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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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VIOLON
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XYLOPHONE
As Long As You Love Me
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127
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77
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55
Piano, Voix
34
Piano Facile
15
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14
Orgue
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano grosses notes
2
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
3
Ukulele
2
Paroles et Accords
1
2 Guitares (duo)
1
Mandoline
1
Basse electrique
1
+ 2 instrumentations
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Voix
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24
Chorale 3 parties
8
Chorale 2 parties
7
Chorale Unison
5
Voix Soprano, Piano
3
Chorale TTBB
3
Chorale SSAA
1
Voix haute
1
Voix duo
1
+ 4 instrumentations
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Vents
2 Saxophones (duo)
12
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
8
Saxophone, Clarinette (duo)
5
Saxophone (partie séparée)
5
Hautbois (partie séparée)
5
Saxophone Tenor et Piano
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Alto
3
Flûte traversière
3
Clarinette
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Saxophone Tenor
2
Quatuor de Saxophones: 4 saxophones
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Clarinette et Piano
1
Flute (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
3 Flûtes à bec (trio)
1
Flûte, Violon
1
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Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
4
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4
Cor
3
Trompette (partie séparée)
3
Trompette
3
Trombone
3
Euphonium
2
Trombone et Piano
2
Trompette, Trombone (duo)
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Tuba
1
Ensemble de Tubas
1
+ 11 instrumentations
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Violon
44
Quatuor à cordes: 2 violons, alto, violoncelle
16
2 Violons (duo)
7
Violon, Alto (duo)
6
Violon et Piano
5
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Alto seul
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
2
Alto, Piano
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Alto (partie séparée)
1
Contre Basse
1
Violon (partie séparée)
1
+ 13 instrumentations
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4
Ensemble de cuivres
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Orchestre
4
Batterie
2
Orchestre de chambre
2
Ensemble Jazz
2
Cloches
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Orchestre à Cordes
2
Jazz combo
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMPETTE
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Crtitères actifs :
As Long As You Love Me
SheetMusicPlus
Partitions à imprimer
2 partitions trouvées
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Sing-along Medley #2 (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Various
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Kenneth Abeling
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“April Showers
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Sing-along Medley #2
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.514737 Composed by Various. Arranged by Kenneth Abeling. Ragtime,Traditional. Score and parts....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.514737 Composed by Various. Arranged by Kenneth Abeling. Ragtime,Traditional. Score and parts. 26 pages. LINCOLN MUSIC PUBLICATIONS #3544029. Published by LINCOLN MUSIC PUBLICATIONS (A0.514737). “Sing-along Medley #2â€, arranged here for Woodwind Quintet is the second collection five “Tin Pan Alley†era songs arranged by Kenneth Abeling to include: “You Made Me love You†- “In the Good Old Summertime†- Shine on Harvest Moon - Let Me Call You Sweetheart & “April Showers. This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=73glSLOfCic 
$14.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
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As Long As You Love Me
