions #5214107. Published by Martin Music Editions (A0.839017). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
$5.99
Egomia, for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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Egomia, for Woodwind Quintet
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday. It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual. It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
$20.00
Rondo (from Music for Springtime)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Gregorio
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Rondo
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.BCMW163 Composed by Joseph Gregorio. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 76 pages. Imagin...
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Woodwind quintet - SKU: IZ.BCMW163 Composed by Joseph Gregorio. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 76 pages. Imagine Music - Digital #BCMW163. Published by Imagine Music - Digital (IZ.BCMW163). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of therepertoire written in 1956. Music for Springtime is a not an homage to Barber's work but does reflect and touch uponsome of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by thecircumstances and timing of its composition: I wrote it in the year after I moved from California back to my nativePennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth andrejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.
$32.00
Music for Springtime
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Gregorio
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Music for Springtime
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.CMW202 Composed by Joseph Gregorio. Score and Parts. 135 pages. Imagine Music - Digital #CMW202. Published by Imagine Music -...
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Woodwind quintet - SKU: IZ.CMW202 Composed by Joseph Gregorio. Score and Parts. 135 pages. Imagine Music - Digital #CMW202. Published by Imagine Music - Digital (IZ.CMW202). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of the repertoire written in 1956. My work is a not an homage to Barber's, but does reflect and touch upon some of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by the circumstances and timing of its composition: I wrote it in the year after I moved from California back to my native Pennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth and rejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.
$42.00
Pergolesi: Stabat Mater Dolorosa P.77 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Giovanni Battista Pergolesi
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Ray Thompson
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Pergolesi: Stabat Mater Doloro
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1459520 By Giovanni Battista Pergolesi. By Giovanni Battista Per...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1459520 By Giovanni Battista Pergolesi. By Giovanni Battista Pergolesi. Arranged by Ray Thompson. Baroque,Wedding. 9 pages. RayThompsonMusic #1038473. Published by RayThompsonMusic (A0.1459520). Arranged wind quintetStabat Mater (P.77)is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736.Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo.The autograph manuscript of the work is preserved in the Benedictine Abbey of Monte Cassino.The work is divided into twelve movements, each named after the incipit of the text. Much of the music is based on Pergolesi's earlier setting of the Dies irae sequence.This is probably the most well known piece, it is the first movement.
$14.99
Pavane for the Earl of Salisbury
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Spencer Bundy
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Spencer Bundy
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Pavane for the Earl of Salisbu
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1305073 By Spencer Bundy. By William Byrd. Arranged by Spencer B...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1305073 By Spencer Bundy. By William Byrd. Arranged by Spencer Bundy. Chamber,Renaissance. 9 pages. Spencer Bundy #894504. Published by Spencer Bundy (A0.1305073). William Byrd is one of the most celebrated British composers of the Renaissance period and this work is one of his most well known. This unusually short Pavane would have been written shortly after the death of Sir Robert Cecil, Earl of Salisbury. He died in 1612, so this was a later work for Byrd.
$5.99
Second Movement from Sonata No. 8 Pathetique by Ludwig van Beethoven Op 13 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Ludwig van Beethoven
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Woods Only
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Second Movement from Sonata No
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956912 Composed by Ludwig van Beethoven. Arranged by Woods Only. Concert,Easter,Romantic Period,S...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956912 Composed by Ludwig van Beethoven. Arranged by Woods Only. Concert,Easter,Romantic Period,Standards,World. 13 pages. Woods Only, Arrangements #6515227. Published by Woods Only, Arrangements (A0.956912). The second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts. Piano Sonata No. 8 in C minor, op. 13, generally known as, the Pathetic Sonata, was published in 1799, although it was written the year before. Beethoven dedicated this work to his friend, Prince Karl Lichnowsky. With this sonata, Beethoven opened the door to the future - no one after hearing this work - could close their eyes to the possibilities of expression presented here.
$8.99
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
Signs of the Times
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamb...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99
Allegro 'Assai'
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kara Williams
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Kara Williams
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Allegro 'Assai'
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Kara Williams
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1383282 Composed by Kara Williams. Arranged by Kara Williams. Ch...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1383282 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Contemporary. 26 pages. Kara Williams #967711. Published by Kara Williams (A0.1383282). Originally written for and recorded by the Regional New South Wales ensemble the 'Assai Quartet' (comprsing flute, violin, acoustic guitar, and bassoon), Allegro 'Assai' (titled after the ensemble) is one of Kara's first compositons chamber group, and combines a gentle pastural sensibility with quirky harmonic and melodic twists. The gentle interplay between the instruments weaves a joyous earworm that engages both performers and audience from start to finish.This arrangement for Woodwind Quintet is by the composer, Kara Williams; an Australian woodwind multi-instrumentalist and foundation member of the Assai Quartet (bassoon). Aimed at intermediate+ to more accomplished players, this 3'50 work is a perfect little addition to any program.
$25.00
Seeking Zamfir
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Liz Sharma
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Liz Sharma
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Seeking Zamfir
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Liz Sharma
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1368492 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Cen...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1368492 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Century,Chamber,Classical. 12 pages. Liz Sharma #952840. Published by Liz Sharma (A0.1368492). After hearing a CD of Georg Zamfir, the Romanian Pan Pipe virtuoso, playing these traditional melodies, I arranged them for Wind Quintet, adding countermelodies & harmonies to make them work for 5 players.These melodies are really delightful, exciting & uplifting.    If the individual parts do not appear, email lizsharmamusic@gmail.com & they will be sent by return.Unfortunately the only MP3 I can find at present is a version I made for oboe & strings, but at least you can hear the music, which I'm sure you'll enjoy.
$8.00
I Started A Joke
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bee Gees
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Antônio S
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I Started A Joke
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Antônio S. Fernandes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - SKU: A0.503789 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by An...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - SKU: A0.503789 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Romantic Period,World. 5 pages. Published by Antônio S. Fernandes (A0.503789). I Started a Joke is a song by the Bee Gees from their 1968 album Idea, which was released as a single in December of that year. It was not released as a single in the United Kingdom, where buyers who could not afford the album had to content themselves with a Polydor version by Heath Hampstead. This is the last Bee Gees single to feature Vince Melouney's guitar work, as he left the band in early December after this song was released as a single. The song's B-side was Kilburn Towers, except in France, where Swan Song was used. I Started a Joke was written by Barry, Robin, and Maurice Gibb, and produced by the Bee Gees with Robert Stigwood. #BeeGees #IStartedAJoke #QuartetWood #Clarinet #Oboé #Bassoon #Flute #SheetMusic.
$13.00
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