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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ellis
Non classifié
601
Piano & claviers
Piano seul
824
Piano, Voix
93
Piano, Voix et Guitare
81
Piano Facile
66
Instruments en Do
39
Orgue
37
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
2
Accordéon
2
Piano (partie séparée)
2
2 Orgues (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
59
Ligne De Mélodie, (Paroles) et Accords
27
Guitare
24
Dulcimer
14
Basse electrique
9
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
Ukulele
4
Paroles et Accords
3
Basse électrique (partie séparée)
2
2 Guitares (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Mandoline
1
Banjo
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
122
Chorale 3 parties
46
Chorale TTBB
25
Chorale 2 parties
22
Chorale SSAA
20
Voix duo, Piano
11
Voix seule
10
Voix haute
10
Pack Instrumental pour Chorale
9
Chorale
7
Voix duo
4
Voix basse
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Chorale Unison
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
58
Clarinette et Piano
44
2 Saxophones (duo)
40
Hautbois, Piano (duo)
31
Saxophone Tenor et Piano
28
Saxophone Alto et Piano
26
Quatuor de Saxophones: 4 saxophones
23
Saxophone (partie séparée)
22
Flûte et Guitare
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte traversière
18
Flûte, Hautbois, Clarinette, Basson
17
Saxophone Soprano et Piano
15
Clarinette
14
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
10
Clarinette, Violoncelle (duo)
8
Saxophone Tenor
8
Flûte, Violoncelle
7
3 Saxophones (trio)
7
Ensemble de Clarinettes
7
Hautbois, Basson (duo)
6
Saxophone Baryton, Piano
6
Flûte, Clarinette, Piano (trio)
6
3 Clarinettes (trio)
6
Hautbois
6
Flute (partie séparée)
6
Hautbois, Violoncelle
5
2 Clarinettes, Piano
5
2 Clarinettes (duo)
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette et Basson
5
2 Flûtes traversières, Piano
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Violon (duo)
4
Flûte, Alto et Piano
4
Flûte, trombone et piano
4
Hautbois (partie séparée)
4
2 Flûtes traversières (duo)
4
Cor anglais, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violon et Violoncelle
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Instruments en Mib
2
Piccolo
2
Clarinette (partie séparée)
2
Flûte, Violon
2
Clarinette, Basson (duo)
2
Clarinette, Guitare (duo)
1
Clarinette, Saxophone, Piano
1
Ocarina
1
Quintette de Clarinettes: 5 clarinettes
1
3 Flûtes à bec (trio)
1
Saxophone Baryton
1
2 Flûtes, Basse continue
1
Saxophone Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
Clarinette Basse, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Trombone (duo)
1
Flûte traversière, Basse continue
1
Saxophone et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle, Guitare
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 69 instrumentations
Retracter
Cuivres
Trombone et Piano
31
Trompette, Piano
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette (partie séparée)
17
Cor et Piano
14
Trombone (partie séparée)
14
Trompette
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
10
Trombone
8
Cor (partie séparée)
8
2 Trompettes (duo)
7
Trompette, Saxophone (duo)
7
Cor
7
Tuba et Piano
6
Tuba (partie séparée)
6
Trompette, Violoncelle (duo)
5
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium
4
Quatuor de cuivres: 4 trombones
4
Cor anglais, Piano
3
Bass Clef Instruments
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
Instruments en Sib
2
Euphonium, Piano (duo)
2
Ensemble de Cors
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
370
Violoncelle
325
Violoncelle, Piano
277
Violon, Violoncelle (duo)
176
2 Violoncelles (duo)
103
Trio à Cordes: 2 violons, violoncelle
81
Violon et Piano
79
Violon
73
Trio à Cordes: violon, alto, violoncelle
52
Alto, Piano
45
4 Violoncelles
42
Violon, Alto (duo)
22
Alto seul
22
Trio à Cordes: 3 violoncelles
16
Harpe
15
Violon, Guitare (duo)
14
2 Violons (duo)
11
2 Altos (duo)
10
Violoncelle , Guitare (duo)
7
Ensemble de Violoncelles
6
Alto, Violoncelle (duo)
6
Violon (partie séparée)
5
Alto (partie séparée)
5
Flûte, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Violoncelle, Orchestre
5
Violoncelle, Orgue
5
Violoncelle, Contrebasse (duo)
4
Contrebasse (partie séparée)
4
Contre Basse
4
Violoncelle, Basse continue
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violoncelles, Piano
3
Quatuor à cordes: 4 violons
3
Violon, Basson (duo)
3
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
Trio à cordes
1
Ensemble de Violons
1
Ensemble d'Altos
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Alto et Basson
1
Alto et Harpe
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
99
Orchestre à Cordes
76
Ensemble Jazz
48
Cloches
26
Orchestre
23
Fanfare
14
Batterie
13
Ensemble de cuivres
13
Orchestre de chambre
12
