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FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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146
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94
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
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FUNK
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HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
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PUNK
RAGTIME
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
42009
PIANO & CLAVIERS
Piano seul
14204
Piano, Voix et Guitare
8308
Piano, Voix
6465
Piano Facile
4340
Accompagnement Piano
1761
Instruments en Do
1241
Orgue
944
1 Piano, 4 mains
632
Piano grosses notes
337
Piano (partie séparée)
201
Piano Trio: piano, violon, violoncelle
195
Accordéon
183
2 Pianos, 4 mains
124
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
33
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
19
Ligne De Mélodie, Piano
17
2 Pianos, 8 mains
12
Clavier
11
Accordéon, Voix
5
Instrument seul et Orgue
3
Concertina
2
3 Pianos
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
2 Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
4110
Ligne De Mélodie, (Paroles) et Accords
2074
Guitare
1591
Basse electrique
959
Paroles et Accords
953
Ukulele
745
Guitare (partie séparée)
428
Ukulele Baryton
257
2 Guitares (duo)
144
4 Guitares (Quatuor)
70
Dulcimer
63
Mandoline
62
Piano, Guitare (duo)
54
Banjo
49
3 Guitares (trio)
34
Ensemble de guitares
32
2 Dulcimers (duo)
11
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
7
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
7
2 Ukuleles
6
Ensemble de Ukulélés
6
2 Mandolines (duo)
3
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
6501
Chorale 3 parties
2232
Chorale 2 parties
1733
Chorale TTBB
1456
Chorale SSAA
789
Voix seule
741
Chorale Unison
727
Voix duo, Piano
536
Voix Baryton, Piano
427
Voix duo
306
Chorale
256
Pack Instrumental pour Chorale
248
Voix Soprano, Piano
196
Voix Tenor, Piano
121
Voix Alto, Piano
120
Voix haute
102
Voix basse, Piano
51
Voix moyenne, Piano
46
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Voix Baryton
17
Soli, choeur mixte et accompagnement
17
Voix basse
15
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Chorale SATTBB, Clavier
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Chorale SSATBB
1
Chorale, Orgue
1
Instrumentations suivantes
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VENTS
Saxophone
16955
Saxophone (partie séparée)
14852
Saxophone Alto
8936
Quatuor de Saxophones: 4 saxophones
7693
Saxophone Tenor
7655
Saxophone Alto et Piano
5760
2 Saxophones (duo)
5397
Saxophone Tenor et Piano
4291
Saxophone Soprano et Piano
2565
Quintette de Saxophone: 5 saxophones
2241
3 Saxophones (trio)
2024
Flûte traversière et Piano
1877
Flûte, Hautbois, Clarinette, Basson
1526
Flûte traversière
1328
Clarinette
1244
Clarinette et Piano
1237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1170
Saxophone Soprano
1160
Saxophone Baryton, Piano
1113
Ensemble de saxophones
1020
Hautbois, Piano (duo)
1007
Quatuor de Clarinettes: 4 clarinettes
936
2 Flûtes traversières (duo)
840
2 Clarinettes (duo)
750
Saxophone, Clarinette (duo)
633
Hautbois (partie séparée)
396
Flûte, Clarinette (duo)
388
Quatuor de Flûtes : 4 flûtes
387
Clarinette (partie séparée)
381
Clarinette, Violon (duo)
347
Instruments en Mib
343
Ensemble de Clarinettes
301
Flûte à bec Soprano
293
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
270
Flûte, Saxophone (duo)
259
Hautbois, Basson (duo)
247
Hautbois
243
2 Hautbois (duo)
240
Saxophone Baryton
230
Flûte à bec Alto
219
Ensemble de Flûtes
218
3 Clarinettes (trio)
217
Hautbois, Clarinette (duo)
210
Flûte et Guitare
207
2 Saxophones, Piano
192
Quintette de Clarinettes: 5 clarinettes
190
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
150
Cor anglais, Piano
148
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte, Alto (duo)
145
Flûte, Trompette (duo)
128
Saxophone et Guitare
117
Flûte à Bec
116
Flûte, Violon, Piano
105
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
102
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
74
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
57
3 Flûtes à bec (trio)
52
Flûte, Hautbois (duo)
50
Flûte, Violoncelle
49
Hautbois, Violoncelle
48
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Cor Anglais
44
Saxophone et Harpe
44
Flûte, Clarinette et Basson
43
Saxophone, Basson (duo)
43
Ensemble De Flûte à bec
42
Flûte à bec Alto, Piano
42
Harmonica
40
2 Flûtes traversières, Piano
38
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
24
Ensemble à vent
22
Flûte, Violoncelle, Piano (trio)
22
Hautbois, violon (duo)
21
Flûte à bec Soprano, Piano
19
Saxophone et violoncelle
19
Piccolo
19
Piccolo, Piano
19
4 Hautbois
17
Flûte, Clarinette, Piano (trio)
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte à bec Tenor
16
Flûte, Violon et Violoncelle
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Hautbois, Piano (trio)
13
2 Clarinettes, Piano
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette Basse
