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Cor
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144
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Harpe
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20
Violon, Alto (duo)
19
Alto, Piano
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Trio à Cordes: 2 violons, violoncelle
13
Alto seul
8
Violoncelle, Contrebasse (duo)
7
2 Harpes (duo)
6
2 Violons (duo)
5
2 Violoncelles (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 2 violons, alto
3
Alto (partie séparée)
3
4 Violoncelles
3
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à cordes: 3 violins
1
Harpe, Voix
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Harpe et Piano
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2 Altos (duo)
1
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2 Contrebasses (duo)
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2 Violoncelles, Piano
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Ensemble d'Altos
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Alto, Violoncelle (duo)
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Orchestre à Cordes
116
Orchestre d'harmonie
58
Orchestre
26
Ensemble Jazz
16
Ensemble de cuivres
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Orchestre de chambre
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Jazz combo
6
Ensemble de Percussions
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Cloches
5
Fanfare
4
Batterie
4
Xylophone, Piano
4
Ensemble d'École
1
Percussion
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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Piano et Orchestre
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Marimba
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Xylophone
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Orchestre, Violon
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
16.03 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.9 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Top 5 Best Classic Marches for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet. Romantic Period, Eur…
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Composed by Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet. Romantic Period, European, Native American, Graduation, Patriotic. Score, Set of Parts. 105 pages. Published by Woods Only
This collection brings together 5 of the best marches in classical music, moving between triumphal, symphonic, sad and Christmas. Containing all levels of music, from beginners to professionals, they can be performed at various musical or ceremonial occasions or events.<br> <br> I. The Stars and Stripes Forever by J. Philip Sousa<br> This transcription was written preserving the essence and creativity of the original piece written for wind band, ideal for the 4th of July holiday and other patriotic celebrations, due to the fact that it is considered "the second national anthem of the United States". It can be played by intermediate students as well as teachers and music professionals on the occasions of recitals and concerts.<br> <br> II. March from The Nutcracker by Pyotr Tchaikovsky, Op. 71<br> <br> The exciting march of the Nutcracker that warms up the Christmas festivities in a version for wood quintet that preserves the essence of the original version. It can be played by experienced and professional students, not recommended for beginners, mentioned above, it can be played at Christmas or recitals and concerts.<br> <br> III. The Funeral March from Piano Sonata No. 2 by Frédéric Chopin, Op. 35<br> <br> Beautiful and haunting, memorable music by Chopin in an original and authentic version for wood quintet, ideal for funeral and memorial services for relatives, friends or near loved ones. It can be performed by music beginners or professionals in the area, where it can be used in recitals or professional or academic concerts.<br> <br> IV. Military March No. 1 from 3 Marches Militaires by Franz Schubert, Op. 51<br> <br> Schubert's fun march in this version for wood quintet where it preserves the original essence of the work, can be played by intermediate and professional students. It is fully recommended for public, famous and military performances; not only, but also in concert halls.<br> <br> V. Marche des contrebandiers "Écoute, compagnon" from Carmen by Georges Bizet<br> <br> The "Marche des Contrebandiers" or "Écoute, compagnon" (Smugglers' March) is the first movement of suite no. 2 of the opera Carmen. This version made for woodwind quintet preserves the essence of the original work, where it can be played by intermediate students and professional teachers. It is recommended for recitals and academic or professional concerts.This collection brings together 5 of the best marches in classical music, moving between triumphal, symphonic, sad and Christmas. Containing all levels of music, from beginners to professionals, they can be performed at various musical or ceremonial occasions or events.<br> <br> I. The Stars and Stripes Forever by J. Philip Sousa<br> This transcription was written preserving the essence and creativity of the original piece written for wind band, ideal for the 4th of July holiday and other patriotic celebrations, due to the fact that it is considered "the second national anthem of the United States". It can be played by intermediate students as well as teachers and music professionals on the occasions of recitals and concerts.<br> <br> II. March from The Nutcracker by Pyotr Tchaikovsky, Op. 71<br> <br> The exciting march of the Nutcracker that warms up the Christmas festivities in a version for wood quintet that preserves the essence of the original version. It can be played by experienced and professional students, not recommended for beginners, mentioned above, it can be played at Christmas or recitals and concerts.<br> <br> III. The Funeral March from Piano Sonata No. 2 by Frédéric Chopin, Op. 35<br> <br> Beautiful and haunting, memorable music by Chopin in an original and authentic version for wood quintet, ideal for funeral and memorial services for relatives, friends or near loved ones. It can be performed by music beginners or professionals in the area, where it can be used in recitals or professional or academic concerts.<br> <br> IV. Military March No. 1 from 3 Marches Militaires by Franz Schubert, Op. 51<br> <br> Schubert's fun march in this version for wood quintet where it preserves the original essence of the work, can be played by intermediate and professional students. It is fully recommended for public, famous and military performances; not only, but also in concert halls.<br> <br> V. Marche des contrebandiers "Écoute, compagnon" from Carmen by Georges Bizet<br> <br> The "Marche des Contrebandiers" or "Écoute, compagnon" (Smugglers' March) is the first movement of suite no. 2 of the opera Carmen. This version made for woodwind quintet preserves the essence of the original work, where it can be played by intermediate students and professional teachers. It is recommended for recitals and academic or professional concerts.
$42.99
39.39 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet
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Top 5 Best Classic Marches for Woodwind Quintet
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.11 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Woodwind Quintet - 1 Flute, 1 Oboe, ...)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #851170. Published by Regis Bookshar (A0.1257934). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Woodwind Quintet (1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn, 1 Bassoon) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Littel Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.49 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Yesterday
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271201 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards,Wedding. 9 pages. RayThompsonMusic #863596. Published by RayThompsonMusic (A0.1271201). Arranged standard wind quintetYesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) first released on the album Help! in the United Kingdom in August 1965.Yesterday, with the B-side Act Naturally, was released as a single in the United States in September 1965. While it topped the American chart in October the song also hit the British top 10 in a cover version by Matt Monro.The song also appeared on the UK EP Yesterday in March 1966 and the Beatles' US album Yesterday and Today released in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today with more than 2,200 cover versions and is one of the most covered songs in the history of recorded music.My arrangement differs from others you may find.Rather than giving the tune to one player, I have given it in turn to oboe, horn, flute and tutti.The flute enters after the 1st verse.The accompaning parts are not simply block chords, but are varied and full of interest to each player.The chorus section is treat as a chorale, with all the players playing.This is the wind quintet version you need!
$19.95
18.28 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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Yesterday
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RayThompsonMusic
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SheetMusicPlus
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