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AUTOHARPE
BANJO
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Dialog I
Non classifié
46
Piano & claviers
Orgue
17
Piano seul
14
Piano, Voix et Guitare
5
Piano, Voix
4
Instruments en Do
2
Guitares
Guitare
4
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1
Voix
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7
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2
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1
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1
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1
Chorale Unison
1
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1
Chorale TTBB
1
Chorale SSAA
1
Chorale SSAATTBB
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto et Piano
4
Clarinette et Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Ensemble de Clarinettes
2
Hautbois, Basson (duo)
2
Ensemble de Flûtes
2
Flûte traversière
2
Hautbois, Piano (duo)
2
Flûte à Bec
2
Saxophone Soprano et Piano
2
Saxophone Alto
2
Flûte, Violon
1
Clarinette
1
3 Clarinettes (trio)
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Flûte traversière, Orgue (duo)
1
Clarinette et Alto
1
Flute (partie séparée)
1
+ 17 instrumentations
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Cuivres
Euphonium, Piano (duo)
4
Trombone et Piano
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette (partie séparée)
1
Trombone, Tuba (duo)
1
Euphonium
1
Trombone
1
Cor et Piano
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 6 instrumentations
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Cordes
Trio à Cordes: violon, alto, violoncelle
5
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violoncelle, Piano
3
Violon et Piano
3
Alto, Piano
3
Violon
2
Violoncelle
2
Harpe
2
2 Violons (duo)
1
Alto seul
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Alto et Harpe
1
2 Contrebasses (duo)
1
Violon, Violoncelle (duo)
1
+ 10 instrumentations
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Ensemble de cuivres
3
Orchestre
3
Percussion (partie séparée)
2
Orchestre d'harmonie
2
Xylophone, Piano
2
Ensemble Jazz
1
Ensemble de Percussions
1
Orchestre de chambre
1
Orchestre à Cordes
1
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Dialog I
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
4 partitions trouvées
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1
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Recondita armonia - Tosca
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Vittorio Tamburrano
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Vittorio Tamburrano
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Recondita armonia - Tosca
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Vittorio Tamburrano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by Vittorio Tamburrano. 20th Century,Classical,Opera. 12 pages. Vittorio Tamburrano #1067700. Published by Vittorio Tamburrano (A0.1490915). IntroduzioneLa trascrizione per quintetto di fiati di Recondita armonia, una delle arie più iconiche dell'opera Tosca di Giacomo Puccini, è concepita per mantenere l'intensità emotiva e la bellezza melodica dell'originale, adattandola a una formazione cameristica che possa esprimere al meglio le sfumature timbriche e dinamiche del brano.Struttura e AdattamentoLa trascrizione è stata realizzata per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento svolge un ruolo specifico nel ricreare la ricchezza orchestrale dell'originale, pur rimanendo fedele alla scrittura vocale e orchestrale di Puccini.- Flauto: Il flauto è stato scelto per riprodurre le linee melodiche più alte e leggere, spesso simili a quelle del violino nella versione orchestrale. La sua brillantezza e agilità permettono di mantenere la chiarezza e la dolcezza della melodia principale.- Oboe: L'oboe, con il suo timbro caldo e penetrante, ricrea l'espressività e l'intensità della voce di Cavaradossi, catturando le sfumature emotive della melodia principale. La sua capacità di sostenere note lunghe e di modulare il vibrato è essenziale per trasmettere il lirismo dell'aria.- Clarinetto: Il clarinetto fornisce un supporto armonico ricco e flessibile, spesso accompagnando la melodia con contrappunti sottili e intermezzi melodici. La sua estensione e dinamica lo rendono perfetto per passare dalle tonalità più gravi a quelle più acute, aggiungendo profondità alla trascrizione.- Fagotto: Il fagotto sostiene la struttura armonica con il suo timbro profondo e caldo, riproducendo le linee del basso continuo. Inoltre, è impiegato per sottolineare i momenti più drammatici e le modulazioni, aggiungendo gravità e intensità al quintetto.- Corno: Il corno, con la sua capacità di esprimere potenza e delicatezza, è utilizzato per ricreare i momenti di tensione e rilascio presenti nell'originale orchestrale. Il suo ruolo è fondamentale per evocare l'atmosfera maestosa e romantica dell'aria.Considerazioni Timbriche e DinamicheL'adattamento per quintetto di fiati tiene conto delle caratteristiche timbriche degli strumenti, creando un equilibrio sonoro che permette di mantenere l'espressività e la ricchezza dinamica dell'aria originale. Le dinamiche sono attentamente calibrate per ricreare i crescendo e diminuendo che caratterizzano l'intensità dell'aria, mentre l'articolazione è stata adattata per sfruttare al meglio le capacità espressive di ciascun strumento.Sfide e SoluzioniUna delle principali sfide nel trascrivere Recondita armonia per quintetto di fiati è stata quella di preservare l'ampiezza orchestrale e la potenza espressiva della melodia vocale. Per raggiungere questo obiettivo, ho utilizzato una scrittura contrappuntistica che permette ai vari strumenti di dialogare tra loro, ricreando l'interazione tra voce solista e orchestra presente nell'originale.ConclusioneQuesta trascrizione per quintetto di fiati di Recondita armonia riesce a mantenere la forza drammatica e l'intensità emotiva dell'originale, offrendo una nuova prospettiva su un capolavoro dell'opera lirica. Il risultato è un arrangiamento che rispetta la grandezza della musica di Puccini, permettendo a un ensemble da camera di esplorare e esprimere le sfumature di uno dei momenti più emozionanti di Tosca.
$10.00
Egomia, for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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Egomia, for Woodwind Quintet
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday. It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual. It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
$20.00
Brindisi from La Traviata
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Darrell Goforth
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Brindisi from La Traviata
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Darrell Harrison Goforth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1230465 Composed by Giuseppe Verdi. Arranged by Darrell Goforth....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1230465 Composed by Giuseppe Verdi. Arranged by Darrell Goforth. Chamber,Classical,Opera. 22 pages. Darrell Harrison Goforth #826167. Published by Darrell Harrison Goforth (A0.1230465). Brindisi, The Drinking Song, from La Traviata is arranged for woodwind quintet. I have set this as a dialogue between the horn and flute.. I have taken a few liberties with the original harmonies since, without the libretto, it does becoome a little repetitive. It is a quick, light piece that I think you will enjoy playing.As always, any comments or questions are always welcome at dgoforth2@comcast.netLike me on Facebook at facebook.com/goforthmusic andVisit my YouTube channel at youtube.com/user/dgoforth2.
$23.99
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Dialog I