10
Clarinette, Harpe (duo)
9
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
2 Clarinettes, Basson
8
Hautbois et alto (duo)
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte irlandaise
5
Flûte traversière, Orgue (duo)
5
Hautbois, Harpe
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec, Guitare (duo)
4
Flûte, Harpe et Violoncelle
3
Harmonica, Piano
3
Flûte, trombone et piano
3
Flûte, Clarinette, Violon (trio)
3
Cornemuse
2
Flûte, alto et harpe
2
Clarinette, Tuba
2
Flûte, Hautbois, Violon
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, trompette et piano
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
2 Hautbois et Cor anglais
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Melodica
1
Flûte, Violoncelle, Guitare
1
Clarinette, Saxophone, Piano
1
Clarinette, Contrebasse (duo)
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Instrumentations suivantes
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CUIVRES
Trombone
11708
Trombone (partie séparée)
11149
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7466
Trombone et Piano
4573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3148
2 Trombones (duo)
2143
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1545
Trompette
1412
Trompette, Trombone (duo)
1231
Quatuor de Cuivres
1153
Quatuor de cuivres: 4 trombones
1047
Trompette (partie séparée)
974
Trompette, Piano
871
Cor et Piano
680
Trompette, Saxophone (duo)
598
Cor
510
Trio de Cuivres
465
Ensemble de Trombones
416
Bass Clef Instruments
395
Instruments en Sib
389
2 Trompettes (duo)
359
3 Trombones (trio)
357
Tuba et Piano
333
Tuba
318
Euphonium, Piano (duo)
269
Cor (partie séparée)
265
Tuba (partie séparée)
224
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
158
Cor anglais, Piano
148
Ensemble de Trompettes
147
Trompette, Cor (duo)
124
Euphonium
116
Quatuor de cuivres: 4 cors
111
Trombone basse
103
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
Trombone, Violon (duo)
76
2 Tubas (duo)
69
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
40
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
3 Trompettes (trio)
34
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
2 Trombones, Piano
15
Tuba et Orgue
15
Trombone, Alto (duo)
14
Trompette, Violoncelle (duo)
14
2 Trompettes, Clavier (piano ou orgue)
13
Cor et Basson (duo)
13
3 Tubas (trio)
12
3 Cors (trio)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor, Tuba (duo)
6
Trombone et orchestre
6
Cor et Orgue
6
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Ensemble de Tubas
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
1
Trompette, Orchestre
1
Cornet et Piano
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3558
Violon et Piano
1770
Violon
1753
Violoncelle, Piano
1244
Alto, Piano
1049
Violoncelle
1035
Violon, Violoncelle (duo)
922
Harpe
872
Trio à Cordes: violon, alto, violoncelle
679
Alto seul
655
2 Violons (duo)
545
Violon, Alto (duo)
428
2 Violoncelles (duo)
425
Contrebasse (partie séparée)
365
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
2 Altos (duo)
303
Violon (partie séparée)
281
Contrebasse, Piano (duo)
246
Contre Basse
241
Alto (partie séparée)
196
Trio à Cordes: 2 violons, violoncelle
193
Piano Trio: Violon, Alto, Piano
126
Alto, Violoncelle (duo)
122
4 Violoncelles
113
Violon, Guitare (duo)
106
Trio à cordes: 3 violins
80
Violoncelle (partie séparée)
73
2 Harpes (duo)
61
2 Contrebasses (duo)
58
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Trio à cordes: 3 altos
42
Alto, Guitare (duo)
41
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Violon, Basson (duo)
35
Harpe, Violon (duo)
34
Harpe, Voix
31
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Ensemble d'Altos
21
Alto et Harpe
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Trio à cordes
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
2 Violons, Piano
7
4 Contrebasses
6
Violoncelle, Orchestre
6
Harpe, Violon, Violoncelle
6
Violon, Clarinette, Piano (trio)
6
3 Harpes
4
Harpe et Piano
3
Autoharp
3
3 Contrebasses
2
Violon, Basse continue
2
2 Violoncelles, Piano
2
Alto et orchestre
2
5 Harpes
2
Violon, Trompette et Piano
2
Harpe (partie séparée)
2
Harpe, Quatuor à cordes
1
4 Harpes
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
11240
Ensemble Jazz
3257
Orchestre
2425
Ensemble de cuivres
2164
Orchestre à Cordes
1575
Fanfare
1027
Cloches
701
Orchestre de chambre
666
Jazz combo
660
Batterie
539
Xylophone
366
Ensemble de Percussions
290
Batterie (partie séparée)
233
Percussion (partie séparée)
225
Percussion
162
Xylophone, Piano
115
Marimba
70
2 Xylophones
55
Vibraphone
35
Timbales (partie séparée)
31
Quintette de Cuivres: autres combinaisons
16
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Caisse Claire
5
Orchestre, Violon
5
Quintette à Vent
4
2 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
3
Bongos
2
Marimba, Piano (duo)
2
Xylophone (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba ou Xylophone et Piano
2
Cajon
2
3 Marimbas
2
3 Percussions
1
Bodhran
1
Orchestre Symphonique
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.94 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
