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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Formed
Non classifié
9 069
Piano & claviers
Piano, Voix et Guitare
38 518
Piano seul
27 270
Piano, Voix
15 563
Piano Facile
7 027
Piano grosses notes
2 060
1 Piano, 4 mains
621
Orgue
522
Instruments en Do
499
Ligne De Mélodie, Piano
196
2 Pianos, 4 mains
77
Accordéon, Voix
71
Orgue, Piano (duo)
63
Accompagnement Piano
55
Accordéon
42
Piano Trio: piano, violon, violoncelle
39
Instrument seul et Orgue
36
Piano Quintette: piano, 2 violons, alto, violoncelle
23
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano (partie séparée)
15
Piano Quatuor: piano, 2 violons, violoncelle
12
1 Piano, 6 mains
6
Clavecin
3
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Clavier
1
Accordéon, Corde(s)
1
2 Pianos, 8 mains
1
Orgue, Voix
1
Orgue, Trompette (duo)
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12 600
Ligne De Mélodie, (Paroles) et Accords
7 718
Ukulele
1 596
Basse electrique
788
Guitare
403
Piano, Guitare (duo)
210
2 Guitares (duo)
35
Guitare (partie séparée)
33
4 Guitares (Quatuor)
15
Mandoline
14
Paroles et Accords
10
Ensemble de guitares
6
Guitare, Quatuor à cordes
2
Banjo
2
Dulcimer
2
3 Guitares (trio)
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
3 520
Chorale 3 parties
1 855
Chorale TTBB
803
Chorale 2 parties
671
Chorale SSAA
450
Voix duo, Piano
204
Chorale Unison
158
Voix, Guitare
149
Voix Soprano, Piano
67
Chorale
67
Voix duo
63
Voix Tenor, Piano
58
Voix Alto, Piano
52
Chorale SSATBB
50
Voix Baryton, Piano
42
Voix seule
20
Voix haute
18
Chorale SSAATTBB
11
Voix moyenne, Piano
10
Chorale SSATB
9
Chorale SSAB, Piano
9
Chorale SSAB a cappella
6
Chorale SSATTB
5
Voix basse, Piano
5
Voix Mezzo-Soprano, Piano
4
Voix Tenor
3
Voix Soprano
2
Soli, choeur mixte et accompagnement
2
Chorale SATTBB, Clavier
2
Chorale SATTB
2
Chorale SAATB A Cappella
1
Chorale SATBB
1
+ 27 instrumentations
Retracter
Vents
Saxophone Alto
1 109
Flûte traversière
865
Saxophone Tenor
787
Clarinette
748
Flûte traversière et Piano
492
Saxophone (partie séparée)
453
Clarinette et Piano
444
Saxophone Alto et Piano
367
Hautbois, Piano (duo)
340
2 Saxophones (duo)
331
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
313
Saxophone Tenor et Piano
287
Quatuor de Saxophones: 4 saxophones
281
Quatuor de Clarinettes: 4 clarinettes
263
Instruments en Mib
194
Quintette de Saxophone: 5 saxophones
183
2 Flûtes traversières (duo)
178
Flûte, Hautbois, Clarinette, Basson
165
2 Clarinettes (duo)
162
Flute (partie séparée)
126
Saxophone Soprano et Piano
123
Clarinette (partie séparée)
117
Quatuor de Flûtes : 4 flûtes
110
Ensemble de Clarinettes
109
Ensemble de saxophones
102
Saxophone, Clarinette (duo)
96
Hautbois (partie séparée)
86
3 Saxophones (trio)
67
Clarinette, Violon (duo)
64
Flûte, Clarinette (duo)
63
Saxophone Baryton, Piano
61
Clarinette, Trompette (duo)
59
2 Hautbois (duo)
58
Ensemble de Flûtes
51
3 Clarinettes (trio)
47
Cor anglais, Piano
46
Saxophone Soprano
43
Hautbois, Basson (duo)
42
Clarinette et Alto
36
Quintette de Clarinettes: 5 clarinettes
35
Clarinette Basse, Piano
34
Quintette de Flûte : 5 flûtes
32
2 Flûte à bec (duo)
32
Hautbois, Flûte
32
Flûte, Violon
31
Hautbois, Clarinette (duo)
30
Flûte, Saxophone (duo)
29
Trio de Flûtes: 3 flûtes
29
Clarinette, Guitare (duo)
28
Flûte à bec Soprano
27
Flûte et Guitare
27
Flûte, Alto (duo)
26
Flûte, Trompette (duo)
24
Quatuor de Flûtes à bec
19
