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71
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38
Clarinette
32
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22
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21
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19
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17
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16
3 Saxophones (trio)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
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9
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9
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8
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8
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7
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7
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6
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5
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5
2 Clarinettes (duo)
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Quintette de Saxophone: 5 saxophones
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4
Flûte, Violoncelle
4
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3
Hautbois
3
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3
Ensemble de Clarinettes
3
Hautbois, Clarinette (duo)
3
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3
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3
3 Clarinettes (trio)
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Piccolo
2
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Hautbois, Violoncelle
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Saxophone Baryton
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Quatuor de Flûtes : 4 flûtes
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Ensemble de saxophones
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Hautbois et alto (duo)
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2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Ensemble de Flûtes
1
2 Flûtes traversières, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Clarinette Basse, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Clarinette et Alto
1
Clarinette, Guitare (duo)
1
Flûte, Tuba (duo)
1
Flûte, Saxophone (duo)
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CUIVRES
Trompette
48
Trompette, Piano
42
Trombone
28
Cor et Piano
21
Trombone et Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Tuba et Piano
8
Cor anglais, Piano
8
Quatuor de Cuivres
7
Trombone (partie séparée)
5
Tuba
4
Trompette (partie séparée)
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trompettes (duo)
3
2 Trombones (duo)
2
Euphonium
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone, Violon (duo)
1
Trompette, Tuba (duo)
1
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CORDES
Violon et Piano
97
Violoncelle, Piano
65
Alto, Piano
64
Violon
53
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violoncelle
37
2 Violons (duo)
18
Alto seul
15
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Contrebasse, Piano (duo)
8
Harpe
7
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
5
Contre Basse
4
Violon, Basson (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Contrebasse (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
882
Orchestre à Cordes
21
Orchestre
13
Ensemble Jazz
8
Batterie
5
Orchestre de chambre
5
Cloches
5
Ensemble de cuivres
4
Vibraphone
2
Jazz combo
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
IRA D
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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1
Air In D For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
13.51 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1109428 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 18 pages. RayThompsonMusic #711872. Published by RayThompsonMusic (A0.1109428). Arranged standard wind quintet. I have spread the voices around, so there is NOT a constant tutti of all 5 players The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 4 of the Sequenz Recordare At 130 measures, the Recordare (Remember) is the work's longest movement, as well as the first in triple meter the movement is a setting of no fewer than seven stanzas of the Dies irae. The form of this piece is somewhat similar to sonata form, with an exposition around two themes (mm. 1–37), a development of two themes (mm. 38–92) and a recapitulation (mm. 93–98). It suits the wind quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
4.46 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1108044 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 9 pages. RayThompsonMusic #710661. Published by RayThompsonMusic (A0.1108044). Arranged wind quintet The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen.
$9.95
8.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Pachelbel's Canon in D - Woodwind Quartet (Full Score) - Score Only
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1222306 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1222306 Composed by Johann Pachelbel. Arranged by César Madeira. Children,Early Music,Film/TV,Multicultural,Wedding,World. 8 pages. Sheet Music To Play Editions #818571. Published by Sheet Music To Play Editions (A0.1222306). Pachelbel's Canon in D. Arrangement for Woodwind Quartet - Flute, Oboe, Bb Clarinet and Bassoon. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Woodwind Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.15 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Life Is Beautiful (la Vita E Bella)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1211871 Composed by Nicola Piovani. Arranged by Sjoerd van der Veen. Classical,Film/TV,Wedding. 15 pages. Sjoerd van der Veen #809419. Published by Sjoerd van der Veen (A0.1211871). The titlesong of Life is Beautiful from the Miramax motion picture Life is Beautiful (La Vita è Bella) (1997) , also performed by Noa and Andrea Bocelli The movie won the Grand Prix at the 1998 Cannes Film Festival, nine David di Donatello Awards (including Best Film), five Nastro d'Argento Awards in Italy, two European Film Awards, and three Academy Awards, including Best Foreign Language Film and Best Actor for Benigni, the first for a male non-English performance.(wikipedia) Arranged for woodwind quintet (flute - oboe - clarinet Bb - horn in F - bassoon) and very suitable for wedding, recital or concert setting.
$14.90
13.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Nicola Piovani
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Sjoerd van der Veen
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Life Is Beautiful
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Sjoerd van der Veen
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SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1368300 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #952638. Published by Amanda Rodrigues (A0.1368300). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic D Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment, and experience the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- Piano Accompaniment- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
14.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Billie Eilish
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Amanda Cerqueira Rodrigues
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What Was I Made For?
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Amanda Rodrigues
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SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1369084 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 13 pages. Amanda Rodrigues #953430. Published by Amanda Rodrigues (A0.1369084). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic D Major, this arrangement brings the timeless melody to life with ease. - Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$12.99
11.7 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Billie Eilish
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Amanda Cerqueira Rodrigues
#
What Was I Made For?
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Amanda Rodrigues
#
SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1369102 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 13 pages. Amanda Rodrigues #953447. Published by Amanda Rodrigues (A0.1369102). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic D Major, this arrangement brings the timeless melody to life with ease. Elevate your performance experiencing the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- Chords for Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$12.99
11.7 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Billie Eilish
#
Amanda Cerqueira Rodrigues
#
What Was I Made For?
#
Amanda Rodrigues
#
SheetMusicPlus
What Was I Made For?
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1368280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amanda Cerqueira Rodrigues. 21st Century,Film/TV,Pop. 16 pages. Amanda Rodrigues #952612. Published by Amanda Rodrigues (A0.1368280). Immerse yourself in the enchanting world of What Was I Made For? – a captivating Pop masterpiece featured as the theme song in the iconic Barbie movie. This sheet music, tailored for beginners and intermediate players, unlocks the magic of Billie Eilish's soulful rendition, allowing Quintet to recreate the allure of the original performance. Crafted for Flute, Oboe, Clarinet in Bb, Bassoon and Horn in the melodic D Major, this arrangement brings the timeless melody to life with ease. Elevate your performance with the added brilliance of piano accompaniment providing a fuller and more immersive musical journey for your ensemble.- Easy Intermediate- Flute, Oboe, Clarinet in Bb, Bassoon and Horn- Wind Quintet Format- Piano Accompaniment- High-Quality PDF- Theme Song from Barbie Movie- Billie Eilish's Rendition- Instant Digital DownloadWhether you're an aspiring musician or a seasoned performer, this sheet music provides a gateway to the iconic sounds of What Was I Made For? Elevate your repertoire with the magic of this Pop sensation. Download your high-quality PDF now and let the music speak for itself.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments, so come on checking my profile to pick the perfect one!
$15.99
14.4 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Billie Eilish
#
Amanda Cerqueira Rodrigues
#
What Was I Made For?
#
Amanda Rodrigues
#
SheetMusicPlus
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