BEETHOVEN SIX MINUETS FOR WOODWIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811720 Composed by LUDWIG VAN BEETHOVEN 1770 - 1827. Arranged by Pat Spence. Classical,Concert,Standards,Wedding. Score and parts. 32 pages. Piper Publications #5223783. Published by Piper Publications (A0.811720). Six minuets, each with a Trio in the same key, were composed for piano in 1796 and would have been played for dancing on informal gatherings or for dancing practice for more formal ones. They are arranged for flute, oboe, clarinet in Bb, bassoon and horn in F and today would find a niche at modern social gatherings such as weddings. Players of intermediate standard and above will enjoy them and everyone will recognise No, 2 which became very popular in Beethoven's life time and has remained so ever since.
$15.00
13.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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LUDWIG VAN BEETHOVEN 1770 - 1827
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Pat Spence
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BEETHOVEN SIX MINUETS FOR WOODWIND QUINTET
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Piper Publications
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SheetMusicPlus
Turkish March by Beethoven for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1126471 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1126471 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #727146. Published by Woods Only, Arrangements (A0.1126471). This arrangement adapted for woodwind quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
5.02 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Whole Tone Press
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Concerto - Rondo for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1210867 Composed by Ludwig van Beethoven. Arranged by James Haynor. Romantic Period. 47 pages. James Haynor #808576. Published by James Haynor (A0.1210867). The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844. Since then it has become one of the best-known and regularly performed violin concertos.This arrangement is scored for Woodwind Quintet and makes a lively and exciting addition to any concert or recital. Plenty to play for everyone.( Duration - 8:10 )Â
$10.00
9.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James Haynor
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Violin Concerto - Rondo for Woodwind Quintet
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James Haynor
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.07 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
45.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Air In D For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
13.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Mozart: "La ci darem la mano" from Don Giovanni for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.747407 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. Score and parts. 12 pages. Darrell Harrison Goforth #2915683. Published by Darrell Harrison Goforth (A0.747407). This delightful duettino from Mozart's Opera Don Giovanni is set for woodwind quintet. The vocal lines are spread throughout the quintet, giving the piece a more varied timbre. At only two and one-half minutes length, it is ideal for filler or just a diversion during a performance.Comments and questions are always welcome at dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/ and visit me on YouTube at https://www.youtube.com/user/dgoforth2
$19.99
18.24 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Darrell Goforth
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Mozart: "La ci darem la mano" from Don Giovanni for Woodwind Quintet
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Darrell Harrison Goforth
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SheetMusicPlus
Hallelujah by Handel for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199590 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199590 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Easter,Religious,Sacred,Traditional. 9 pages. Avery Lynn Jordan #798658. Published by Avery Lynn Jordan (A0.1199590). Introducing the simplified and reduced arrangement of Handel's Hallelujah for Woodwind Quintet with Chords, perfect for students, music teachers, and parents who want to inspire their children to play this timeless piece. This versatile score is an essential addition to any music classroom or practice space, allowing for easy and accessible learning of this iconic composition. Ideal for recitals, concerts, and holiday performances, this arrangement of Hallelujah is sure to impress and captivate audiences. Its simplified format makes it an excellent tool for teaching the fundamentals of music theory, while its reduced size makes it easy to carry and transport. Whether you're a beginner or an experienced musician, this score is a must-have for anyone looking to add a touch of classical elegance to their repertoire. Order your copy today and start playing Handel's Hallelujah like a pro!
