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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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UKULELE
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XYLOPHONE
Man On The Train
Non classifié
80
Piano & claviers
Piano seul
95
Piano, Voix et Guitare
22
Piano Facile
21
Orgue
17
Piano, Voix
6
Instruments en Do
5
2 Pianos, 4 mains
2
Accompagnement Piano
1
1 Piano, 4 mains
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
22
Guitare
19
Basse electrique
2
Paroles et Accords
2
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
15
Voix Alto, Piano
10
Voix Soprano, Piano
6
Chorale 2 parties
5
Chorale Unison
4
Chorale 3 parties
3
Chorale TTBB
2
Voix seule
1
Voix Baryton, Piano
1
Chorale SSAA
1
Voix basse, Piano
1
Voix duo
1
+ 7 instrumentations
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Vents
Saxophone Alto et Piano
7
3 Saxophones (trio)
4
Flûte traversière et Piano
3
Ensemble de Clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Flûte traversière
3
Saxophone Soprano et Piano
2
Ensemble de saxophones
2
Clarinette et Piano
2
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Clarinette
1
2 Saxophones (duo)
1
+ 17 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
7
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Quatuor de Cuivres
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trio de Cuivres
1
Trombone basse
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Trompette, Piano
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Euphonium
1
+ 10 instrumentations
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Cordes
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19
Harpe
12
Violon
10
Violon et Piano
9
Violoncelle, Piano
5
Alto, Piano
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Trio à cordes: 3 violins
2
Alto seul
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon (partie séparée)
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre à Cordes
22
Orchestre de chambre
14
Orchestre
11
Ensemble Jazz
11
Ensemble d'École
4
Ensemble de cuivres
2
Cloches
1
Fanfare
1
+ 4 instrumentations
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Instruments
ACCORDEON
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COR ANGLAIS
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FLUTE A DIX…
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LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Vous avez sélectionné:
Man On The Train
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
3 partitions trouvées
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Romantic Flight
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Various
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JACOB L WALKER
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Romantic Flight
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8 Steps Music LLC
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1454843 By Various. By John Powell. Arranged by JACOB L WALKER. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1454843 By Various. By John Powell. Arranged by JACOB L WALKER. 21st Century,Chamber,Contemporary,Film/TV,Folk. 11 pages. 8 Steps Music LLC #1033913. Published by 8 Steps Music LLC (A0.1454843). This woodwind quintet arrangement of Romantic Flight from How to Train Your Dragon by John Powell offers a fresh, intimate take on the sweeping, emotive original score. The varied textures and colors convey the sense of wonder and excitement intrinsic to the original piece, while also allowing for moments of introspection and beauty. The arrangement highlights the strengths of each instrument, creating a balanced and engaging performance that brings John Powell’s composition to life in a new and captivating way.
$12.99
Wellerman - #SHANTYTOK for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Folklorique/Traditionel
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Traditional Whaling Song
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Kenneth Martin
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Wellerman - #SHANTYTOK for Woo
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Martin Music SD
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Horn in F - Intermediate - Digital Download Composed by Traditional Whaling Song. Arranged by Kenneth Martin. Reperto...
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Flute, Oboe, Clarinet, Bassoon, Horn in F - Intermediate - Digital Download Composed by Traditional Whaling Song. Arranged by Kenneth Martin. Repertoire, General Instructional, Technique Training, World, Folk. Score. 13 pages. Published by Martin Music SD
Item Number: S0.975597
Sea Shanty TikTok has arrived in sheet music form for Woodwind Quintet.Wellerman, the Traditional New Zealand Whaling song is arranged for brass - using the original material as seen on TikTok, but with a fun treatment to give all the parts a chance to 'singalong.'.
$14.99
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
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