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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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4 Tubas
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2 Euphoniums et 2 Tubas
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CORDES
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315
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221
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190
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189
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
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2 Violons (duo)
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15
Alto seul
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Harpe
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Alto (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle
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Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Violoncelles (duo)
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contre Basse
2
Violon, Guitare (duo)
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
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Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Ensemble d'Altos
1
Violoncelle, Orchestre
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Orchestre d'harmonie
165
Orchestre à Cordes
141
Orchestre
46
Ensemble Jazz
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Ensemble de cuivres
33
Orchestre de chambre
18
Cloches
8
Ensemble de Percussions
5
Fanfare
2
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Jazz combo
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Back to work - drums
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Recordare (from "Requiem") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1108405 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711047. Published by Regis Bookshar (A0.1108405). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Woodwind Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Woodwind Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Course of Empire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
23.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Deck the Halls by Oliphant for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1317969 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1317969 Composed by Thomas Oliphant. Arranged by Ander. Chamber,Christian,Christmas. 13 pages. Woods Only, Arrangements #906661. Published by Woods Only, Arrangements (A0.1317969). We present to you the arrangement of Deck the Halls for Woodwind Quintet. This arrangement brings a new and magical perspective to this famous melody, playing with the original melody, but maintaining the essence of the work. It is perfect for any Christmas event, whether for chamber music in recitals, concerts, public shows, or as teaching material for music teachers to encourage their students. Deck the Halls is a traditional Christmas carol. The melody is Welsh, dating back to the 16th century, and belongs to a winter carol, “Nos Galanâ€. The English lyrics, written by the Scottish musician Thomas Oliphant, date from 1862. This arrangement brings new life to this historical melody, making it a valuable addition to any Christmas repertoire. This arrangement of Deck the Halls is more than just a score; it is a piece of musical history, skillfully adapted for the modern scene. Purchase today and bring a touch of magic to your Christmas with this charming arrangement of Deck the Halls.
$9.99
9.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Oliphant
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Ander
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Deck the Halls by Oliphant for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
White Christmas
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1321430 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1321430 By Bing Crosby. By Irving Berlin. Arranged by Ander. Chamber,Christmas. 16 pages. Woods Only, Arrangements #909889. Published by Woods Only, Arrangements (A0.1321430). I present to you an innovative arrangement of Irving Berlin’s White Christmas for Woodwind Quintet. This arrangement breathes new life into the famous melody, playfully tinkering with the original melody, yet maintaining the essence of the original work. It is perfect for any Christmas event, whether as chamber music in recitals, concerts, public shows, or as teaching material for teachers to encourage their music students. White Christmas is a song that harks back to an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film, Holiday Inn. This arrangement of White Christmas is a tribute to Berlin’s genius and the timeless beauty of his music. With its playful tweaks to the melody, this arrangement offers a fresh perspective on the beloved song, making it even more special for Christmas celebrations. Purchase this arrangement and bring the magic of Christmas to your music!
$12.99
11.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bing Crosby
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Ander
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White Christmas
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Woods Only, Arrangements
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SheetMusicPlus
Rondo (from Music for Springtime)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind quintet - Digital Download SKU: IZ.BCMW163 Composed by Joseph Gregorio. BC…
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Woodwind quintet - Digital Download SKU: IZ.BCMW163 Composed by Joseph Gregorio. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 76 pages. Imagine Music - Digital #BCMW163. Published by Imagine Music - Digital (IZ.BCMW163). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of therepertoire written in 1956. Music for Springtime is a not an homage to Barber's work but does reflect and touch uponsome of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by thecircumstances and timing of its composition: I wrote it in the year after I moved from California back to my nativePennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth andrejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.
$32.00
29.47 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Gregorio
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Rondo
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Imagine Music - Digital
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SheetMusicPlus
Music for Springtime
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind quintet - Digital Download SKU: IZ.CMW202 Composed by Joseph Gregorio. Sco…
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Woodwind quintet - Digital Download SKU: IZ.CMW202 Composed by Joseph Gregorio. Score and Parts. 135 pages. Imagine Music - Digital #CMW202. Published by Imagine Music - Digital (IZ.CMW202). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of the repertoire written in 1956. My work is a not an homage to Barber's, but does reflect and touch upon some of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by the circumstances and timing of its composition: I wrote it in the year after I moved from California back to my native Pennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth and rejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.
$42.00
38.67 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Gregorio
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Music for Springtime
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Imagine Music - Digital
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.15 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Satie: La Belle Excentrique - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. RayThompsonMusic #893257. Published by RayThompsonMusic (A0.1303701). Arranged standard wind quintet.Flute doubles on piccolo in the Ritournelle.La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Great fun to perform.
$29.95
27.58 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95
7.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique - Grand ritournelle - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,March. 11 pages. RayThompsonMusic #888706. Published by RayThompsonMusic (A0.1298857). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) (This one)2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$9.95
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 17 pages. RayThompsonMusic #892863. Published by RayThompsonMusic (A0.1303281). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye) (This one)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$14.95
13.77 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Orchard House
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.764890 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.764890 Composed by Thomas Newman. Arranged by Lori Archer Sutherland. Contemporary. 15 pages. Lori Archer Sutherland #3547505. Published by Lori Archer Sutherland (A0.764890). Travel back to Civil War-era Massachusetts with Thomas Newman’s gorgeous score for Little Women, arranged here for woodwind quintet. Suitable for recitals, weddings, and other events, and works very well paired with Valley of the Shadow (also available by this arranger).