$15.99
14.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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George Frideric Handel
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Langanho
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Hallelujah by Handel for Woodwind Quintet
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Avery Lynn Jordan
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SheetMusicPlus
Hallelujah by Handel for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199589 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199589 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Easter,Religious,Sacred,Traditional. 9 pages. Avery Lynn Jordan #798657. Published by Avery Lynn Jordan (A0.1199589). Introducing the simplified and reduced arrangement of Handel's Hallelujah for Woodwind Quintet, perfect for students, music teachers, and parents who want to inspire their children to play this timeless piece. This versatile score is an essential addition to any music classroom or practice space, allowing for easy and accessible learning of this iconic composition. Ideal for recitals, concerts, and holiday performances, this arrangement of Hallelujah is sure to impress and captivate audiences. Its simplified format makes it an excellent tool for teaching the fundamentals of music theory, while its reduced size makes it easy to carry and transport. Whether you're a beginner or an experienced musician, this score is a must-have for anyone looking to add a touch of classical elegance to their repertoire. Order your copy today and start playing Handel's Hallelujah like a pro!
$15.99
14.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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George Frideric Handel
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Langanho
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Hallelujah by Handel for Woodwind Quintet
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Avery Lynn Jordan
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SheetMusicPlus
Hallelujah by Handel for Woodwind Quintet and Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199591 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199591 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Easter,Religious,Sacred,Traditional. 10 pages. Avery Lynn Jordan #798659. Published by Avery Lynn Jordan (A0.1199591). Introducing the simplified and reduced arrangement of Handel's Hallelujah for Woodwind Quintet and Piano, perfect for students, music teachers, and parents who want to inspire their children to play this timeless piece. This versatile score is an essential addition to any music classroom or practice space, allowing for easy and accessible learning of this iconic composition. Ideal for recitals, concerts, and holiday performances, this arrangement of Hallelujah is sure to impress and captivate audiences. Its simplified format makes it an excellent tool for teaching the fundamentals of music theory, while its reduced size makes it easy to carry and transport. Whether you're a beginner or an experienced musician, this score is a must-have for anyone looking to add a touch of classical elegance to their repertoire. Order your copy today and start playing Handel's Hallelujah like a pro!
$19.99
18.24 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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George Frideric Handel
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Langanho
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Hallelujah by Handel for Woodwind Quintet and Piano
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Avery Lynn Jordan
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SheetMusicPlus
Hallelujah by Handel for Woodwind Quintet and Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199593 Com…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1199593 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Easter,Religious,Sacred,Traditional. 10 pages. Avery Lynn Jordan #798661. Published by Avery Lynn Jordan (A0.1199593). Introducing the simplified and reduced arrangement of Handel's Hallelujah for Woodwind Quintet and Piano with Chords, perfect for students, music teachers, and parents who want to inspire their children to play this timeless piece. This versatile score is an essential addition to any music classroom or practice space, allowing for easy and accessible learning of this iconic composition. Ideal for recitals, concerts, and holiday performances, this arrangement of Hallelujah is sure to impress and captivate audiences. Its simplified format makes it an excellent tool for teaching the fundamentals of music theory, while its reduced size makes it easy to carry and transport. Whether you're a beginner or an experienced musician, this score is a must-have for anyone looking to add a touch of classical elegance to their repertoire. Order your copy today and start playing Handel's Hallelujah like a pro!
$19.99
18.24 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
George Frideric Handel
#
Langanho
#
Hallelujah by Handel for Woodwind Quintet and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
36.5 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
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Ander
#
where it is also known a.
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5 Famous Songs by Bach for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
36.5 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for English Horn Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.5 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for English Horn Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Recorder Choir Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
36.5 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Bach, Martin Luther
#
Ander
#
5 Famous Songs by Bach for Recorder Choir Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
We are the world - Michael Jackson/Lionel Richie - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital Download By USA For Africa. Arranged by Thomas Graf. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit- factory.com
One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... <br> <br> Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic <br> <br> Video: https://www.youtu.be/40Vjm6vvONsOne of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... <br> <br> Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic <br> <br> Video: https://www.youtu.be/40Vjm6vvONs
$20.00
18.25 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
USA For Africa
#
We are the world - Michael Jackson/Lionel Richie - Wind Quintet
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Thomas Graf - the-hit- factory.com
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SheetMusicPlus
Maple Leaf Rag for Saxophone Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.723607 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.723607 Composed by Scott Joplin. Arranged by Steve Winstead. 20th Century,Concert,Folk. 13 pages. Sigma Squared Music #6559401. Published by Sigma Squared Music (A0.723607). First published in 1899, Maple Leaf Rag was one of Joplin's first and most popular compositions, and is widely regarded as the most influential ragtime piece of all time. This arrangement is a fun and challenging addition to any performance.Scored for SAATB or SATTB saxophone quintet.