Batterie (partie séparée)
8
Percussion (partie séparée)
2
Jazz combo
2
Marimba, Piano (duo)
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Ellis
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
21 partitions trouvées
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1
Iris Rag (E. Ephraim) - woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Ellis Ephraim
#
C
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Iris Rag
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Carrie Burdzinski
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892010 Composed by Ellis Ephraim. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditiona...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.892010 Composed by Ellis Ephraim. Arranged by C. Burdzinski. 20th Century,Folk,Ragtime,Traditional. 10 pages. Carrie Burdzinski #3478647. Published by Carrie Burdzinski (A0.892010). This is a fun, march-style rag written by Ellis R. Ephraim in 1900. This woodwind quintet arrangement features all five instruments with special emphasis on the French horn and bassoon, which are all too often neglected. The French horn takes the main theme, followed by bassoon, oboe, and then a return to French horn. All instruments have a chance to play the upbeats and downbeats in the background. Due to the high range for the horn part, this piece is recommended for advanced players. Run time is approximately 2:20. Sheet music includes conductor's score plus individual parts for flute, oboe, Bb clarinet, French horn, and bassoon.2018 Chamber Music Contest Entry
$6.99
All My Praise
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Musique Sacrée
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Christian contemporain
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Benji Cowart, Mac Montgomery,
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Jeff Tincher
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All My Praise
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1222818 Composed by Benji Cowart, Mac Montgomery, and Ryan Ellis. Arr...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1222818 Composed by Benji Cowart, Mac Montgomery, and Ryan Ellis. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 22 pages. Jeff Tincher #819059. Published by Jeff Tincher (A0.1222818). If there was an artist that is so much better live, it is Ryan Ellis. This arrangement, in the original key, is taken from the Official Live Video version of this single. This version has some really nice complicated chords. It is so soulful !!! Duration = 3:37. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Royal Garden Blues for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Clarence Williams and Spencer
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L
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Royal Garden Blues for Woodwin
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LCH Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1493246 Composed by Clarence Williams and Spencer Williams. Arranged by L.C. Harnsberger. Blues,C...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1493246 Composed by Clarence Williams and Spencer Williams. Arranged by L.C. Harnsberger. Blues,Chamber,Historic,Jazz,Standards. 26 pages. LCH Music #1069899. Published by LCH Music (A0.1493246). “Royal Garden Blues” was written by Clarence and Spencer Williams in 1919, and first became a hit in 1921 when it was recorded by The Original Dixieland Jazz Band. It is considered the first popular song to be based on a riff (a repetitive short rhythmic phrase) and is now a jazz standard.This timeless blues song has since been performed by bands led by Louis Armstrong, Count Basie, Tommy Dorsey, Duke Ellington, Benny Goodman, and Al Hirt; blues artists Mamie Smith, Ethel Waters, and Ella Fitzgerald; legendary performers Bix Beiderbecke, Sidney Bechet, Pete Fountain, Django Reinhardt, Art Tatum; and more recently by Chet Atkins, Herb Ellis, Branford Marsalis, and the Canadian Brass. This woodwind quintet arrangement is based on the upbeat recording by pianist Cliff Jackson, giving it an unmistakable 1940s stride feel with relentless rhythm and colorful harmonies. Each player has interesting parts, making it enjoyable for both performers and the audience. This fun and exhilarating piece is perfect for any concert.
$16.99
We're Marching To Zion
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Folklorique/Traditionel
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Robert Lowry
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We're Marching To Zion
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Woodwind Quintet - Grade 3 - SKU: DX.130513 Composed by Robert Lowry. Traditional. Sacred instrumental music. Score and parts. 18 pages. David E. Smith ...
