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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As Long As I Have Music
Non classifié
323
Piano & claviers
Piano, Voix et Guitare
376
Piano seul
162
Piano, Voix
45
Piano Facile
32
Instruments en Do
16
Orgue
16
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
33
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
6
2 Guitares (duo)
5
Basse electrique
4
Mandoline
3
Mandoline, Guitare (duo)
3
3 Guitares (trio)
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
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Voix
Chorale SATB
65
Voix Soprano, Piano
11
Chorale 2 parties
9
Chorale 3 parties
7
Voix Baryton, Piano
2
Chorale TTBB
2
Voix Alto, Piano
2
Chorale Unison
2
Voix duo
1
Voix haute
1
Voix duo, Piano
1
+ 6 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Ensemble de saxophones
23
Quatuor de Saxophones: 4 saxophones
17
Quintette de Saxophone: 5 saxophones
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette
15
Flûte traversière et Piano
15
2 Flûtes traversières (duo)
14
Hautbois, Piano (duo)
14
Saxophone Tenor et Piano
10
Hautbois (partie séparée)
9
Quatuor de Clarinettes: 4 clarinettes
8
Ensemble de Clarinettes
6
Hautbois, Flûte
6
Saxophone Soprano et Piano
5
Saxophone Alto et Piano
5
Ensemble de Flûtes
5
Clarinette et Piano
5
3 Saxophones (trio)
4
Flûte traversière
4
Saxophone Alto
3
Clarinette Basse, Piano
3
Flûte à bec Soprano
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
3
Saxophone et Orgue
2
Flûte et Guitare
2
Flûte à bec Alto, Piano
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
2
2 Cors Anglais Et Pianoforte
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Alto
1
2 Saxophones (duo)
1
Flûte, Violon
1
Clarinette, Orgue
1
Hautbois, Basson et Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
2 Clarinettes (duo)
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette
13
Quatuor de Cuivres
12
Ensemble de Trompettes
7
Trombone
6
Trompette, Piano
6
Trombone et Piano
6
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
4
Cor et Piano
4
Euphonium, Piano (duo)
4
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Euphonium
3
Cor anglais, Piano
3
Cor
2
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
2 Cors (duo)
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
17
Violon et Piano
12
Violon, Alto (duo)
7
2 Violons (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle, Contrebasse (duo)
6
Violon, Violoncelle (duo)
6
Violoncelle, Piano
6
Harpe
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Piano
4
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Voix
3
2 Violoncelles (duo)
3
Contre Basse
2
4 Violoncelles
2
Alto seul
2
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Orgue
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Violoncelle, Orgue
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24
Jazz combo
17
Orchestre à Cordes
17
Orchestre
17
Ensemble de cuivres
15
Orchestre de chambre
9
Ensemble Jazz
8
Ensemble de Percussions
4
Cloches
3
Batterie
2
Piano et Orchestre
1
Ensemble d'École
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
As Long As I Have Music
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
31 partitions trouvées
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26
Parry: Lady Radnor's Suite I. Prelude - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite I.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday. 9 pages. RayThompsonMusic #3578623. Published by RayThompsonMusic (A0.553725). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Bach Little Fugue in G Minor for Wind Quintet BWV 578
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796898 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. 26 pages....
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796898 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. 26 pages. Stephanie Daige #6040559. Published by Stephanie Daige (A0.796898). This little fugue is one of Bach's most famous and beloved organ works. Reimagined for woodwind quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of this wind instruments, which obviously wasn't an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music recital, a church, or an online virtual concert. It would also work as prelude or lobby music. Duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for brass quintet and double reed ensemble. Please check out my other arrangements at: https://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Christmas Joy Medley for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn, J
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Stephanie Daige
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Audiences are sure to love it
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Christmas Joy Medley for Wind
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Baroque,Christian,Christmas,Classical,Concert. 25 pages. Stephanie Daige #3674631. Published by Stephanie Daige (A0.796888). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. This triumphant medley is in the key of concert G major. Christmas carols featured are: • Hark! The Herald Angels Sing • O Come, All Ye Faithful • O Little One Sweet • Bring A Torch, Jeannette, Isabella • It Came Upon the Midnight Clear • O Little Town of Bethlehem • We Wish You a Merry Christmas I hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles. 2018 Holiday Contest Entry
$17.99
A Windy Christmas for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Handel, Traditional
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Stephanie Daige
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A Windy Christmas for Woodwind
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796856 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,T...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796856 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,Traditional. 23 pages. Stephanie Daige #3243821. Published by Stephanie Daige (A0.796856). 2017 Holiday Contest EntryThis arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the Christmas season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. The medley begins triumphantly in the key of concert F Major, moves soulfully to the parallel minor, then finishes brightly back in F Major. Christmas carols featured are:· Joy to the World· Good King Wenceslas· We Wish You a Merry Christmas· Deck the Halls· God Rest Ye Merry Gentlemen· What Child is This?· Ding Dong Merrily on HighI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music concert, prelude to a choral performance/ carol sing-along, etc. It’s perfect for anywhere you want to lift people’s spirits with beautiful, familiar seasonal music. There are also versions of this medley (with different titles) available for string quartet, flute choir, clarinet choir, brass quintet, saxophone quartet, and piano.
$17.99
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Whirlwind
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Daniel Burwasser
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Whirlwind
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Imagine Music - Digital
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SheetMusicPlus
Woodwind quintet - SKU: IZ.IMS167 Composed by Daniel Burwasser. Score and Parts. 57 pages. Imagine Music - Digital #IMS167. Published by Imagine Music -...