$10.99
10.03 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Scott Joplin
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Steve Winstead
#
Maple Leaf Rag for Saxophone Quintet
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Sigma Squared Music
#
SheetMusicPlus
Spring for Woodwinds
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digit…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1498680 Composed by Antonio Vivaldi. Arranged by Donald Jay Smith. Baroque,Chamber,Classical,Contest,Festival,Instructional. 14 pages. Donald Jay Smith Music #1074937. Published by Donald Jay Smith Music (A0.1498680). This is “Spring for Woodwind originally a movement from The Four Seasons for strings. This arrangement is from a collection of flex woodwind quintets arranged by Dr. Donald Jay Smith developed over years of teaching secondary school band. The optimal instrumentation is, of course; Flute, Oboe, Clarinet, Bassoon and Horn. But, additional parts have been added so that a second clarinet can cover the oboe part or a second oboe can cover the clarinet part (I actually had that problem once-two great oboe players (or a flute?) and no clarinet available to cover the part), Bass Clarinet covering Bassoon and a Bb Horn part in case the student only reads that part on the horn or is covered with flugelhorn/baritone or another Bb instrument. The quintets were always performed one per part and the students enjoyed playing this arrangement from 6th grade through high school!
$4.99
4.55 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
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Donald Jay Smith
#
Spring for Woodwinds
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Donald Jay Smith Music
#
SheetMusicPlus
Bach: French Suite No. 1, BWV 812, for Saxophone Quintet - Score Only
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1404381 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1404381 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Instructional,Standards. 14 pages. Jmsgu3 #987456. Published by jmsgu3 (A0.1404381). The historical context of Bach's BWV 812 French Suite No. 1 is rooted in its composition during a period of prolific creativity in Bach's life, around 1722-1725. These suites, including the French Suite No. 1, were crafted as part of a collection intended for teaching purposes within Bach's private circle, particularly to enhance the keyboard skills of his second wife, Anna Magdalena. The French Suites were written when Bach was newly married to Anna Magdalena, following the passing of his first wife, Maria Barbara. These suites were considered a wedding gift for Anna Magdalena. They were part of Bach's efforts to provide musical education to his wife and children from previous marriages. The suites blend French and German styles, featuring a series of dances in the same key, such as allemande, courante, sarabande, minuets, and gigue. Despite being labeled as French suites, Bach did not give them this title himself. The French Suites are known for their moderate difficulty level compared to Bach's other keyboard works, such as the English Suites.
$32.95
30.07 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
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James M
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Bach: French Suite No. 1, BWV 812, for Saxophone Quintet - Score Only
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jmsgu3
#
SheetMusicPlus
Horn Concerto #2 Finale for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1180851 Composed by Wolfgang Amadeus Mozart. Arranged by James Haynor. Classical. 27 pages. James Haynor #780706. Published by James Haynor (A0.1180851). Wolfgang Amadeus Mozart's Horn Concerto No. 2 in E-flat major, K. 417 was completed in 1783. The concerto is scored for solo horn and an orchestra of two oboes, two horns, and strings. This is one of two horn concerti of Mozart to omit bassoons.This arrangement is scored for Woodwind Quintet and makes a lively and exciting addition to any concert or recital. The horn takes the lead of course but plenty to play for everyone.( Duration - 3:46 ).
$10.00
9.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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James Haynor
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Horn Concerto #2 Finale for Woodwind Quintet
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James Haynor
#
SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1368301 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #952639. Published by Amanda Rodrigues (A0.1368301). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic Db Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, and experience the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- Piano Accompaniment- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
14.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1368295 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #952631. Published by Amanda Rodrigues (A0.1368295). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic C# Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, and experience the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- Piano Accompaniment- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
14.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Billie Eilish
#
Amanda Cerqueira Rodrigues
#
What Was I Made For?
#
Amanda Rodrigues
#
SheetMusicPlus
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