English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
7
Partitions
Numériques
9
Librairie
Musicale
15
Matériel
de Musique
9 265
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
846
PIANO & CLAVIERS
Instruments en Do
301
Piano seul
294
Piano, Voix
244
Piano Facile
137
Piano, Voix et Guitare
75
Orgue
14
Piano (partie séparée)
12
1 Piano, 4 mains
10
Accompagnement Piano
8
Piano grosses notes
3
2 Pianos, 8 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
Accordéon
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
93
Guitare (partie séparée)
25
Guitare
23
Guitare notes et tablatures
21
Basse electrique
16
Ukulele
11
Paroles et Accords
8
Banjo
2
Dulcimer
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
99
Chorale TTBB
32
Chorale 3 parties
29
Chorale SSAA
22
Voix duo, Piano
12
Chorale Unison
10
Chorale 2 parties
9
Voix Soprano, Piano
3
Voix basse, Piano
2
Voix seule
2
Voix Alto, Piano
1
Voix duo
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
134
Flûte, Hautbois, Clarinette, Basson
53
Flûte traversière
35
Saxophone Alto
34
Flûte à bec Soprano
33
Flûte à bec Alto, Piano
30
Clarinette
29
Hautbois (partie séparée)
24
Ensemble de Flûtes
20
Flûte traversière et Piano
19
Quatuor de Clarinettes: 4 clarinettes
15
Quatuor de Flûtes : 4 flûtes
11
Quatuor de Saxophones: 4 saxophones
11
Saxophone
10
2 Saxophones (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette (partie séparée)
9
Hautbois, Piano (duo)
8
Flute (partie séparée)
8
Saxophone Alto et Piano
7
Clarinette et Piano
7
Saxophone Tenor et Piano
6
3 Clarinettes (trio)
5
Saxophone Soprano et Piano
5
2 Clarinettes (duo)
5
Trio de Flûtes: 3 flûtes
5
Ensemble De Flûte à bec
5
Ocarina
5
2 Hautbois (duo)
4
Saxophone Baryton, Piano
4
2 Flûte à bec (duo)
4
Cor Anglais
4
Saxophone Tenor
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Clarinettes
3
Flûte et Guitare
2
Flute, harpe et violon
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette et Basson
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo
2
Flûte, Clarinette (duo)
2
Ensemble de saxophones
1
Cor anglais, Piano
1
Saxophone Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
1
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Piano
1
Hautbois
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
119
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette (partie séparée)
48
Trombone
38
Trompette
37
Tuba
33
Trompette, Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Cor
26
Euphonium, Piano (duo)
15
Trombone et Piano
10
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba (partie séparée)
7
Cor (partie séparée)
7
Tuba et Piano
7
Cor et Piano
6
Euphonium
6
2 Trompettes (duo)
6
2 Trombones (duo)
6
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
3 Trompettes (trio)
1
Euphonium (partie séparée)
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quintette à cordes: 2 violons, alto, violoncelle, basse
133
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon
51
Harpe
29
Violoncelle (partie séparée)
26
Contrebasse (partie séparée)
16
Alto seul
16
Violon et Piano
14
Trio à Cordes: violon, alto, violoncelle
14
Violoncelle
13
Alto (partie séparée)
13
Contre Basse
12
Alto, Piano
11
Violon (partie séparée)
10
Violon, Violoncelle (duo)
10
Violoncelle, Piano
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon, Alto (duo)
5
2 Violons (duo)
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
5 Harpes
2
Violon, Guitare (duo)
2
3 Harpes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2208
Orchestre à Cordes
98
Orchestre
45
Ensemble Jazz
39
Ensemble de cuivres
33
Fanfare
24
Orchestre de chambre
20
Batterie (partie séparée)
13
Jazz combo
8
Cloches
7
Batterie
5
Percussion (partie séparée)
2
Ensemble de Percussions
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentation Flexible
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
C.t.a.
