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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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VENTS
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65
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39
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26
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
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8
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2
Quintette à cordes: 2 violons, alto, violoncelle, basse
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1
Contrebasse (partie séparée)
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Violoncelle, Contrebasse (duo)
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Trio à Cordes: 2 violons, alto
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
40
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21
Ensemble Jazz
17
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9
Orchestre
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Fanfare
5
Cloches
4
Jazz combo
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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Batterie
1
Marimba
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Ensemble de Percussions
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AUTRES
Vous avez sélectionné:
Happy Rhythm
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Fugue on Rhythmic Oboe Trio
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.889897 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.889897 Composed by Gary Friedman. Contemporary. 11 pages. Gary Friedman #1984459. Published by Gary Friedman (A0.889897). This fugue based on themes from the 11th of my Three Happy Oboists, Eleven Sketches for Oboe, Oboe D’amore, and English Horn or Two Oboes and English Horn. The sound clip is computer playback. Flute doubles on piccolo. Duration 3 minutes. Year 2016.
$10.00
9.24 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gary Friedman
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Fugue on Rhythmic Oboe Trio
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Gary Friedman
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.33 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
COMPLETE Wind Quintet Music Book - pack of 20 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Bach, Pachelbel, Handel, Purcell, Mozart, Gluck, Delibes, Satie, Pierpoint,…
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Composed by Bach, Pachelbel, Handel, Purcell, Mozart, Gluck, Delibes, Satie, Pierpoint, Gruber, Mason. Arranged by Austin Ralphson. Romantic Period, Classical Period, Baroque Period, Wedding, Recital. Score, Set of Parts. 411 pages. Published by Austin Ralphson
This is a mega-bundle of wind quintet repertoire, totalling 20 pieces and over 350 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. This is the full list: 1. BrandenburgConcerto No. 3 - complete (Bach) 2. BrandenburgConcerto No. 5 ? 3rd mvt. (Bach) 3. Canon(Pachelbel) 4. LaRéjouissance from ?Music for the Royal Fireworks? (Handel) 5. Rondofrom ?Abdelazer? (Purcell) 6. Largofrom ?Xerxes? (Handel) 7. AllThrough The Night 8. ArLan y Môr (Welsh trad.) 9. Davidof the White Rock (Welsh trad.) 10. SuoGan (Welsh trad.) 11. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 12. Andantefrom ?Dance of the Blessed Spirits? (Gluck) 13. Pizzicatifrom ?Sylvia? (Delibes) 14. GymnopédieNo.1 (Satie) 15. HappyBirthday 16. 15Christmas Carols 17. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 18. JingleThose Bells! (Pierpoint) 19. SilentNight (Gruber) 20. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music.
$19.99
18.47 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bach, Pachelbel, Handel, Purcell, Mozart, Gluck, Delibes, Satie, Pierpoint, Gruber, Mason
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Austin Ralphson
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COMPLETE Wind Quintet Music Book - pack of 20 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
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SheetMusicPlus
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