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Clarinette, Basson (trio d'anches)
13
Saxophone
12
Harmonica
12
Hautbois
11
2 Flûtes traversières, Piano
10
Flûte à Bec
10
3 Hautbois
9
4 Hautbois
9
Cor Anglais
9
Flûte, Violon, Piano
9
3 Flûtes à bec (trio)
8
Flûte, Clarinette et Basson
8
Flûte, Violoncelle
7
Flûte à bec Alto
7
Flûte à bec Soprano, Piano
7
Piccolo, Piano
6
2 Clarinettes, Piano
6
Clarinette, Basson (duo)
6
Clarinette, Harpe (duo)
5
Cor anglais, Guitare (duo)
5
Flûte, Clarinette, Piano (trio)
5
5 Flûtes à bec
5
Flûte à bec Tenor
5
Clarinette, Violoncelle, Piano (trio)
5
Clarinette, Violoncelle (duo)
5
Ensemble De Flûte à bec
4
Flûte, Hautbois, Basson
4
Saxophone et Harpe
4
2 Saxophones, Piano
4
Hautbois, Harpe
4
Flûte à bec Alto, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Alto et Piano
3
Flûte, Violon et Violoncelle
3
Flûte, Hautbois (duo)
3
Ensemble de Hautbois
2
Cornemuse
2
Flûte à bec, Guitare (duo)
2
Clarinette, Orgue
2
Clarinette, Alto et Piano (trio)
2
Ocarina
2
Saxophone Baryton
2
Clarinette Basse
1
2 Flûtes à bec, Guitare
1
Flute, harpe et violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
Flûte, alto et harpe
1
Ensemble à vent
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
Hautbois, Violoncelle
1
Saxophone et Piano
1
Flûte, Violon, Guitare
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
954
Trombone
726
Cor
492
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
382
Trompette (partie séparée)
354
Trombone et Piano
331
Trompette, Piano
240
Quatuor de Cuivres : 2 trompettes, trombone, tuba
235
Bass Clef Instruments
227
Instruments en Sib
225
Trombone (partie séparée)
205
2 Trombones (duo)
123
Cor et Piano
109
Cor (partie séparée)
92
Ensemble de Trompettes
85
2 Trompettes (duo)
76
Ensemble de Trombones
73
Euphonium, Piano (duo)
72
Trompette, Saxophone (duo)
70
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Trompette, Trombone (duo)
55
Quatuor de cuivres: 4 trombones
52
Cor anglais, Piano
46
Quatuor de Cuivres
41
Tuba
41
Tuba et Piano
36
2 Cors (duo)
36
2 Euphoniums et 2 Tubas
23
Tuba (partie séparée)
23
Euphonium
22
2 Tubas (duo)
22
Quatuor de cuivres: 4 cors
21
Trompette, Cor (duo)
16
3 Trombones (trio)
14
Ensemble de Cors
13
4 Tubas
11
Euphonium, Tuba (duo)
9
Trio de Cuivres
9
Cor Anglais
9
Quatuor de cuivres: 4 trompettes
8
Quatuor de cuivres: 2 trompettes, 2 trombones
6
3 Trompettes (trio)
6
Cor anglais, Guitare (duo)
5
Cor et Harpe
5
3 Tubas (trio)
4
Trombone et orchestre
4
3 Cors (trio)
4
Trompette, Harpe
4
Tuba et Orgue
4
2 Euphoniums (duo)
4
Trombone basse
4
Trombone, Cor (duo)
2
Trombone, Orgue
2
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
Trombone basse et Piano
1
Trompette, Trombone, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
Cor et Basson (duo)
1
3 Euphoniums
1
+ 57 instrumentations
Retracter
Cordes
Violon
1 270
Quatuor à cordes: 2 violons, alto, violoncelle
1 161
Violoncelle
800
Violon et Piano
765
Alto seul
605
Violoncelle, Piano
566
Violon, Violoncelle (duo)
412
Alto, Piano
382
Alto (partie séparée)
278
Trio à Cordes: violon, alto, violoncelle
241
2 Violoncelles (duo)
203
2 Violons (duo)
182
Violon (partie séparée)
122
Harpe
100
Violon, Alto (duo)
95
Trio à Cordes: 2 violons, violoncelle
92
Violoncelle (partie séparée)
77
2 Altos (duo)
72
Quintette à cordes: 2 violons, alto, violoncelle, basse
55
Contrebasse (partie séparée)
41
2 Harpes (duo)
40
Trio à cordes
31
Contre Basse
31
Violon, Guitare (duo)
30
Ensemble de Violons
24
4 Violoncelles
24
