English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He\\\\\\\'s A Man
Non classifié
1 358
Piano & claviers
Piano seul
463
Piano, Voix
261
Piano, Voix et Guitare
89
Piano Facile
68
Orgue
55
Instruments en Do
41
Accordéon
35
Piano Trio: piano, violon, violoncelle
23
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
28
Ukulele
10
Piano, Guitare (duo)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
2
Basse electrique
2
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
Paroles et Accords
1
Dulcimer
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
354
Chorale 3 parties
51
Chorale TTBB
31
Chorale 2 parties
31
Chorale Unison
20
Chorale SSAA
17
Voix Alto, Piano
12
Voix duo
7
Voix duo, Piano
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Soprano, Piano
5
Voix haute
5
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Clarinette et Piano
113
Saxophone Alto et Piano
98
Quintette de Saxophone: 5 saxophones
98
2 Saxophones (duo)
84
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
76
Saxophone Soprano et Piano
69
Saxophone Tenor et Piano
67
Ensemble de saxophones
49
Saxophone Baryton, Piano
48
2 Flûtes traversières (duo)
46
Clarinette
45
2 Clarinettes (duo)
43
Quatuor de Clarinettes: 4 clarinettes
39
Cor anglais, Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Flûte, Violon, Piano
32
Ensemble de Clarinettes
32
Clarinette Basse, Piano
30
Quatuor de Flûtes : 4 flûtes
26
Hautbois (partie séparée)
24
Saxophone, Clarinette (duo)
24
Flûte traversière
23
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Ensemble de Flûtes
16
3 Clarinettes (trio)
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flute (partie séparée)
11
3 Saxophones (trio)
11
Flûte, Saxophone (duo)
10
Saxophone (partie séparée)
10
Saxophone Alto
10
Flûte, Alto (duo)
9
Flûte et Guitare
9
Hautbois, Flûte
9
Flûte, Trompette (duo)
9
2 Flûte à bec (duo)
8
Clarinette et Alto
8
Saxophone Tenor
7
Hautbois, Clarinette (duo)
7
Flûte à bec Soprano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Piccolo, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Quatuor de Flûtes à bec
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte, Alto et Piano
2
Flûte à Bec
2
Saxophone
2
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Flûte irlandaise
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
Trombone et Piano
74
Euphonium, Piano (duo)
59
Cor et Piano
52
Trompette, Piano
46
Cor anglais, Piano
39
Trompette
32
Ensemble de Trombones
28
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trompettes
18
2 Trombones (duo)
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
14
Trompette, Trombone (duo)
13
Cor
12
Ensemble de Cors
7
Trompette (partie séparée)
6
Trombone
6
Tuba
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
Tuba et Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
2 Euphoniums (duo)
3
4 Tubas
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
Trombone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
288
Violon et Piano
181
Violoncelle, Piano
123
Alto, Piano
109
Trio à Cordes: violon, alto, violoncelle
72
Violon
54
Violon, Violoncelle (duo)
35
Harpe
34
2 Violons (duo)
34
Violoncelle
33
2 Violoncelles (duo)
25
Violon, Alto (duo)
22
Violon, Guitare (duo)
21
2 Altos (duo)
19
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
13
Ensemble de Violons
12
4 Violoncelles
11
Ensemble d'Altos
11
Alto (partie séparée)
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
7
Contrebasse, Piano (duo)
7
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Basse continue
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
148
Orchestre à Cordes
134
Orchestre
106
Orchestre de chambre
80
Ensemble de cuivres
74
Ensemble Jazz
37
Cloches
17
Jazz combo
12
Ensemble de Percussions
7
Vibraphone
4
Orchestre, Violon
3
Batterie
2
Fanfare
2
2 Marimbas
1
Marimba
1
Percussion
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIOLON
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XYLOPHONE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
He\\\\\\\'s A Man
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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151
Away in a Manger (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814022 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pages. Regis Bookshar #6658505. Published by Regis Bookshar (A0.814022). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Woodwind Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
7.36 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James R
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Regis Bookshar
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Away in a Manger
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Regis Bookshar
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SheetMusicPlus
Enescu 1901 Op 11 No 1 Romanian Rhapsody in A for Woodwind Quintet with optional Piano & String Bass
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.902152 By Rainer's Rainbow. By Georges Enescu. Arranged by R G Roth. 20th Century,Folk. 68 pages. Rainer's Rainbow #6433805. Published by Rainer's Rainbow (A0.902152). George Enescu lived from 1881-1955. In 1901 he wrote his Romanian Rhapsody No 1 in A. It became one of the most popular pieces in classical music history. In 2005 the piece became public domain in Canada and throughout other parts of the world. Here it has been arranged for Woodwind Quintet. An optional Piano & String Bass part are included if desired.