$14.99
13.8 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Thomas Newman
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Lori Archer Sutherland
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Orchard House
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Lori Archer Sutherland
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SheetMusicPlus
Swan Lake
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1260044 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Glauco Fernandes. Chamber,Classical,Wedding. 11 pages. Glauco Fernandes #853282. Published by Glauco Fernandes (A0.1260044). Description: Sheet Music for Swan Lake Arrangement for Woodwind Quintet with Piano and Chord Notations - Classical Music for Special EventsIntroduce the beauty and elegance of classical music to your special event with our remarkable sheet music for the Swan Lake arrangement for woodwind quintet with piano and chord notations. This meticulously crafted score is ideal for musicians of all levels, from beginners to experienced professionals, providing a memorable musical experience.Composed by Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion. Whether it's a wedding, a refined reception, or a corporate event, this classical composition will captivate your audience and create a magical atmosphere.Our unique arrangement allows each instrument in the woodwind quintet, including flute, oboe, clarinet, bassoon, and French horn, to shine individually, while blending harmoniously to create a captivating performance. The addition of chord notations makes it easier to interpret the harmonies, enabling musicians of all backgrounds to join in the enchanting melodies.Obtain your copy of the Swan Lake sheet music for woodwind quintet with piano and chord notations now, and elevate the musical ambiance of your event. Whether you are a beginner seeking a delightful challenge or a seasoned professional searching for a standout classical piece, this arrangement is perfect for you. Seize the opportunity to perform one of the most beloved works of classical music, creating an unforgettable atmosphere for all attendees.Classical music for special events, ceremonies, and music enthusiasts. Be captivated by the allure of Swan Lake as its enchanting melodies intertwine with the harmonies of the woodwind quintet and piano, creating an enchanting experience for everyone to cherish.
$19.99
18.41 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Peter Ilyich Tchaikovsky
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Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion
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Glauco Fernandes
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Swan Lake
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Glauco Fernandes
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SheetMusicPlus
Bach Little Fugue in G Minor for Wind Quintet BWV 578
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796898 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796898 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. 26 pages. Stephanie Daige #6040559. Published by Stephanie Daige (A0.796898). This little fugue is one of Bach's most famous and beloved organ works. Reimagined for woodwind quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of this wind instruments, which obviously wasn't an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music recital, a church, or an online virtual concert. It would also work as prelude or lobby music. Duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for brass quintet and double reed ensemble. Please check out my other arrangements at: https://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
16.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Wind Quintet BWV 578
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Stephanie Daige
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SheetMusicPlus
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
16.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Nathaniel Dett
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Richard Decker
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Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
What Child Is This - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.773796 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.773796 Arranged by Anthony Giamanco. Christmas,Concert,Instructional,Sacred,Standards. 4 pages. Whole Tone Press #5371017. Published by Whole Tone Press (A0.773796). This arrangement of the beautiful 16th century English ballad, Greensleeves, now better-known as What Child Is This, is to be played smoothly, at a stately pace, two beats to the bar, with the sensation of rocking back-and-forth, like a pendulum swinging. Both amateur (intermediate) and professional players will especially enjoy the lush harmonies and the relative ease of mastering this work. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$6.25
5.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Anthony Giamanco
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What Child Is This - wind quintet
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Whole Tone Press
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
23.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
In My Life
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$17.95
16.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
A Windy Christmas for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796856 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796856 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,Traditional. 23 pages. Stephanie Daige #3243821. Published by Stephanie Daige (A0.796856). 2017 Holiday Contest EntryThis arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the Christmas season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. The medley begins triumphantly in the key of concert F Major, moves soulfully to the parallel minor, then finishes brightly back in F Major. Christmas carols featured are:· Joy to the World· Good King Wenceslas· We Wish You a Merry Christmas· Deck the Halls· God Rest Ye Merry Gentlemen· What Child is This?· Ding Dong Merrily on HighI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music concert, prelude to a choral performance/ carol sing-along, etc. It’s perfect for anywhere you want to lift people’s spirits with beautiful, familiar seasonal music. There are also versions of this medley (with different titles) available for string quartet, flute choir, clarinet choir, brass quintet, saxophone quartet, and piano.
$17.99
16.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Handel, Traditional
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Stephanie Daige
#
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A Windy Christmas for Woodwind Quintet
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Stephanie Daige
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SheetMusicPlus
Quintet 3 for winds
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786221 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786221 Composed by Bill Malcolm. 20th Century,Contemporary. 58 pages. Bill Malcolm #5869795. Published by Bill Malcolm (A0.786221). This quintet was a COVID-19 shelter-in-place project, although it has no intentional reference to the pandemic. It is a four movement work lasting about 14¾ minutes, written in a modern, but tonal, style.. Program notes are available from billmalcolm@verizon.net should you wish to program it, when performances before a live audience are back in vogue.
$20.00
18.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bill Malcolm
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Quintet 3 for winds
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Bill Malcolm
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SheetMusicPlus
Geometria
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
5.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
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