Trio à Cordes: 3 violoncelles
23
Ensemble d'Altos
22
Contrebasse, Piano (duo)
21
Trio à cordes: 3 violins
20
Piano Trio: Violon, Alto, Piano
20
2 Contrebasses (duo)
19
Alto, Violoncelle (duo)
15
Trio à cordes: 3 altos
15
Quatuor à cordes: 4 violons
15
Violoncelle , Guitare (duo)
13
Harpe, Flûte (duo)
13
Alto, Guitare (duo)
12
2 Violons, Piano
9
2 Violoncelles, Piano
9
Quatuor à cordes : 4 altos
9
Violoncelle, Contrebasse (duo)
5
Flûte, Contrebasse (duo)
5
2 Altos, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
4
Ensemble de Violoncelles
4
Harpe, Violon (duo)
4
Trio à Cordes: 2 violons, alto
4
Violon, Orgue
3
Violoncelle, Orgue
3
Harpe, Violoncelle (duo)
3
Violon, Basson (duo)
1
Alto, Orgue
1
4 Contrebasses
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 474
Orchestre à Cordes
503
Orchestre
434
Ensemble Jazz
314
Ensemble de cuivres
183
Orchestre de chambre
158
Jazz combo
103
Ensemble de Percussions
80
Cloches
79
Fanfare
59
Batterie
52
Batterie (partie séparée)
18
Percussion (partie séparée)
17
Marimba
13
Vibraphone
11
Piano et Orchestre
6
Orchestre, Violon
3
Voix et Orchestre
2
Instrumentation Flexible
1
Quintette à Vent
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Big band
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Formed
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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301
American Line March for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Fred T
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James Smith
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American Line March for Woodwi
#
James Smith
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1336724 Composed by Fred T. Baker. Arranged by James Smith. 19th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1336724 Composed by Fred T. Baker. Arranged by James Smith. 19th Century,Historic,March,Patriotic. 13 pages. James Smith #922501. Published by James Smith (A0.1336724). A classic, vintage march from Fred T. Baker, arranged for woodwind quintet. This is a fantastic arrangement to add to any woodwind quintet concert, working well for both newly formed and established groups. 2'50But wait, there's more! View more of my catalog here at linktr.ee/jamessmithmusic.
$13.99
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
#
Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Choleramusick: Introduction
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Fanny Cecile Mendelssohn
#
Allison B
#
Choleramusick: Introduction
#
Allison B. Wehrle
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1112405 Composed by Fanny Cecile Mendelssohn. Arranged by Alliso...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1112405 Composed by Fanny Cecile Mendelssohn. Arranged by Allison B. Wehrle. 19th Century,Chamber. 8 pages. Allison B. Wehrle #714438. Published by Allison B. Wehrle (A0.1112405). Fanny Mendelssohn Hensel wrote the Cholera Cantata in 1831, to mark the end of the epidemic that had devastated Berlin. The original, 13- part work was written for choir and chamber orchestra. The lyrics, derived from Biblical texts, depict both the despair and mourning felt during the height of the epidemic, and also celebratory praise at its cessation. After the initial performance in 1832, the piece remained unpublished (and likely unperformed) until it was rediscovered in the Mendelssohn Archives at the Berlin State Library 150 years later. This arrangement is of the introduction only.