$12.99
11.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Rainer's Rainbow
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R G Roth
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Enescu 1901 Op 11 No 1 Romanian Rhapsody in A for Woodwind Quintet with optional Piano & String Bass
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Rainer's Rainbow
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SheetMusicPlus
Parry: Lady Radnor's Suite II. Allemande - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #3578839. Published by RayThompsonMusic (A0.553726). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$6.95
6.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite II. Allemande - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Pachelbel's Canon in D - Woodwind Quartet (Full Score) - Score Only
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1222306 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1222306 Composed by Johann Pachelbel. Arranged by César Madeira. Children,Early Music,Film/TV,Multicultural,Wedding,World. 8 pages. Sheet Music To Play Editions #818571. Published by Sheet Music To Play Editions (A0.1222306). Pachelbel's Canon in D. Arrangement for Woodwind Quartet - Flute, Oboe, Bb Clarinet and Bassoon. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.35 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Woodwind Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
Twentieth Century Fox Trademark (Newman) - Wind Quintet (with optional Percussion)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare …
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare Drum, Bass Drum, Cymbal - Early Intermediate - Digital Download By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 12 pages. Published by RBMusic
“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox
$12.99
11.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Alfred Newman
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Rob Bushnell
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Twentieth Century Fox Trademark
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RBMusic
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SheetMusicPlus
Too Fat Polka (she's Too Fat For Me)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514980 Composed by Arthur Richardson and Ross MacLean. Arranged by Kenneth Abeling. Comedy,Contemporary. 18 pages. LINCOLN MUSIC PUBLICATIONS #4323281. Published by LINCOLN MUSIC PUBLICATIONS (A0.514980). Too Fat Polka or “She’s / He’s Too Fat for Me†Music & Lyrics by Arthur Richardson and Ross Maclean arranged for Woodwind Quintet by Kenneth Abeling. This is one of the most popular polkas of all time and suitable for many occasions especially Oktoberfest type performances. It is for the most part a moderate to perhaps moderately difficult arrangement, but some of the few solo lines might be considered a little tricky. Your ensemble director should be able to simplify these passages if necessary… The playing time is approximately: 2:50. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$16.99
15.64 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Arthur Richardson and Ross MacLean
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Kenneth Abeling
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Too Fat Polka
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
A Selection of Baroque Pieces (used by Stravinsky in his Pulcinella Suite) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1458050 Composed by Domenico Gallo, Giovanni Pergolesi. Arranged by Ray Thompson. Baroque. 39 pages. RayThompsonMusic #1037022. Published by RayThompsonMusic (A0.1458050). Arranged wind quintetThe original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.However most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Sinfonia, Scherzino, Gavotte and Variations and the Minuetto/Finale in the Suite.But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.My arrangement is of the the original pieces and uses Gallo's/Pergolesi's classical/baroque harmonies.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite..
$24.95
22.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Gallo, Giovanni Pergolesi
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Ray Thompson
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A Selection of Baroque Pieces
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RayThompsonMusic
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SheetMusicPlus
Parry: Lady Radnor's Suite VI. Gigue - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553727 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3583193. Published by RayThompsonMusic (A0.553727). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.Other mvts are availableI have also arrangements of another suite by Parry on this site: The English Suite
$9.95
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite VI. Gigue - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Parry: Lady Radnor's Suite IV. Bourrée - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553724 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3578175. Published by RayThompsonMusic (A0.553724). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This move is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite IV. Bourrée - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Parry: Lady Radnor's Suite I. Prelude - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday. 9 pages. RayThompsonMusic #3578623. Published by RayThompsonMusic (A0.553725). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite I. Prelude - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
A Trick Of The Tail
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.835899 By G…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.835899 By Genesis. By Tony Banks. Arranged by Paul Burnell. Rock. 23 pages. Paul Burnell #6656425. Published by Paul Burnell (A0.835899). A Trick of the Tail, Tony Banks, arranged by Paul Burnell for wind quintetDownload comprises both score and parts (including the alternative instruments)Duration 4:30FluteOboe or Clarinet in BbClarinet in BbHorn in F or Alto Saxophone or Tenor Horn in EbBassoon or Bass ClarinetProgramme note'A Trick of the Tail' is the title track on the 1976 album by English progressive rock group Genesis. The group’s keyboard player Tony Banks wrote the song. The lyrics of the song were inspired by the 1955 novel 'The Inheritors' by William Golding and focuses on a character named the Beast who leaves his own kingdom and enters the realm of humans by whom he is captured. His captors release him in return for leading them to his world. However, just as they see what appears to be a spire of gold, they find that the Beast has disappeared, though they do hear his voice.
