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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
First Flute Folk Songs
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Delius: On hearing the first cuckoo in Spring - symphonic wind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553690 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553690 Composed by Frederick Delius. Arranged by Ray Thompson. 20th Century,Concert,Holiday,Wedding. 21 pages. RayThompsonMusic #3506929. Published by RayThompsonMusic (A0.553690). On Hearing the First Cuckoo in Spring is a tone poem composed in 1912 by Frederick Delius; it was first performed in Leipzig on 23 October 1913. It is the first of Two Pieces for Small Orchestra, the second piece being Summer Night on the River, although these have for many years existed separately on recordings and in the concert hall.The piece opens with a slow three-bar sequence; its first theme is an exchange of cuckoo calls.The second theme is taken from a Norwegian folk song, In Ola Valley, which was brought to his attention by the Australian composer and folk-song arranger Percy Grainger. (The theme was also arranged by Edvard Grieg in his 19 Norwegian Folksongs, Op. 66.)The clarinet returns with the cuckoo calls before the piece ends in pastoral fashion.Arranged symphonic wind and contra bass/tuba.
$19.95
18.3 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frederick Delius
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Ray Thompson
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Delius: On hearing the first cuckoo in Spring - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Fifteen Hungarian Peasant Songs (Nos 1-7) by Bela Bartok - WIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.789806 Composed by Bela Bartok. Arranged by Matt Smith. 20th Century. 42 pages. Matt Smith #6333985. Published by Matt Smith (A0.789806). Fifteen Hungarian Peasant Songs is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918.This arrangement for wind quintet will be the highlight of any concert, and includes the first seven of these fifteen songs.Duration: About 7 minutesYouTube demo video: https://www.youtube.com/watch?v=y4Y-Qc5rNB8Visit www.mattsmithmusic.co.uk for more!
$19.99
18.34 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok
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Matt Smith
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Fifteen Hungarian Peasant Songs
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Matt Smith
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SheetMusicPlus
Holst: Two Songs Without Words Op.22 No. 1. Country Song - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553382 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Folk. 10 pages. RayThompsonMusic #2151319. Published by RayThompsonMusic (A0.553382). Two Songs Without Words was composed in 1906 and was dedicated to Ralph Vaughan Williams and is similar in style to his two suites for band.This is the first: Country Song. Arranged for wind quintet.My arrangement of the 2nd suite in F is also available.
$8.95
8.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Two Songs Without Words Op.22 No. 1. Country Song - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99
27.51 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Woods Only, Arrangements
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SheetMusicPlus
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