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Man D Folk
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238
Piano & claviers
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76
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45
Piano Facile
40
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15
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9
Piano, Voix et Guitare
9
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8
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2
Piano Trio: piano, violon, violoncelle
2
Orgue
1
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50
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37
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7
Basse electrique
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Mandoline
5
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4
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2
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2
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1
4 Guitares (Quatuor)
1
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1
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21
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9
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7
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5
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3
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19
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16
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15
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13
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12
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11
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9
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9
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9
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8
Clarinette
7
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7
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6
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5
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5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
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4
Ensemble de Clarinettes
3
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3
Saxophone Alto
3
Piccolo
3
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3
Ocarina
3
Saxophone Tenor
3
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2
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2
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2
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2
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1
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1
Clarinette, Violoncelle, Piano (trio)
1
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1
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1
2 Clarinettes (duo)
1
3 Clarinettes (trio)
1
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1
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1
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1
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1
Flûte, trombone et piano
1
Hautbois (partie séparée)
1
2 Clarinettes, Piano
1
Harmonica
1
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1
Quatuor de Flûtes à bec
1
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Trompette, Piano
15
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14
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13
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13
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12
Trompette
10
Cor anglais, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
2
Cor
2
Tuba
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone
1
Ensemble de Trompettes
1
Trombone basse et Piano
1
2 Cors (duo)
1
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38
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26
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24
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23
Harpe
18
Violon
12
Violoncelle
7
2 Violons (duo)
6
Violon, Guitare (duo)
5
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5
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5
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
Alto, Guitare (duo)
1
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1
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1
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1
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620
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8
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4
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3
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNET
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Vous avez sélectionné:
Man D Folk
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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Dvorak: Slavonic Dances Op.46 No.6 in D (Sousedská) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: Slavonic Dances Op.46
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1133037 Composed by Antonin Dvorak. Arranged by Ray Thompson. Fo...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1133037 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. 27 pages. RayThompsonMusic #733194. Published by RayThompsonMusic (A0.1133037). Arranged wind quintet Clarinet In A and Horn in D (Alt Clt in Bb and Horn in F included) The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. Originally written for piano four hands, the Slavonic Danceswere inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are among the composer's most memorable works, occasionally making appearances in popular culture. This is my arrangement of no.6 (In some versions listed as no.3) :a gentle Allegretto scherzando: it suits the wind quintet I have attempted to give the players somewhere to breath, so they are not always tutti.
$14.95
Grieg: Lyric Pieces Op.54 No.3 "Trolltog" (March of the Trolls) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Ray Thompson
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Grieg: Lyric Pieces Op.54 No.3
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.564430 Composed by Edvard Grieg. Arranged by Ray Thompson. Folk,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.564430 Composed by Edvard Grieg. Arranged by Ray Thompson. Folk,Halloween,Romantic Period. 10 pages. RayThompsonMusic #170963. Published by RayThompsonMusic (A0.564430). Lyric Pieces (Norwegian: Lyriske stykker) is a collection of 66 short pieces for solo piano written by Edvard Grieg. They were published in 10 volumes, from 1867 (Op. 12) to 1901 (Op. 71). The collection includes several of his best known pieces, such as Wedding Day at Troldhaugen (Bryllupsdag på Troldhaugen), To Spring (Til våren), March of the Trolls (Trolltog), and Butterfly (Sommerfugl). This is an arrangement of Lyric Pieces Op.54 No.3 Trolltog.Allegro moderato (D minor) K/a March of the dwarfs or trolls/ Marche des nains / Zug der ZwergeGrieg later arranged four of the pieces from Op.54 as his Lyric Suite for orchestra.Grieg slightly altered the order of the numbers in the orchestral suite by swapping No. 4 Notturno with No. 3 March of the Dwarfs. The final order of this is:1. Shepherd Boy2. Norwegian March3. Notturno (originally No. 4)4. March of the Dwarfs (originally No. 3).I have arranged many of Grieg's Lyric pieces for wind quintet, You can find them on this site.
$14.95
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Norwegian Melody
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Ian D
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Norwegian Melody
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.949130 Composed by Edvard Grieg. Arranged by Ian D. Crew. Concert,Romantic Period,Standards. 8 pa...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.949130 Composed by Edvard Grieg. Arranged by Ian D. Crew. Concert,Romantic Period,Standards. 8 pages. Grumpy Mule Music #5743915. Published by Grumpy Mule Music (A0.949130). A bold, joyful piece from the Norwegian master, with a noticeable folk influence. This arrangement for wind quintet brings out the raucousness of the main section, and the slightly mysterious character of the middle part. Ideal for players of intermediate standard, and a great programme filler. (N. B. The original music has been transposed up a semitone, mainly to accommodate the clarinet, but also to make effective use of the lowest notes of the oboe and bassoon. The minor key looks tricky, but is actually perfectly practicable!).
$7.99
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