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Woodwind quintet - SKU: IZ.IMS167 Composed by Daniel Burwasser. Score and Parts. 57 pages. Imagine Music - Digital #IMS167. Published by Imagine Music - Digital (IZ.IMS167). 9 x 12 in inches.The traditional woodwind quintet (flute, oboe, clarinet, French horn and bassoon) presents the composer with afascinating opportunity to blend sonorities and timbres. This woodwind quintet, Whirlwind, was written in 2014. Inmany ways, I have taken the Classical form as my model. It is a three movement work in the standard fast-slow-faststructure. I aspire to a venerable tradition, including a rondo like finale that, I would hope, honors Haydn. The first movement isbased on a single lyrical theme that is stated throughout by each member of the ensemble in whole or in part. The secondmovement is a slow ternary form and features long expressive melodic lines. The title has no programmatic implication,rather, it expresses my essential interest in momentum and expressive concision in my musical style.
$24.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
My Bittersweet Love
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Mudiwa Williams
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My Bittersweet Love
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Mudiwa Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168363 Composed by Mudiwa Williams. Chamber,Classical. 15 pages...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168363 Composed by Mudiwa Williams. Chamber,Classical. 15 pages. Mudiwa Music #768695. Published by Mudiwa Music (A0.1168363). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI pride myself on my ability to hear melodies. For composition assignments, I excelled at writing pieces with an interesting melody and harmonic progression. Writing a small ensemble piece for a woodwind quintet was a struggle for me. It took me twice as long to finish this piece as any other piece before it, and I really beat myself up about it. However, this piece taught me that music takes time and that is okay. I have a bittersweet relationship with this piece, as I hated figuring out how to write it, but completely love what the finished product has become. I greatly appreciate the work of Amanda Welch, Madison Church, Kendra Sachs, Trenton Carr, Aaron Lukenbill, and Cheyenne Cruz, as the performers and director for this piece.
$12.00
Recordare (from "Requiem") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1108405 Composed by Wolfgang Amadeus Mozart. Arranged by Regis B...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1108405 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711047. Published by Regis Bookshar (A0.1108405). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Woodwind Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Woodwind Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 2, Adagio cantabile
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Darrell Goforth
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Beethoven: Septet in E-flat Ma
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Inst...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 20 pages. Darrell Harrison Goforth #707861. Published by Darrell Harrison Goforth (A0.747388). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.
$9.99
Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 3, Menuet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Darrell Goforth
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Beethoven: Septet in E-flat Ma
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Darrell Harrison Goforth
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747390 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Inst...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.747390 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 9 pages. Darrell Harrison Goforth #707863. Published by Darrell Harrison Goforth (A0.747390). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.
$9.99
A Journey of Growth
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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JP Wogaman II
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A Journey of Growth
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JP Wogaman II
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.946919 Composed by JP Wogaman II. 20th Century,Contemporary. 27 pages. JP Wogaman II #6209917. Pu...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.946919 Composed by JP Wogaman II. 20th Century,Contemporary. 27 pages. JP Wogaman II #6209917. Published by JP Wogaman II (A0.946919). This piece is actually my first film score. It accompanied an animation, but unfortunately, the original artist has made the animation no longer available. The story is still powerful, and the message is still just as relevant. Two young foster children, brother and sister, go from the sadness and fear of being without parents, to the joy of finding a home with a loving family, all while doing their best to hang onto hope and onto each other. For these two young children, I can only imagine it feeling like the end of the world, and not an experience they could possibly grow from. However, this story is a true story, and it is the animator's story. And look where she ended up! A student at the University of Michigan that has since gone on to work for major companies such as Nickelodeon and even NASA. As an artist, I respect her decision to not continue sharing her animation, and I am so unbelievably grateful and humbled to have had the honor of writing the score to her story when I had the chance.More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$50.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813729 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813729 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474733. Published by Regis Bookshar (A0.813729). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet (which has the lead), 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813727 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813727 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474735. Published by Regis Bookshar (A0.813727). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute (which has the lead), 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Woodwind Qu
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.813726 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.813726 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474731. Published by Regis Bookshar (A0.813726). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupit.
$12.00
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
Wind Quintet - Summer in Bloom
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
BACH: ITALIAN CONCERTO BWV 971 for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Pat Spence
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BACH: ITALIAN CONCERTO BWV 971
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - SKU: A0.1291890 Composed by Johann Sebastian Bach (1685 - 1750)....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - SKU: A0.1291890 Composed by Johann Sebastian Bach (1685 - 1750). Arranged by Pat Spence. Baroque,Chamber,Contest,Early Music,Festival,Instructional. 60 pages. Piper Publications #882501. Published by Piper Publications (A0.1291890). Bach’s Italian Concerto BWV 971 was composed for a two manual harpsichord and was first published in 1735.The style is that of the Italian concerto grosso and clearly reflects Bach’s great admiration of the works of Antonio Vivaldi which he had studied extensively. The ritornello style opening and closing movements are lively and joyful enclosing the arioso style Andante of great melancholy beauty. In arranging the Andante I have shared the long melodic line between the five players which will require some careful blending of tone and tuning as the melody passes from player to player. The effect intended is that of a sympathetic conversation between good friends.Players of advanced intermediate standard standard will, I hope, enjoy the challenge of this arrangement of this amazing music.
$29.00
Parry: Lady Radnor's Suite II. Allemande - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite II.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #3578839. Published by RayThompsonMusic (A0.553726). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$6.95
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