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
9 partitions trouvées
<
1
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
16.17 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
#
Slide Ride
#
SheetMusicPlus
10 Transcriptions for woodwind instruments
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1475301 Composed by Bach, Haendel, Mozart, Donizetti and others. Arranged by Aurelio Scotto. Baroque,Chamber,Classical,Folk,Patriotic. 97 pages. Aurelio Scotto #1052844. Published by Aurelio Scotto (A0.1475301). E. P. Chédeville – BourréeJ. S. Bach - Jesus bleibet meine freude (from “Cantata BWV 147”)J. S. Bach - Pastoral Symphony (from “Christmas Oratorio”)G. F. Haendel - Pastoral Symphony (from “The Messiah”)T. A. Arne - Rule, Britannia!W. A. Mozart - Andante Cantabile (from “Piano Sonata K. 310”)G. Donizetti – March (from “L'elisir d'amore”)S. C. Foster – Swanee RiverS. A. Ward - America the beautifulTraditional - Auld lang syne
$4.99
4.61 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Haendel, Mozart, Donizetti and others
#
Aurelio Scotto
#
10 Transcriptions for woodwind instruments
#
Aurelio Scotto
#
SheetMusicPlus
The Elephant from the Carnival of the Animals (Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.818011 Composed by Camille Saint-Saens. Arranged by Matt Lax. Children,Romantic Period. 10 pages. Matthew Lax #3053967. Published by Matthew Lax (A0.818011). The Elephant from Saint-Saens Carnival of the Animals. A feature for bass clarinet accompanied by the rest of the wind quintet. Transposed to make it most suitable for the bass clarinet this arrangement tests the range of the bass both right down to low C# and into upper registers in the middle to give a striking contrast in tone. There are a couple of places where some bars may need to be taken up the octave if your bass clarinet doesn't go down to low C# but don't let this stop you - it will still sound great.The accompanying parts are straight forward and would suit an intermediate ensemble.Check out my other publications here:http://www.sheetmusicplus.com/publishers/matthew-lax/5267If you like my arrangement please let me know by submitting a review.Thank you.
$14.00
12.93 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Camille Saint-Saens
#
Matt Lax
#
The Elephant from the Carnival of the Animals
#
Matthew Lax
#
SheetMusicPlus
The Sound Of Silence
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1381506 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 17 pages. Benoît Barrail #966217. Published by Benoît Barrail (A0.1381506). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon) of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique à leur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor à vent (flûte traversière, hautbois, clarinette et basson) de cette chanson indémodable.
$14.99
13.85 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Simon And Garfunkel
#
Benoit BARRAIL
#
The Sound Of Silence
#
Benoît Barrail
#
SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.34 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Mike Lyons
#
Wind Quintet - One Rule
#
Lyons Music Services
#
SheetMusicPlus
Farnaby Suite
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.975865 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.975865 Composed by Giles Farnaby. Arranged by Derrick T. Lewis. Baroque,Renaissance. 39 pages. Derrick Thom. Lewis #3418359. Published by Derrick Thom. Lewis (A0.975865). A collection of three pieces by Giles Farnaby (end of 16th C.), drawn from the Fitzwilliam Virginal Book, a manuscript collection, housed in Cambridge University.1] A Maske2] A L. Zouaches Maske3] Loth to Depart.
$19.99
18.47 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Giles Farnaby
#
Derrick T
#
Farnaby Suite
#
Derrick Thom. Lewis
#
SheetMusicPlus
Sentimental Journey
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1466775 By Les Brown And His Orchestra. By Ben Homer, Bud Green, and Les Brown. Arranged by L.C. Harnsberger. 20th Century,Chamber,Jazz,Standards,Wedding. 13 pages. LCH Music #1045308. Published by LCH Music (A0.1466775). The timeless hit song Sentimental Journey was composed by Les Brown and Ben Homer, with lyrics by Bud Green. First published in 1944, it became a hit for Doris Day in 1945. Over the years, the song has been covered by countless recording artists, including Ella Fitzgerald, Booker T. & the M.G.'s, Ringo Starr, George Clinton and Parliament-Funkadelic, and Bob Dylan.This arrangement for woodwind quintet preserves the tranquil mood of the original song and provides interesting parts for every player, featuring tasty harmonies throughout. The piece builds to a rousing finish, making it enjoyable to play and to listen to. This arrangement is perfect for weddings, funerals, concerts, and recitals.
$16.99
15.7 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Les Brown And His Orchestra
#
L
#
the M
#
Sentimental Journey
#
LCH Music
#
SheetMusicPlus
St. Louis Blues - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.569033 Composed by W.C. Handy. Arranged by Thomas Graf. Blues,Jazz. 17 pages. Thomas Graf - the-hit-factory.com #3558705. Published by Thomas Graf - the-hit-factory.com (A0.569033). The first blues ever sucessfully published - a real must for your band book. Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N....
$14.99
13.85 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
W
#
Thomas Graf
#
St. Louis Blues - Wind Quintet
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
(+)
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.77 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bela Bartok (1881-1945)
#
Ray Thompson
#
Bartók: Rumanian Folk Dances Sz.56
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
