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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CITHARE
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CLARINETTE
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DEEJAY
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FORMATION MUSI…
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Karl-King
Sheetmusicplus
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17
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6
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4
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2
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1
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1
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1
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1
+ 3 instrumentations
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1
Voix
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5
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3
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19
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10
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8
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7
Clarinette
7
Saxophone Alto
6
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5
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5
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5
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3
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2
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8
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5
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3
4 Tubas
2
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1
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1
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1
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1
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1
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2
Violon
2
Alto, Guitare (duo)
1
Trio à cordes
1
Violon et Piano
1
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Orchestre d'harmonie
59
Ensemble de cuivres
5
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3
Orchestre
2
Batterie (partie séparée)
1
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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SAXOPHONE
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Karl-King
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Partitions à imprimer
2 partitions trouvées
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A Night in June
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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K
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James Cutter
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A Night in June
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James Cutter
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1031729 Composed by K.L. King. Arranged by James Cutter. Folk,Holiday,Instructional,...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1031729 Composed by K.L. King. Arranged by James Cutter. Folk,Holiday,Instructional,Patriotic,Standards,Traditional. Score and parts. 11 pages. James Cutter #3536147. Published by James Cutter (A0.1031729). Karl King's best-known composition is his Barnum and Bailey's Favorite. In that march, he is able to conjure up a magnificent scene of the old circus tents -- all the aromas, all the sounds, all the sights, and, of course, the circus band. King in 'A Night in June' he transports you to a simpler time. With images of sitting on the porch at evening listening to the crickets sipping on ice tea and just enjoying life. This arrangement is for Woodwind Quintet; where the French Horn has the melody for the majority of the time. Usually in woodwind quintet settings French Horn plays a support role with the Flute or oboe playing the melody. In this arrangement the horn gets to shine. This is a great teaching piece for an advancing Woodwind Quintet. It does have some tricky key signatures for all of the parts but would make a great supplement to a summer music camp or music program looking to challenge a young ensemble.
$3.99
Geometria
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
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