$12.99
11.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Genesis
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Paul Burnell
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A Trick Of The Tail
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Paul Burnell
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
The Deil's Awa' Wi' The Exciseman (Robert Burns) - Wind Quintet by Hugh Levey
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937282 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937282 Composed by Robert Burns and Traditional Scottish. Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish. 26 pages. Woodwindly.com #6451109. Published by woodwindly.com (A0.937282). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) A great fun and lively arrangement for Wind Quintet.Duration 2 minutes 45 seconds. 28 PagesThis lively set of variations on Robert Burns' The Deil's Awa' Wi' the Exciseman (The devil is away with the tax collector) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland. Although Burns wrote the words of the song, he set them to a variation of an existing tune called The Hemp Dresser which dates from the 17th century or earlier. It is a lively jig which is arranged here for Wind Quintet. This wind quintet arrangement begins with oboe and bassoon playing the tune and bass line, almost exactly as they appeared in The Scots Musical Museum, published by James Johnson & Co in six volumes between 1787 and 1803. The other instruments all get the opportunity to play the melodic line in the ensuing 5 verses, as the arrangement gets more complex and fun. The arranger makes great use of the tritone; or devil’s interval as it is often known because of its unsettling presence. However, in this arrangement it merely adds to the fun and excitement.Great fun for all! Â
$13.00
11.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Burns and Traditional Scottish
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Hugh Levey
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The Deil's Awa' Wi' The Exciseman
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woodwindly.com
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SheetMusicPlus
Lenski's Aria from Eugene Onegin
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.953686 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.953686 Composed by Pyotr Ilyich Tchaikovsky (1840-1893). Arranged by Simeon Loring. Concert,Opera,Romantic Period. 24 pages. S. Loring #4285517. Published by S. Loring (A0.953686). This beautiful aria is taken from Act 2, where Lenski sings of his love for Olga as he regretfully waits for a reluctant duel (which he knows he must lose) with his friend, Onegin having had a disagreement at last night's party. The arrangement features the oboe. Duration: 5'30. Very expressive and soulful music.
$19.99
18.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Pyotr Ilyich Tchaikovsky
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Simeon Loring
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Lenski's Aria from Eugene Onegin
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S. Loring
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
4.56 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
I Started A Joke
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: …
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.503789 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Romantic Period,World. 5 pages. Published by Antônio S. Fernandes (A0.503789). I Started a Joke is a song by the Bee Gees from their 1968 album Idea, which was released as a single in December of that year. It was not released as a single in the United Kingdom, where buyers who could not afford the album had to content themselves with a Polydor version by Heath Hampstead. This is the last Bee Gees single to feature Vince Melouney's guitar work, as he left the band in early December after this song was released as a single. The song's B-side was Kilburn Towers, except in France, where Swan Song was used. I Started a Joke was written by Barry, Robin, and Maurice Gibb, and produced by the Bee Gees with Robert Stigwood. #BeeGees #IStartedAJoke #QuartetWood #Clarinet #Oboé #Bassoon #Flute #SheetMusic.
$13.00
11.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bee Gees
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Antônio S
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I Started A Joke
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Antônio S. Fernandes
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SheetMusicPlus
Schubert: Piano Quintet in A Major Op.114 "Trout" III. Scherzo and Trio - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital …
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1122173 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period. 19 pages. RayThompsonMusic #723323. Published by RayThompsonMusic (A0.1122173). Arranged standard wind quintet. Natural Horn in A (alt Hn in F) Clarinet in A (alt Clt in Bb) The Trout Quintet (Forellenquintett) is the popular name for the Piano Quintet in A major, D. 667, by Franz Schubert. The piano quintet was composed in 1819, when he was 22 years old; it was not published, however, until 1829, a year after his death. Rather than the usual piano quintet lineup of piano and string quartet, the Trout Quintet is written for piano, violin, viola, cello and double bass. The composer Johann Hummel had rearranged his own Septet for the same instrumentation, and the Trout was actually written for a group of musicians coming together to play Hummel's work. This is mvt III, a lively presto. It suits the wind quintet.
