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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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Piano Quatuor: piano, violon, alto, violoncelle
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Clavecin
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Clavier
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Orgue, Trompette (duo)
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9
Basse electrique
9
2 Guitares (duo)
8
Guitare (partie séparée)
4
Paroles et Accords
3
Banjo
3
3 Guitares (trio)
1
Mandoline
1
Ensemble de guitares
1
Dobro
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
217
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59
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43
Chorale 2 parties
42
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33
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix duo, Piano
6
Voix Tenor
6
Voix moyenne, Piano
4
Voix seule
4
Chorale
3
Voix haute
3
Chorale SSATTB
1
Voix duo
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
104
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90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
62
Hautbois, Piano (duo)
61
2 Saxophones (duo)
58
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58
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone Alto et Piano
55
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
39
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Baryton, Piano
36
Cor anglais, Piano
31
2 Clarinettes (duo)
30
Clarinette
30
Flûte traversière
29
Ensemble de Clarinettes
26
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
24
Saxophone Alto
22
Ensemble de Flûtes
21
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Ensemble de saxophones
16
3 Clarinettes (trio)
14
Quintette de Flûte : 5 flûtes
14
Saxophone, Clarinette (duo)
13
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13
Flûte à bec Soprano
10
Clarinette (partie séparée)
9
2 Hautbois (duo)
9
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7
Clarinette, Trompette (duo)
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7
Clarinette et Alto
6
2 Flûte à bec (duo)
6
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6
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6
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5
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5
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3
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3
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3
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Flute (partie séparée)
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3
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3
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3
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2
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Flûte à bec Alto
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5 Flûtes à bec
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2
Flûte, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
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Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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4 Hautbois
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
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1
Flûte, Violon, Piano
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2 Flûtes à bec, Guitare
1
Hautbois et alto (duo)
1
Harmonica
1
Flûte, Basson et Piano
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Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
40
Cor et Piano
37
Euphonium, Piano (duo)
36
Trompette, Piano
34
Cor anglais, Piano
31
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
16
Tuba et Piano
14
2 Trompettes (duo)
14
2 Trombones (duo)
13
Trombone
11
Ensemble de Trombones
11
Cor (partie séparée)
10
2 Cors (duo)
10
Cor
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Tuba et Orgue
3
3 Tubas (trio)
3
3 Trombones (trio)
3
2 Tubas (duo)
2
Trio de Cuivres
2
4 Tubas
2
3 Cors (trio)
2
2 Euphoniums (duo)
1
Cor, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Trompette, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Euphonium
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
91
Alto, Piano
57
Violoncelle, Piano
51
Violon
40
Harpe
33
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Alto seul
11
Violoncelle
11
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
5
Contre Basse
5
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
4
Ensemble d'Altos
4
Quatuor à cordes: 4 violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
2 Contrebasses (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
238
Orchestre
91
Orchestre à Cordes
71
Ensemble de cuivres
38
Ensemble Jazz
28
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Batterie (partie séparée)
4
Piano et Orchestre
4
Marimba
3
Batterie
3
Vibraphone
2
Vibraphone (partie séparée)
1
Orchestre, Violon
1
Instrumentations suivantes
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The Boar's Head Carol - Woodwind Quintet - Intermediate
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.734425 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.734425 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Sacred,Standards. 10 pages. Chicory Music #5370963. Published by Chicory Music (A0.734425). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Bb Major and modulates to C Major for the final chorus Performance time approx. 1 minute 45 seconds.