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Woodwind Quintet - Grade 3 - SKU: DX.130513 Composed by Robert Lowry. Traditional. Sacred instrumental music. Score and parts. 18 pages. David E. Smith - Digital Sheet Music #130513. Published by David E. Smith - Digital Sheet Music (DX.130513). A traditional woodwind quintet with opt. Alto sax and bass clarinet parts. The pieces is constantly effervescent with delightful embellishing devices. The ending section is slower and expressive exhibiting a sense of confidence.Key of Ab, Bb, Eb.
$11.00
The Mysterious Barricades for Flute Choir or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Francois Couperin
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Barbara A
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The Mysterious Barricades for
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Barbara A Eberhart
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.886263 Composed by Francois Couperin. Arranged by Barbara A. Eberhart. Baroque. 12 pages. Barbara...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.886263 Composed by Francois Couperin. Arranged by Barbara A. Eberhart. Baroque. 12 pages. Barbara A Eberhart #2988873. Published by Barbara A Eberhart (A0.886263). The Mysterious Barricades by François Couperin was written in 1717 for harpsichord. This arrangement is in 5 parts for Flute 1, Flute 2, Alto, Bass and Contrabass Flutes. The piece is in the Style Brisé of the French Baroque. The music is syncopated and the melodic line ambiguous. With arranging this work for flute ensemble the character of the piece is changed through the flutes’ ability to sustain notes. It enables a darker more blended tone enhancing the sense of mystery of this unusual piece. The typical Baroque embellishments were purposefully omitted; however performers should feel free to add stylistic embellishments.
$15.95
Ball-Room Echoes
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Ernest Gillet
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Larry Wesley
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Ball-Room Echoes
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Larry Wesley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.973146 Composed by Ernest Gillet. Arranged by Larry Wesley. Concert,Romantic Period,Standards,Wor...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.973146 Composed by Ernest Gillet. Arranged by Larry Wesley. Concert,Romantic Period,Standards,World. 25 pages. Larry Wesley #5289653. Published by Larry Wesley (A0.973146). French composer & cellist who composed his Loin du Bal in 1888.Inquires & Feedback at: WesleyStudio80@gmail.com
$5.00
Can Can from Orpheus in the Underworld for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Jacques Offenbach
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James Haynor
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Can Can from Orpheus in the Un
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782452 Composed by Jacques Offenbach. Arranged by James Haynor. Romantic Period. Sco...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782452 Composed by Jacques Offenbach. Arranged by James Haynor. Romantic Period. Score and parts. 10 pages. James Haynor #6622233. Published by James Haynor (A0.782452). Jacques Offenbach was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. Scored here for woodwind quintet, Can Can ( from Orpheus in the Underworld ) would make a great encore for your next concert or recital. ( Duration 1:12 )
$10.00
Finale from Serenade set for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Victor Herbert
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John Gibson
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The piece is 4:00 long.
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Finale from Serenade set for W
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.582191 Composed by Victor Herbert. Arranged by John Gibson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.582191 Composed by Victor Herbert. Arranged by John Gibson. 20th Century,Romantic Period. 48 pages. JB Linear #6324227. Published by JB Linear (A0.582191). This is the last movement of Victor Herbert's Serenade Op. 12 (1884), set for woodwind quintet by John Gibson. Herbert had a fruitful career both as a cellist and composer of light music, such as his still popular operettas, Babes in Toyland and Naughty Marietta. His music is fun and well crafted and always audience pleasers. The piece is 4:00 long.
$16.75
Eternal Father, Strong to Save
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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John Bacchus Dykes
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David D
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Eternal Father, Strong to Save
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David D Mason
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.769685 Composed by John Bacchus Dykes. Arranged by David D. Mason. Christian,Holiday,Patriotic,Sa...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.769685 Composed by John Bacchus Dykes. Arranged by David D. Mason. Christian,Holiday,Patriotic,Sacred. 11 pages. David D Mason #3530223. Published by David D Mason (A0.769685). This Woodwind Quintet has embellishments third and fourth verses and I would place it at intermediate standard.
$6.99
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Turkey in the Straw
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Justin Laukat
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Turkey in the Straw
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Justin W Laukat
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.972822 Arranged by Justin Laukat. Children,Folk,Jazz. Score and parts. 13 pages. Jus...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.972822 Arranged by Justin Laukat. Children,Folk,Jazz. Score and parts. 13 pages. Justin W Laukat #3620281. Published by Justin W Laukat (A0.972822). A great tune for outdoor events when you need to pull out something everyone knows and can dance to! This arrangement imitates fiddles as they battle back and forth between the melody showing off their own embellishments. Scored for wind quintet (fl, ob, cl, hn, bn).