$10.99
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
You Cannot Pass the Mother By (Part 3 of Second Suite from Razumov) for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Greg Bartholomew
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You Cannot Pass the Mother By
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Burke & Bagley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787233 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 11 pages. Burke...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787233 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 11 pages. Burke & Bagley #48413. Published by Burke & Bagley (A0.787233). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
Ah, My Children (part 1 of Second Suite from Razumov) for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Greg Bartholomew
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Ah, My Children
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Burke & Bagley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787230 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 24 pages. Burke...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787230 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 24 pages. Burke & Bagley #41307. Published by Burke & Bagley (A0.787230). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
Interlude (Part 2 of Second Suite from Razumov) for wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Greg Bartholomew
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Interlude
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Burke & Bagley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787231 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. 18 pages. Burke & Bagley ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.787231 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. 18 pages. Burke & Bagley #45587. Published by Burke & Bagley (A0.787231). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Them
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99
Dance of the Sugar Plum Fairy by Tchaikovsky Op 71a for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Woods Only
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Dance of the Sugar Plum Fairy
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956896 Composed by Peter Ilyich Tchaikovsky. Arranged by Woods Only. Christmas,Romantic Period,St...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956896 Composed by Peter Ilyich Tchaikovsky. Arranged by Woods Only. Christmas,Romantic Period,Standards,Wedding,World. 10 pages. Woods Only, Arrangements #6474769. Published by Woods Only, Arrangements (A0.956896). This authentic version of this emblematic Tchaikovsky composition was written for woodwind quintet where it can be flexibly performed in Christmas or wedding ceremonies. It can be performed by students who already have a good instrumental practice or professional teachers. This does not prevent it from being performed in concerts or academic or graduation recitals.The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker.
$7.99
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Woodwind Quintet - 1 Flut
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Regis Bookshar
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Thaxted
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813786 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813786 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476781. Published by Regis Bookshar (A0.813786). Thaxted (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets.
$10.00
I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Basso
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Contemporain
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Gustav Holst
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Regis Bookshar
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I Vow to Thee, My Country
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813697 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813697 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6474001. Published by Regis Bookshar (A0.813697). I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute (which has the lead), 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jup.
$10.00
I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Basso
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Gustav Holst
#
Regis Bookshar
#
I Vow to Thee, My Country
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813696 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813696 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6473995. Published by Regis Bookshar (A0.813696). I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jup.
$10.00
O God, Beyond All Praising (Thaxted) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bass
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Gustav Holst
#
Regis Bookshar
#
O God, Beyond All Praising
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813757 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813757 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6475565. Published by Regis Bookshar (A0.813757). O God, Beyond All Praising (Thaxted) (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from .
$10.00
I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Basso
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Gustav Holst
#
Regis Bookshar
#
I Vow to Thee, My Country
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813700 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813700 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6474009. Published by Regis Bookshar (A0.813700). I Vow to Thee, My Country (Thaxted) (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe (which has the lead), 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jup.
$10.00
O Spirit All-Embracing (Thaxted) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Gustav Holst
#
Regis Bookshar
#
O Spirit All-Embracing
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813817 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813817 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6487287. Published by Regis Bookshar (A0.813817). O Spirit All-Embracing (Thaxted) (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet (which has the lead), 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Brin.
$10.00
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Woodwind Quintet - 1 Flut
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Contemporain
#
Gustav Holst
#
Regis Bookshar
#
Thaxted
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813788 Composed by Gustav Holst. Arranged by Regis Bookshar. 20t...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813788 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476791. Published by Regis Bookshar (A0.813788). Thaxted (Bb) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Woodwind Quintet, consisting of 1 Flute (which has the lead), 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets,.
$10.00
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