$9.99
9.23 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Traditional English Carol
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Dennis Ruello
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The Boar's Head Carol - Woodwind Quintet - Intermediate
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Chicory Music
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SheetMusicPlus
Mozart's Symphony No. 29 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding. 40 pages. Frank Starobin #3023001. Published by Frank Starobin (A0.874038). W. A. Mozart's Symphony NO.29 in A major, K. 201, for horns, oboes, and strings is one of the composer's most notable early works. In this woodwind quintet arrangement of the first movement, Allegro moderato, I've emulated Mozart's scoring for winds to give it a genuine and honest Mozartesque air. A light and fun piece for winds! Clarinet in A and B-flat parts included. https://www.youtube.com/watch?v=pQjyKAoYVHM
$15.00
13.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Frank Starobin
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Mozart's Symphony No. 29 for Woodwind Quintet
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Frank Starobin
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SheetMusicPlus
Gounod: Méditation sur Prélude 1 de Piano de J S Bach (Ave Maria) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1152426 Composed by Charles Francois Gounod. Arranged by Ray Thompson. Christian,Religious,Romantic Period,Wedding. 12 pages. RayThompsonMusic #752651. Published by RayThompsonMusic (A0.1152426). Arranged wind quintet I have based this arrangement on Gounod’s original composition which was for solo violin,piano and organ. The words for ’Ave Maria were added later. I have attempted to avoid the semiquaver accompanimnent of Bach’s prelude being given to one player: i have spread it between the bassoon horn clarinet and flute. The tune is mainly on oboe but other instruments take the melody on occaison. There are 2 verses.
$9.95
9.19 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Francois Gounod
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Ray Thompson
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Gounod: Méditation sur Prélude 1 de Piano de J S Bach
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RayThompsonMusic
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SheetMusicPlus
Salut d'Amour | Liebesgruss | Love's Greetings
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1391435 By EnsembleSheetMusic. By Edward Elgar. Arranged by Sjoerd van der Veen. 19th Century,Chamber,Romantic Period,Wedding. 17 pages. Sjoerd van der Veen #974978. Published by Sjoerd van der Veen (A0.1391435). Salut d'Amour was composed by Edward Elgar in 1888, originally written for violin and piano.At the time Elgar was romantically involved with the writer Caroline Alice Roberts (Carice). On their engagement she had already presented him with the poem The Wind at Dawn. In return, Elgar composed his Liebesgruss for her. A short masterpiece that later became famous under the French title Salut d'amour.The beautiful, loving music is ideal for Valentine's Day, (romantic theme) concerts or as an intermezzo. But of course it should not be missing from any wedding playlist.
$12.99
12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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EnsembleSheetMusic
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Sjoerd van der Veen
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Salut d'Amour | Liebesgruss | Love's Greetings
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Sjoerd van der Veen
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
13.81 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.81 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claude Debussy
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Ray Thompson
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Pure Imagination
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1408586 By Gene Wilder. By Anthony Newley and Leslie Bricusse. Arranged by James Smith. Broadway,Film/TV,Musical/Show. 12 pages. Ensemble Llama Music #991182. Published by Ensemble Llama Music (A0.1408586). Pure Imagination is a song from the 1971 film Willy Wonka & the Chocolate Factory. It was sung by Gene Wilder who played the character of Willy Wonka. Since its release, the song has been covered and remixed hundreds of times by a wide variety of artists. This arrangement honors many of the movie version's nuances, including an interlude in an odd meter, to add interest and capture the magic of the Chocolate Factory. It's scrumdidlyumptious - perfect for wind quintets looking for a lyrical ballad.Click here to view more of my catalog with Ensemble Llama Music!
$15.99
14.77 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gene Wilder
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James Smith
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the Chocolate Factory
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Pure Imagination
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Ensemble Llama Music
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SheetMusicPlus
Satie: Sarabande No.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302815 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 10 pages. RayThompsonMusic #892418. Published by RayThompsonMusic (A0.1302815). Satie: Sarabande No.1  Arranged standard wind quintetThe Sarabandes are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. The Sarabandes also played a key role in Satie's belated discovery by his country's musical establishment in the 1910s, setting the stage for his international notoriety.French composer and critic Alexis Roland-Manuel wrote in 1916 that the Sarabandes represented a milestone in the evolution of our music...pieces of an unprecedented harmonic technique, born of an entirely new aesthetic, which create a unique atmosphere, a sonorous magic of complete originality.The sarabande is a dance in triple meter that originated in the Spanish colonies of Central America in the mid-1500s. It had migrated to Europe by the 17th Century, where in France it became a popular slow court dance. Satie's modern reinterpretations consist of three dances with a total duration of roughly 15 minutes:Sarabande No. 1 - A-flat major (This one)Sarabande No. 2 - D-sharp minorSarabande No. 3 - B-flat minorThe melody is shared amongst the top 4 instruments, and the quintet do not play tutti all of the time. This adds more interest and variation to the piece.Enjoy.