$7.99
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Carhorn Minuet Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gary Friedman
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Carhorn Minuet Wind Quintet
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Gary Friedman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.889894 Composed by Gary Friedman. Contemporary. 9 pages. Gary Friedman #566729. Published by Gary...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.889894 Composed by Gary Friedman. Contemporary. 9 pages. Gary Friedman #566729. Published by Gary Friedman (A0.889894). A lighthearted, lively wind quintet in the form of a minuet with two trios. The rhythm is somewhat challenging, The car-horn is heard just twice in the minuet, first with clarinet and horn, and second with oboe and clarinet--little embellishments, not obnoxious. Duration 6 minutes if the standard minuet road map is followed.
$10.00
My Love She's But a Lassie Yet (Burns) for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Scottish Traditional
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Hugh Levey
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My Love She's But a Lassie Yet
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Iris...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. 24 pages. Woodwindly.com #6493483. Published by woodwindly.com (A0.937284). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) Duration 2 minutes 35 seconds. 23 Pages This is a fun set of variations on Robert Burns' My Love She's But a Lassie Yet) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland.Although Burns wrote the words of the song, he probably set them to a variation of an existing tune called Lady Badinscoth's Reel. This lively arrangement for Wind Quintet starts off with a stately ‘classical’ arrangement of My Love She’s But a Lassie Yet, but as it develops the tune combines with another traditional melody, followed by some operatic quotations, and even a five part fugue. It ends with an embellished restatement of the opening. It is great fun for all players. Â
$13.00
Sweet Child O' Mine
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Metal/Hard Rock
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Rock
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Guns N' Roses
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Sweet Child O' Mine
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Wayne Neilson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.868290 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. A...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.868290 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Wayne Neilson (APRA/AMCOS/MAGA). Metal,Rock. 34 pages. Wayne Neilson #3530419. Published by Wayne Neilson (A0.868290). Expect the unexpected. This arrangement is a driving and energetic rendition of the Guns N' Roses original. Material is treated true to the original with energy, excitement, and rhythmic vitality. An exciting piece to play. Whilst the material is classed advanced intermediate, the Solo material is virtuosic and advanced. Various articulations help to emulate the driving rock sound typical of Guns N' Roses. The main melodic and harmonic themes are seamlessly shared by each of the instruments, along with new counter melodies and embellishments. The arrangement and voicing captures the variety of tones that a Woodwind Quintet can produce. A great arrangement for Corporate events, Motivational Seminars, Ceremonies, School, College, or Community ensembles. Visit my website and subscribe to stay up to date with the latest arrangements. Website: https://www.wayne-neilson.com
$15.00
Martha My Dear
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Pop musique
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The Beatles
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Ray Thompson
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Martha My Dear
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.841010 By The Beatles. By John Lennon and Paul McCartney. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.841010 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 11 pages. RayThompsonMusic #447688. Published by RayThompsonMusic (A0.841010). Arranged standard wind quintet.Opening piano solo arr. clt and bsn, then melody is taken by oboe, chorus by flute.Fun for everyone. Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album).Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal. The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♠major, showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.
$15.95
The Red River Valley
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Traditional
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Ralph Raymond Hays
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The Red River Valley
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Ralph Raymond Hays
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.720385 Composed by Traditional. Arranged by Ralph Raymond Hays. Folk,Holiday,Patriotic,Standards....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.720385 Composed by Traditional. Arranged by Ralph Raymond Hays. Folk,Holiday,Patriotic,Standards. 12 pages. Ralph Raymond Hays #3070973. Published by Ralph Raymond Hays (A0.720385). This tender setting of the poignant American folk song is certain to charm and move performers and audiences alike. The tune is accompanied and embellished by carefully crafted countermelodies and is contrasted by a lively fugue section in the center. Each instrument of the quintet is featured prominently, bringing its unique characterization to the familiar melody. This arrangement is suitable for nearly all occasions.
$15.99
Burgundian Air/March of the Three Kings (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813079 Composed by Traditional French Melodies. Arranged by Regi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813079 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 21 pages. Regis Bookshar #6097403. Published by Regis Bookshar (A0.813079). Woodwind Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, by Regis Bookshar. It would be a great addition to any music library. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
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