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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Canon in F
Non classifié
99
Piano & claviers
Piano seul
14
Piano Facile
6
Orgue
5
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Instrument seul et Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
Voix
Chorale SATB
5
Chorale 2 parties
2
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1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Clarinette (duo)
3
Saxophone Alto et Piano
3
2 Flûtes traversières (duo)
3
Clarinette
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Flûte traversière et Piano
2
3 Saxophones (trio)
1
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1
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1
Ensemble de Clarinettes
1
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1
Hautbois (partie séparée)
1
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1
Flûte traversière
1
Clarinette et Piano
1
2 Saxophones (duo)
1
Hautbois, Flûte
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Piano (duo)
1
2 Hautbois (duo)
1
Flûte traversière, Orchestre
1
2 Flûte à bec (duo)
1
+ 20 instrumentations
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Cuivres
Cor et Piano
16
2 Cors (duo)
9
Cor
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres
3
Trompette, Cor (duo)
2
2 Cors, Piano
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
2 Trompettes (duo)
1
3 Cors (trio)
1
Cor et Orgue
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
Cor, Tuba (duo)
1
Cor et Harpe
1
2 Trombones (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Piano
1
Trompette
1
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon
4
2 Harpes (duo)
3
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
2
2 Violons (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes
2
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
2 Altos (duo)
1
Violon, Guitare (duo)
1
Violon, Violoncelle (duo)
1
2 Violons, Piano
1
Harpe
1
Violoncelle
1
Quatuor à cordes: 4 violons
1
Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Alto (partie séparée)
1
+ 18 instrumentations
Retracter
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Ensemble de cuivres
8
Orchestre d'harmonie
7
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3
Orchestre à Cordes
2
Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Canon in F
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
7 partitions trouvées
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Canon in D (Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.523525 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Classical,Romantic Period...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.523525 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Classical,Romantic Period,Wedding. 22 pages. John A. Dempsey #3514695. Published by John A. Dempsey (A0.523525). A celebrated Baroque work, Pachelbel's Canon in D radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. Â A favorite for recitals, concerts and especially weddings (as a prelude, a a bridal march, a bridesmaid processional or unity candle music), this peaceful woodwind quintet for flute, oboe, Bb clarinet, horn in F and bassoon also makes a moving prelude, postlude, silent prayer accompaniment, an interlude or offertory for traditional church services and other worship events. Â Concert Key: F major. Â 18 pages of music (that includes the score and separate two-page parts for each instrument).
$12.99
TACO BELL CANON IN D# (Eb) - Woodwind Quintet/Quartet - Bossa Nova
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
#
Johann Pachelbel
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Dennis Ruello
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TACO BELL CANON IN D#
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734263 Composed by Johann Pachelbel. Arranged by Dennis Ruello. Baroque,Christmas,Contemporary,La...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.734263 Composed by Johann Pachelbel. Arranged by Dennis Ruello. Baroque,Christmas,Contemporary,Latin,Wedding. 20 pages. Chicory Music #1767885. Published by Chicory Music (A0.734263). TACO BELL CANON IN D# (Eb) is a woodwind quintet or optional quartet based on Johann Pachelbel's famous Canon in D. Arranged as a bossa nova in the woodwind friendly key of Eb concert. Parts included are: Full Score, Flute, Oboe, Clarinet, Horn in F (optional), Bassoon, with optional Acoustic Bass and Drum Set parts. Please forward any questions or comments to : druello@cox.net
$11.99
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
Pachelbel - Canon in D Major (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Classique
#
Johann Pachelbel
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Pachelbel - Canon in D Major
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Johann Pachelbel (1653-1706) and Johann Pachelbel (1653-1706). Arranged by Kenneth Abeling and Kenneth Abeling. Baroque Period, Sacred, Wedding, Fun...
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Composed by Johann Pachelbel (1653-1706) and Johann Pachelbel (1653-1706). Arranged by Kenneth Abeling and Kenneth Abeling. Baroque Period, Sacred, Wedding, Funeral. Score, Set of Parts. 16 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.167869). - Score,Set of Parts - Baroque Period,Sacred,Wedding,Funeral - LINCOLN MUSIC PUBLICATIONS
$12.00
Pachelbel: Canon In D (arranged wind quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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J Pachelbel
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Ray Thompson
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Pachelbel: Canon In D
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RayThompsonMus
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SheetMusicPlus
Composed by J Pachelbel. Arranged by Ray Thompson. For Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Woodwind Ensemble, Horn in F. Classical Period, Early M...
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Composed by J Pachelbel. Arranged by Ray Thompson. For Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Woodwind Ensemble, Horn in F. Classical Period, Early Music, Sacred, Wedding, Birthday. Intermediate. Score, Set of Parts. Published by RayThompsonMus
$14.95
Geometria
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
Oelflecke auf dem Wasser [woodwind quintet]
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [wood
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00
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