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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Keep On Keepin' On
Non classifié
278
Piano & claviers
Piano seul
51
Piano, Voix
21
Piano, Voix et Guitare
15
Piano Facile
9
Orgue
7
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
+ 2 instrumentations
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Guitares
Guitare notes et tablatures
6
Guitare
5
Basse electrique
4
Paroles et Accords
2
Mandoline
1
Ukulele
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale SATB
21
Chorale 3 parties
12
Chorale 2 parties
7
Chorale SSAA
5
Chorale TTBB
4
Voix duo, Piano
3
Chorale Unison
2
Voix haute
1
+ 3 instrumentations
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Vents
2 Saxophones (duo)
155
2 Clarinettes (duo)
79
2 Flûtes traversières (duo)
55
Clarinette, Violon (duo)
51
Saxophone, Clarinette (duo)
49
Clarinette, Trompette (duo)
48
2 Flûte à bec (duo)
48
Flûte, Clarinette (duo)
29
Hautbois, Clarinette (duo)
28
Flûte, Alto (duo)
27
Clarinette et Alto
26
Flûte, Violon
26
Hautbois, Basson (duo)
26
Flûte, Saxophone (duo)
26
2 Hautbois (duo)
26
Quatuor de Saxophones: 4 saxophones
21
Flûte, Trompette (duo)
19
3 Saxophones (trio)
19
Quintette de Saxophone: 5 saxophones
15
Flûte, Hautbois (duo)
14
Hautbois, Flûte
13
Hautbois, violon (duo)
13
Clarinette et Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette, Trombone (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
7
Saxophone Tenor et Piano
6
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette, Basson (duo)
4
3 Clarinettes (trio)
4
Quatuor de Flûtes à bec
3
Flûte à Bec
3
3 Flûtes à bec (trio)
3
Ensemble de Flûtes
3
5 Flûtes à bec
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
2
Clarinette
2
Ensemble de Clarinettes
2
Flûte traversière
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
1
Saxophone Alto
1
Flûte et Guitare
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière et Piano
1
Flûte à bec Soprano
1
Flûte irlandaise
1
Flûte, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone Soprano et Piano
1
Flûte, Violoncelle
1
+ 58 instrumentations
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Cuivres
Trompette, Saxophone (duo)
39
2 Trompettes (duo)
36
2 Trombones (duo)
36
Trompette, Trombone (duo)
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
2 Euphoniums (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
4
Ensemble de Cors
3
Cor
3
Trombone
3
Cor anglais, Piano
3
Ensemble de Trombones
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Trompette
2
Trompette, Violoncelle et Piano
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
3 Cors (trio)
1
Cor et Piano
1
2 Cors Anglais Et Pianoforte
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
Trombone et Piano
1
3 Trombones (trio)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
2 Altos (duo)
33
Violon, Violoncelle (duo)
32
Violon, Alto (duo)
30
2 Violons (duo)
27
2 Violoncelles (duo)
26
Violon
12
Violon et Piano
9
Violoncelle, Piano
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Alto, Piano
5
Violoncelle
5
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
3
Alto seul
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contre Basse
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon (partie séparée)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Orchestre à Cordes
38
Ensemble de cuivres
28
Batterie
15
Orchestre
6
Cloches
5
Orchestre de chambre
3
Ensemble de Percussions
2
Fanfare
2
Jazz combo
1
Xylophone, Piano
1
Marimba
1
+ 7 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Keep On Keepin' On
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
5 partitions trouvées
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Custos Caeli
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Brian Joyce
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Custos Caeli
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Brian Joyce
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Publis...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Published by Brian Joyce (A0.836708). Full disclosure: This work is frankly atonal. Rhythms are tricky. Harmonies are unconventional to say the least. And even the form is nicely aberrant.Yet something magical happens when writing for winds: because of the weak timbre contact between the different instruments, one can write complex textures without losing clarity. One can write dissonant harmonies without having them sound harsh and grating. In fact, there are moments of surprising beauty here. Take for instance the color canons, passages combining all instruments in clusters whose harmonic and rhythmic motion is essentially static, but which shimmer with ever-changing timbres. The title translates - inexactly - to Keeper of Heaven, or Starry Watchman, or Celestial Caretaker, and refers to an imaginary character whose task it is to walk about the heavens at sunset and turn on the stars. He is the galactic equivalent of the old gentlemen who once went about Victorian streets, lighting the gas lamps and generally keeping an eye on things, making sure that all is well. I do not claim that this character is God the Father Almighty, only that he is an old gentleman. But there might very well be something wizard-ish about him!Performance time is approximately seven and a half minutes. The audio excerpt included here is of the last two minutes, where the music comes the closest to being tonal.
$11.95
Symphony No. 7 by Beethoven for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126702 Composed by Johann Sebastian Bach. Arranged by Ander. Classical,Film/TV,Instructional,Mar...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1126702 Composed by Johann Sebastian Bach. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #727346. Published by Woods Only, Arrangements (A0.1126702). This arrangement adapted for woodwind quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$9.99
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Wind Quintet - Courtly Dances
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Courtly Dances
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #46...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #4610379. Published by Lyons Music Services (A0.767471). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
$10.99
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Them
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99
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