$9.95
9.19 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Sarabande No.1 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.2 of 6 Andante - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150410 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750587. Published by RayThompsonMusic (A0.1150410). Arranged wind quintet Horn in Eb (Alt part for hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.2 Andante sostenuto
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.5 of 6 Allegro assai - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 11 pages. RayThompsonMusic #749729. Published by RayThompsonMusic (A0.1149582). Arranged wind quintet Horn in Bb basso (alt hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.5 Allegro assai.
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.4 of 6 Andante - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149179 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749309. Published by RayThompsonMusic (A0.1149179). Arranged wind quintet Horn in D, Clarinet in A Alt. parts for hn in F/clt in Bb The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.4 Andante.
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.3 of 6 Allegretto - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749198. Published by RayThompsonMusic (A0.1149073). Arranged wind quintet. Horn in G/Clarinet in A (Alt parts for Hn in F/Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.3 Allegretto.
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.6 of 6 Vivace - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750424. Published by RayThompsonMusic (A0.1150248). Arranged wind quintet The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.6 Vivace My mp3 tempo dotted crotchet = 56, which is still vivace enough, and the semi quaver runs are still playable by the woodwind!
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.1 of 6 Allegro - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150413 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750590. Published by RayThompsonMusic (A0.1150413). Wind quintet Hogn in G, Clarinet in A (Alt parts for Hn in F, Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.1 Allegro
$1.99
1.84 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 Complete Nos.1 to 6 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150583 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 49 pages. RayThompsonMusic #750761. Published by RayThompsonMusic (A0.1150583). Arranged wind quintet Natural Horn in varying keys: G, F. Eb. D and Bb Basso (Alternate part for hn in F) Clarinet part for Bb/A (Alt part for Bb clt) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas Pieces’. This my arrangement of the complete setcheck out my other Christmas arrangements.
$9.95
9.19 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstücke
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RayThompsonMusic
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SheetMusicPlus
Fugue G Minor - (the 'little') - BWV 578 - Swing - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.569386 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Jazz. 14 pages. Thomas Graf - the-hit-factory.com #6339339. Published by Thomas Graf - the-hit-factory.com (A0.569386). Swinging Bach: the greatest music - the biggest fun. A valuable study for counterpoint and fugue. It's so easy and so nice. Enjoy! Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$19.99
18.47 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Thomas Graf
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Fugue G Minor -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
55.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Quintet《木管五é‡å¥ã€‹
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 C…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年（賴德和撰寫） 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段：第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是，父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂，æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店，演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》（2002） The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
14.77 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木管五é‡å¥ã€‹
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SpringAutumnmusic
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.34 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.813870 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 24 pages. Regis Bookshar #6612509. Published by Regis Bookshar (A0.813870). Woodwind Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
18.48 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
4.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
46.15 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Dance of the Sugar Plum Fairy by Tchaikovsky Op 71a for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956896 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956896 Composed by Peter Ilyich Tchaikovsky. Arranged by Woods Only. Christmas,Romantic Period,Standards,Wedding,World. 10 pages. Woods Only, Arrangements #6474769. Published by Woods Only, Arrangements (A0.956896). This authentic version of this emblematic Tchaikovsky composition was written for woodwind quintet where it can be flexibly performed in Christmas or wedding ceremonies. It can be performed by students who already have a good instrumental practice or professional teachers. This does not prevent it from being performed in concerts or academic or graduation recitals.The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker.
$7.99
7.38 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Peter Ilyich Tchaikovsky
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Woods Only
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Dance of the Sugar Plum Fairy by Tchaikovsky Op 71a for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1109428 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 18 pages. RayThompsonMusic #711872. Published by RayThompsonMusic (A0.1109428). Arranged standard wind quintet. I have spread the voices around, so there is NOT a constant tutti of all 5 players The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 4 of the Sequenz Recordare At 130 measures, the Recordare (Remember) is the work's longest movement, as well as the first in triple meter the movement is a setting of no fewer than seven stanzas of the Dies irae. The form of this piece is somewhat similar to sonata form, with an exposition around two themes (mm. 1–37), a development of two themes (mm. 38–92) and a recapitulation (mm. 93–98). It suits the wind quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
4.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
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RayThompsonMusic
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SheetMusicPlus
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