$14.95
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Ray Thompson
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Schubert: Piano Quintet in A Major Op.114 "Trout" III. Scherzo and Trio - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Ave Maris Stella (Vespers Hymn)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1211654 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Religious,Romantic Period. 16 pages. Andrew Lamb #809266. Published by Andrew Lamb (A0.1211654). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,†which includes the popular suite “In the Hall of the Mountain King.†Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.
$12.00
11.04 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edvard Grieg
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Andrew Lamb
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Ave Maris Stella
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Andrew Lamb
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
55.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Jessel: Die Parade der Zinnsoldaten Op.123 (Parade of the Tin Soldiers) - symphonic wind
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553729 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553729 Composed by Leon Jessel. Arranged by Ray Thompson. 20th Century,Children,Christmas,Standards. 24 pages. RayThompsonMusic #3588401. Published by RayThompsonMusic (A0.553729). Leon Jessel, or Léon Jessel (January 22, 1871 – January 4, 1942) was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers. Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas - in particular Schwarzwaldmädel(Black Forest Girl), which remains popular to this day.Because Jessel was a Jew by birth (he converted to Christianity at the age of 23), with the rise of Nazism in the late 1920s, his composing virtually came to an end, and his musical works, which had been very popular, were suppressed and nearly forgotten.In Great Britain the piece was used for many years in BBC radio's Children's Hour to introduce the series Toytown, based on stories by S. G. Hulme Beaman. This arrangement could be performed as a lighter item in a Christmas Concert, or even as a Classical Christmas piece.It is arranged for double wind quintet and opt. bass.(double bass or tuba)
$14.95
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Leon Jessel
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Ray Thompson
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Jessel: Die Parade der Zinnsoldaten Op.123
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RayThompsonMusic
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SheetMusicPlus
Andante (Introductory Voluntary)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1209176 By Andrew Lamb. By William Warden Harvey (1861-1939). Arranged by Andrew Lamb. Religious. 19 pages. Andrew Lamb #807288. Published by Andrew Lamb (A0.1209176). Title: Andante (Introductory Voluntary)Composer: William Warden Harvey (1861-1939)Arranger: Andrew LambDescription: This is my transcription of the Introductory Voluntary ‘Andante’ by composer William Warden Harvey (1861-1939). This piece appeared in Volume 1 of the Village Organist.William Warden Harvey was an American composer and music educator born on November 20, 1861, in Auburn, New York. He began studying music at a young age and went on to receive a Bachelor of Music degree from Syracuse University in 1878. Later, he studied at the Leipzig Conservatory in Germany, where he received a degree in composition.Harvey composed a variety of works, including chamber music, choral music, and operas, but it is his work as a music educator that is perhaps most significant. He served as the director of music at Syracuse University from 1893 to 1927, during which time he established the university's music department and worked to elevate the status of music education in the United States.In addition to his work at Syracuse University, Harvey served as the president of the Music Teachers National Association and was a member of the National Association of Schools of Music. He was also a regular contributor to music journals and edited several collections of songs and hymns.William Warden Harvey died on March 20, 1939, in Syracuse, New York, at the age of 77. His contributions to music education in the United States were significant, and his legacy lives on through the many students he taught and influenced during his long career.
$12.00
11.04 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andrew Lamb
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Andrew Lamb
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Andante
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Andrew Lamb
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
45.97 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.2 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553491 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Instructional,Wedding. 7 pages. RayThompsonMusic #2966917. Published by RayThompsonMusic (A0.553491). Contre-Tanze (Country Dance) No.2 (adapted Seiss)Beethoven wrote 12 Country Dances WoO14 for orchestra .They are all quite short: some have trios.They are probably better known as a set of 3 piano pieces called Contre-Tanzes which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by Isidor Wilhelm Seiss) Isidor Seiss (23 December 1840 – 25 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist.They have a romantic feel to them.Each one of Seiss's 3 country dances are made up of extracts from 3 of Beethoven's. In some cases he uses only the trio, other times he uses the first 8 bars. Extracts are also transposed when needed to fit the home key of the piece. My arrangement is based on the musical layout of Seiss's Dance Number 2 which utilises extracts of Beethoven's as follows: The trio from No.5, the Trio from No 6 and part of No.12.Seiss freely adapts Beethoven's melodies and chordal structure. I have used Beethoven's original orchestration as a guide to give a more authentic classical sound.The horn part is for a natural horn in Eb.I have ignored the coda from Seiss's arrangement.Hope you enjoy them.
$4.95
4.56 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven
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RayThompsonMusic
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SheetMusicPlus
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