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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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HARPE
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Ligne De Mélodie, (Paroles) et Accords
84
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25
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65
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14
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1
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VENTS
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28
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8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
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7
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5
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5
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4
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4
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3
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3
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7
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2 Euphoniums et 2 Tubas
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Cor
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
25
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7
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5
Harpe
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Violon, Violoncelle (duo)
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2 Violons (duo)
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Trio à Cordes: violon, alto, violoncelle
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2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
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Alto seul
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2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
65
Ensemble Jazz
30
Jazz combo
27
Ensemble de cuivres
13
Orchestre à Cordes
12
Orchestre
9
Cloches
6
Orchestre de chambre
6
Ensemble de Percussions
4
Fanfare
2
Batterie
2
Batterie (partie séparée)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
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AUTRES
Vous avez sélectionné:
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
7 partitions trouvées
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Beethoven: Piano Sonata No.4 in Eb Op.7 Mvt.I Allegro - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553225 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 26 pages. RayThompsonMusic #19997. Published by RayThompsonMusic (A0.553225). I have set the tempo at 92 rather than 126. It still sounds lively enough. Written for natural horn in Eb. I have omitted the semiquaver passages 32 in total, as they didn't sit well for the instrumentation. There is no loss in the musicality of the movement.
$9.95
9.06 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.4 in Eb Op.7 Mvt.I Allegro - wind quintet
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RayThompsonMusic
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SheetMusicPlus
The First Cut Is The Deepest
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1284896 By Rod Stewart. By Cat Stevens. Arranged by Spencer Bundy. 20th Century,Pop. 14 pages. Spencer Bundy #876077. Published by Spencer Bundy (A0.1284896). Although the song was composed earlier, Cat Stevens didn't release his own version of the song until his second album, New Masters in 1967. The song has been covered successfully many times including Rod Stewart in 1977 and Sheryl Crow in 2003. Still popular, this tune will be enjoyed by audiences everywhere.
$12.99
11.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Rod Stewart
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Spencer Bundy
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The First Cut Is The Deepest
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Spencer Bundy
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SheetMusicPlus
This Is The Moment
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1300819 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Spencer Bundy. 20th Century,Broadway,Musical/Show. 17 pages. Spencer Bundy #890517. Published by Spencer Bundy (A0.1300819). Probably the best known song from the musical, 'Jekyll & Hyde'. The show started it's first tour in America in 1990 and didn't make it to Broadway until 1997. The first U.K tour was 2004.
$12.99
11.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frank Wildhorn and Leslie Bricusse
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Spencer Bundy
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Hyde'
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This Is The Moment
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Spencer Bundy
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SheetMusicPlus
Andante and Menuetto from String Symphony 7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.786097 Composed by Felix Bartholdy Mendelssohn. Arranged by Bill Malcolm. Romantic Period. Score and parts. 30 pages. Bill Malcolm #2930797. Published by Bill Malcolm (A0.786097). These are the two middle movements of String Symphony 7. The first and final movements are published separately. The sound clip is from mm. 23-40 of the Andante and the mm. 1-32 of the Menuetto (which has more of a scherzo feel than a minuet). The trio of the Menuetto is frequently taken at a faster tempo, even though Mendelssohn didn't so indicate.
$15.00
13.66 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Bill Malcolm
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Andante and Menuetto from String Symphony 7
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Bill Malcolm
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SheetMusicPlus
Does Anybody Really Know What Time It Is?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.833865 By C…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumfort Publishing #6448459. Published by Kreechur Kumfort Publishing (A0.833865). Does Anybody Really Know What Time It Is? is a song that was included on Chicago's 1969 debut album Chicago Transit Authority and released as a single in 1970. According to composer Robert Lamm, it was the first song recorded for the album. The song was not released as a single until two tracks from the band's second album, Make Me Smile and 25 or 6 to 4, had become hits. It reached No. 7 in the U.S. and No. 2 in Canada. Said Lamm: [It's] not a complicated song, but it’s certainly a quirky song. But that was my intent. I wanted to write something that wasn’t ordinary, that wasn’t blues-based, that didn’t have ice cream changes, and would allow the horns to shine and give Lee Loughnane a solo. This arrangement is for saxophone quintet (soprano, alto, two tenors, and baritone) and the melody is passed around the ensemble a bit. The arrangement is suitable for intermediate level players.
$15.00
13.66 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Chicago
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Michael Compton
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Does Anybody Really Know What Time It Is?
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Kreechur Kumfort Publishing
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SheetMusicPlus
Passacaglia and Fugue in c minor BWV 582 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.747431 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque,Wedding. Score and parts. 27 pages. Darrell Harrison Goforth #6637809. Published by Darrell Harrison Goforth (A0.747431). Bach didn't just write music for organ, but his organ music is some of his finest work. The Passacaglia and Fugue in c minor (BWV 582) is an example of some of his finest work.
$24.99
22.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Darrell Goforth
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Passacaglia and Fugue in c minor BWV 582 for Woodwind Quintet
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Darrell Harrison Goforth
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
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