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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Movement Themes
Non classifié
62
Piano & claviers
Piano seul
36
Piano Facile
5
Piano Trio: piano, violon, violoncelle
4
Orgue
4
2 Pianos, 4 mains
2
Guitares
Guitare
2
Voix
Chorale SATB
5
Vents
Quintette de Saxophone: 5 saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Saxophones (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Piano (duo)
5
3 Saxophones (trio)
4
Clarinette et Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte traversière et Piano
3
Saxophone Alto et Piano
3
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
2
Cor anglais, Piano
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Clarinettes
2
3 Flûtes à bec (trio)
2
Saxophone Tenor et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Saxophones, Piano
1
Hautbois (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Clarinettes (duo)
1
Clarinette, Basson (duo)
1
2 Flûtes traversières (duo)
1
Ensemble de Flûtes
1
Flûte à Bec, Piano
1
Flûte à bec Alto
1
Clarinette et Alto
1
Ensemble de saxophones
1
Flûte, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Clarinette
1
Flute (partie séparée)
1
+ 31 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
8
Trompette, Piano
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
Cor anglais, Piano
2
Trompette (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor (partie séparée)
1
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Cor et Piano
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
Ensemble de Cors
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
4 Tubas
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Tuba et Piano
1
Cor et Harpe
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
Trompette, Cor (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
9
Violon (partie séparée)
5
Alto, Piano
4
2 Violons (duo)
4
Violon, Violoncelle (duo)
3
Harpe
2
Ensemble de Violons
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Piano
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre à Cordes
16
Orchestre
15
Orchestre de chambre
6
Percussion (partie séparée)
1
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ACCORDEON
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COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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XYLOPHONE
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Vous avez sélectionné:
First Movement Themes
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
8 partitions trouvées
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1
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Them
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99
Minimally Fantastic Suite for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Steven Kudlo
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1128135 Composed by Steven Kudlo. 20th Century,Chamber,Classical...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1128135 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 40 pages. Steven Mark Kudlo #728747. Published by Steven Mark Kudlo (A0.1128135). Of intermediate difficulty, this work is in six movements at a length of about 15 minutes. It is polystylistic and minimal. It uses repetitive form in a creative way, all based on the form of the first movement. The three styles used are pandiatonic, expressionistic, and common practice harmony within every movement. Every movement ends with concordant passages, which are also interspersed within each movement. The composition could be used to demonstrate these three styles of harmony. There are multiple meters, some of them unusual, like 5/4 or 7/8, and there is usually a meter change within the movements. Each movement has its dominating key, even though the composition is not based on the key system, but instead, something called functional polystylism is used as a substitute for key relations within each movement. The first and second themes are in different styles, even different meters. Overall, the feel is neoclassic. Dynamics range from mp to f, though within each movement instruments may drop out for the sake of contrast.
$5.99
Symphony No. 5 by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romant...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #718099. Published by Woods Only, Arrangements (A0.1116455). This adaptation was intended for a small group of woodwind quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$9.99
Beethoven: String Quintet Op.4 (adapted from the Octet for wind Op.103) Mvt.I - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: String Quintet Op.4
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Cl...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 37 pages. RayThompsonMusic #3466544. Published by RayThompsonMusic (A0.553661). The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796.The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and substantial ones in the development, reprise, and ending. The ensuing Andante employs new themes and involves significant changes in the ones retained. The Scherzo and finale are also substantially different: among other alterations, a second trio was added to the former and a new alternate theme was inserted in the latter.This arrangement is for wind quintet. (Horn in Eb) but horn in F also provided.
$9.95
Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1109428 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1109428 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 18 pages. RayThompsonMusic #711872. Published by RayThompsonMusic (A0.1109428). Arranged standard wind quintet. I have spread the voices around, so there is NOT a constant tutti of all 5 players The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 4 of the Sequenz Recordare At 130 measures, the Recordare (Remember) is the work's longest movement, as well as the first in triple meter the movement is a setting of no fewer than seven stanzas of the Dies irae. The form of this piece is somewhat similar to sonata form, with an exposition around two themes (mm. 1–37), a development of two themes (mm. 38–92) and a recapitulation (mm. 93–98). It suits the wind quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
Vonnegut Trilogy
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classica...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99
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