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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Always Have, Always Will
Non classifié
133
Piano & claviers
Piano seul
76
Piano Facile
21
Piano, Voix
18
Piano, Voix et Guitare
13
Orgue
6
Instruments en Do
3
1 Piano, 4 mains
2
+ 2 instrumentations
Retracter
Guitares
Guitare
11
Guitare notes et tablatures
11
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Ensemble de guitares
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale 3 parties
8
Chorale TTBB
6
Chorale 2 parties
4
Chorale Unison
2
Chorale
1
Chorale SSATTB
1
Voix duo
1
Voix Soprano, Piano
1
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
10
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte à bec Soprano
5
2 Saxophones (duo)
4
Flûte à bec Alto
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte à bec Alto, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Clarinette
2
Saxophone Alto et Piano
2
Clarinette et Piano
2
Flûte traversière et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette (duo)
1
Flûte à Bec
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Basson
1
Flûte, Trompette (duo)
1
Ensemble de saxophones
1
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Saxophone Tenor
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette et Basson
1
Flûte, Violon
1
Ensemble de Flûtes
1
Trio de Flûtes: 3 flûtes
1
2 Hautbois (duo)
1
Flûte, Hautbois (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium
1
Trompette
1
Trombone et Piano
1
2 Cors, Piano
1
Cor et Piano
1
Ensemble de Trombones
1
2 Tubas (duo)
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon, Violoncelle (duo)
144
Trio à Cordes: violon, alto, violoncelle
117
Violon
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Alto (duo)
8
2 Violoncelles (duo)
6
Harpe
6
Violon et Piano
6
Alto seul
5
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
2
2 Altos (duo)
2
2 Violons (duo)
2
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Piano
1
Trio à cordes: 3 violins
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
101
Orchestre d'harmonie
37
Ensemble Jazz
13
Ensemble d'École
6
Jazz combo
6
Fanfare
3
Orchestre de chambre
2
Cloches
2
Ensemble de Percussions
2
Orchestre
2
Piano et Orchestre
1
Ensemble de cuivres
1
Marimba
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Always Have, Always Will
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
6 partitions trouvées
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Always Look On The Bright Side Of Life
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Monty Python
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Kayleigh Huelin
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Always Look On The Bright Side
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Kayleigh Huelin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1287622 By Monty Python. By Eric Idle. Arranged by Kayleigh Huel...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1287622 By Monty Python. By Eric Idle. Arranged by Kayleigh Huelin. Film/TV,Pop,Standards. 9 pages. Kayleigh Huelin #878647. Published by Kayleigh Huelin (A0.1287622). A true classic from Monty Python's The Life of Brian and later Spamalot, 'Always Look on the Bright Side of Life' is a great piece to have in your repertoire - perfect for concerts, parties, funerals, crucifixions .... It will liven up any event! Arranged for wind quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
Mozart Andante from Piano Concerto No 21 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796853 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Weddin...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.796853 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 30 pages. Stephanie Daige #3213733. Published by Stephanie Daige (A0.796853). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for woodwind quintet. I have always thought this gorgeous melody would sound amazing as a woodwind quintet (my personal favorite ensemble), and I am glad I have finally gotten around to putting what I hear in my head on paper. The melody moves around between the different instruments as if they are having a conversation. This is a challenging and enjoyable arrangement, suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable for a chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99
Goldberg Variations, BWV 988, Aria and Variations 1 - 5
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Darrell Goforth
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Goldberg Variations, BWV 988,
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Darrell Harrison Goforth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1466171 Composed by Johann Sebastian Bach. Arranged by Darrell G...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1466171 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque. 32 pages. Darrell Harrison Goforth #1044794. Published by Darrell Harrison Goforth (A0.1466171). J. S. Bach's work, The Goldberg Variations, BWV 988 are here arranged for Woodwind Quintet.Originally written for Johann Gottlieg Goldberg, the Goldberg Variations were originally published in 1741 and may have been initially performed publically by Herr Gottlieb.This work consists of an Aria and 30 variations. I have included in this effort the Aria and Variations 1 through 5. I will publish therest of the variations at a later date. I think it sounds rather interesting for this ensemble and I hope you enjoy playing it.The cover portrait, as you may have noticed, is not of either Bach or Goldberg. It is, rather, of a little known younger brother of Johann Sebastian named Robert Feliux Bach. Bob was neither a composer or musician, but was known as a champion mouser in Hamburg.As always, comments an suggestions are always welcome at darrell.goforth2@gmail,com.
$24.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Brindisi from La Traviata
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Darrell Goforth
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Brindisi from La Traviata
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Darrell Harrison Goforth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1230465 Composed by Giuseppe Verdi. Arranged by Darrell Goforth....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1230465 Composed by Giuseppe Verdi. Arranged by Darrell Goforth. Chamber,Classical,Opera. 22 pages. Darrell Harrison Goforth #826167. Published by Darrell Harrison Goforth (A0.1230465). Brindisi, The Drinking Song, from La Traviata is arranged for woodwind quintet. I have set this as a dialogue between the horn and flute.. I have taken a few liberties with the original harmonies since, without the libretto, it does becoome a little repetitive. It is a quick, light piece that I think you will enjoy playing.As always, any comments or questions are always welcome at dgoforth2@comcast.netLike me on Facebook at facebook.com/goforthmusic andVisit my YouTube channel at youtube.com/user/dgoforth2.
$23.99
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