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Bach Gounod: Ave Maria for Flute
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Vous avez sélectionné:
Bach Gounod: Ave Maria for Flute
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
4 partitions trouvées
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Gounod: Méditation sur Prélude 1 de Piano de J S Bach (Ave Maria) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod
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Ray Thompson
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Gounod: Méditation sur
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1152426 Composed by Charles Francois Gounod. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1152426 Composed by Charles Francois Gounod. Arranged by Ray Thompson. Christian,Religious,Romantic Period,Wedding. 12 pages. RayThompsonMusic #752651. Published by RayThompsonMusic (A0.1152426). Arranged wind quintet I have based this arrangement on Gounod’s original composition which was for solo violin,piano and organ. The words for ’Ave Maria were added later. I have attempted to avoid the semiquaver accompanimnent of Bach’s prelude being given to one player: i have spread it between the bassoon horn clarinet and flute. The tune is mainly on oboe but other instruments take the melody on occaison. There are 2 verses.
$9.95
Ave Maria - Gounod & Bach (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod
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Kenneth Abeling
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Ave Maria - Gounod & Bach
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.515072 Composed by Charles Francois Gounod. Arranged by Kenneth ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.515072 Composed by Charles Francois Gounod. Arranged by Kenneth Abeling. Religious,Sacred,Wedding. 12 pages. LINCOLN MUSIC PUBLICATIONS #4640405. Published by LINCOLN MUSIC PUBLICATIONS (A0.515072). Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Woodwind Quintet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
Ave Maria by Charles Gounod CG 89a for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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DÉBUTANT
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Classique
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Charles Francois Gounod
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Woods Only
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Ave Maria by Charles Gounod CG
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.956895 Composed by Charles Francois Gounod. Arranged by Woods Only. Holiday,Love,Romantic Period,...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - SKU: A0.956895 Composed by Charles Francois Gounod. Arranged by Woods Only. Holiday,Love,Romantic Period,Sacred,Wedding,World. 12 pages. Woods Only, Arrangements #6474033. Published by Woods Only, Arrangements (A0.956895). This version of this wonderful song is made for woodwind quintet where it can be freely performed in religious and wedding ceremonies, ideal for young music beginners and even professional music school teachers. It maintains the essence of the original composition, where this time the solo is shared by two instruments that counterpoint the melody that runs through the course of the song.The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G.
$7.99
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Bach Gounod: Ave Maria for Flute 
