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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLOCHES
COR
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CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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MANDOLINE
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I, Cog
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18
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34
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21
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6
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5
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--INSTRUMENTS--
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Vous avez sélectionné:
I, Cog
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Course of Empire
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Kyle Vanderburg
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Course of Empire
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NoteForge
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
500 Years of Christmas (Sax Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Noël
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Anon
#
Dominic McGonigal
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500 Years of Christmas
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C8 Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - SKU: A0.924040 Composed by Anon (14thC), Anon (15thC), James Pierpont (19thC), Praetorius (16thC), and Robert Croo ...
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Woodwind Ensemble,Woodwind Quintet - SKU: A0.924040 Composed by Anon (14thC), Anon (15thC), James Pierpont (19thC), Praetorius (16thC), and Robert Croo (16thC). Arranged by Dominic McGonigal. 20th Century,Christmas,Classical,Opera. 22 pages. C8 Music #3675613. Published by C8 Music (A0.924040). A medley of Christmas tunes from the 15thC to the 20thC, with a twist. Gaudete, Coventry Carol, Es Ist Ein Ros Ensprungen and Personent Hodie all appear in their original form, followed by a snippet of Jingle Bells in the style of that carol. The snippets will sound familiar to the audience but they probably won't recognise them until the Jingle Bells appears at the end in all its glory. The scoring uses different combinations of instruments to vary the voicing, with tunes in all the parts. I wrote it originally for my youth brass group and it's always a winner. This arrangement is for soprano/alto sax, alto sax, 2 tenor saxes and baritone sax). It's easy to moderate, and suitable for any Christmas concert.
$9.99
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